Aison (vase Painter)
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Aison (vase Painter)
Aison was an ancient Greek vase painter of the red-figure style. About 60 of his vases survive, which are dated between 435 and 415 BCE. Aison spent his career in several workshops, where he came into contact with several other well-known painters. His first works were created in the same workshop as the Kodros Painter. A kylix with motifs from the Theseus legend, that is today in the National Archaeological Museum of Spain, was created in the same workshop that Penthesilea Painter was active in and Aristophanes was later to join. In his third workshop he worked together with the Schuvalow Painter and the Eretria Painter. Here he painted mostly closed containers. All three artists stood in the tradition of Polygnotos. From this time his second showpiece originates, the lekythos in Naples National Archaeological Museum. Two further lekythos (from the Louvre and the National Archaeological Museum of Athens) clearly mark a turning point in the artist's life when he embraced the A ...
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Kylix Theseus Aison MNA Inv11365 N1
In the pottery of ancient Greece, a kylix ( , ; grc, κύλιξ, pl. κύλικες; also spelled cylix; pl.: kylikes , ) is the most common type of wine-drinking cup. It has a broad, relatively shallow, body raised on a stem from a foot and usually two horizontal handles disposed symmetrically. The main alternative wine-cup shape was the ''kantharos'', with a narrower and deeper cup and high vertical handles. The almost flat interior circle of the base of the cup, called the tondo (art), tondo, was generally the primary surface for painted decoration in the black-figure or Red-figure, red-figure pottery styles of the 6th and 5th century BC, and the outside was also often painted. As the representations would be covered with wine, the scenes would only be revealed in stages as the wine was drained. They were often designed with this in mind, with scenes created so that they would surprise or titillate the drinker as they were revealed. Etymology The word comes from the Gr ...
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Naples National Archaeological Museum
The National Archaeological Museum of Naples ( it, Museo Archeologico Nazionale di Napoli, italic=no, sometimes abbreviated to MANN) is an important Italian archaeological museum, particularly for ancient Roman remains. Its collection includes works from Greek, Roman and Renaissance times, and especially Roman artifacts from the nearby Pompeii, Stabiae and Herculaneum sites. From 1816 to 1861, it was known as Real Museo Borbonico ("the Royal Bourbon Museum"). Building The building was built as a cavalry barracks in 1585. From 1616 to 1777 it was the seat of the University of Naples. During the 19th century, after it became a museum, it suffered many changes to the main structure. Collections The museum hosts extensive collections of Greek and Roman antiquities. Their core is from the Farnese Collection, which includes a collection of engraved gems (including the Farnese Cup, a Ptolemaic bowl made of sardonyx agate and the most famous piece in the "Treasure of the Magnifi ...
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5th-century BC Deaths
The 5th century is the time period from 401 ( CDI) through 500 ( D) ''Anno Domini'' (AD) or Common Era (CE) in the Julian calendar. The 5th century is noted for being a period of migration and political instability throughout Eurasia. It saw the collapse of the Western Roman Empire, which came to an end in 476 AD. This empire had been ruled by a succession of weak emperors, with the real political might being increasingly concentrated among military leaders. Internal instability allowed a Visigoth army to reach and ransack Rome in 410. Some recovery took place during the following decades, but the Western Empire received another serious blow when a second foreign group, the Vandals, occupied Carthage, capital of an extremely important province in Africa. Attempts to retake the province were interrupted by the invasion of the Huns under Attila. After Attila's defeat, both Eastern and Western empires joined forces for a final assault on Vandal North Africa, but this campaign was ...
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John Boardman (archaeologist)
Sir John Boardman, (; born 20 August 1927) is a classical archaeologist and art historian. He has been described as "Britain's most distinguished historian of ancient Greek art." Biography John Boardman was educated at Chigwell School (1938–1945); then Magdalene College, Cambridge, where he read Classics beginning in 1945. After completing two years' national service in the Intelligence Corps he spent three years in Greece, from 1952 to 1955, as the Assistant Director of the British School at Athens. He married Sheila Stanford in 1952 (d. 2005), and has two children, Julia and Mark. On his return to England in 1955, Boardman took up the post of Assistant Keeper at the Ashmolean Museum in Oxford, thus beginning his lifelong affiliation with it. In 1959 he was appointed Reader in Classical Archaeology in the University of Oxford, and in 1963 was appointed a Fellow of Merton College. Here he remained until his appointment as Lincoln Professor of Classical Art and Archaeology ...
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Adonis
In Greek mythology, Adonis, ; derived from the Canaanite word ''ʼadōn'', meaning "lord". R. S. P. Beekes, ''Etymological Dictionary of Greek'', Brill, 2009, p. 23. was the mortal lover of the goddess Aphrodite. One day, Adonis was gored by a wild boar during a hunting trip and died in Aphrodite's arms as she wept. His blood mingled with her tears and became the anemone flower. Aphrodite declared the Adonia festival commemorating his tragic death, which was celebrated by women every year in midsummer. During this festival, Greek women would plant "gardens of Adonis", small pots containing fast-growing plants, which they would set on top of their houses in the hot sun. The plants would sprout, but soon wither and die. Then the women would mourn the death of Adonis, tearing their clothes and beating their breasts in a public display of grief. The Greeks considered Adonis's cult to be of Near Eastern origin. Adonis's name comes from a Canaanite word meaning "lord" and most mod ...
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National Archaeological Museum Of Athens
The National Archaeological Museum ( el, Εθνικό Αρχαιολογικό Μουσείο) in Athens houses some of the most important artifacts from a variety of archaeological locations around Greece from prehistory to late antiquity. It is considered one of the greatest museums in the world and contains the richest collection of Greek Antiquity artifacts worldwide. It is situated in the Exarcheia area in central Athens between Epirus Street, Bouboulinas Street and Tositsas Street while its entrance is on the Patission Street adjacent to the historical building of the Athens Polytechnic university. History The first national archaeological museum in Greece was established by the governor of Greece Ioannis Kapodistrias in Aigina in 1829. Subsequently, the archaeological collection was relocated to a number of exhibition places until 1858, when an international architectural competition was announced for the location and the architectural design of the new museum.The Nation ...
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Louvre
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward). At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 square meters (782,910 square feet). Attendance in 2021 was 2.8 million due to the COVID-19 pandemic, up five percent from 2020, but far below pre-COVID attendance. Nonetheless, the Louvre still topped the list of most-visited art museums in the world in 2021."The Art Newspaper", 30 March 2021. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement ...
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Lekythos
A lekythos (plural lekythoi) is a type of ancient Greek vessel used for storing oil (Greek λήκυθος), especially olive oil. It has a narrow body and one handle attached to the neck of the vessel, and is thus a narrow type of jug, with no pouring lip; the oinochoe is more like a modern jug. In the "shoulder" and "cylindrical" types which became the most common, especially the latter, the sides of the body are usually vertical by the shoulder, and there is then a sharp change of direction as the neck curves in; the base and lip are normally prominent and flared. However, there are a number of varieties, and the word seems to have been used even more widely in ancient times than by modern archeologists. They are normally in pottery, but there are also carved stone examples. Lekythoi were especially associated with funerary rites, and with the white ground technique of vase painting, which was too fragile for most items in regular use. Because of their handle they were norma ...
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Polygnotos (vase Painter)
Polygnotos (active approx. 450 - 420 BCE), a Greek vase-painter in Athens, is considered one of the most important vase painters of the red figure style of the high- classical period. He received his training in the workshop of the Niobid Painter and specialized in monumental vases, as in the manner of Polygnotos of Thasos, after whom he probably designated himself. He was the leading vase painter of the Group of Polygnotos which carries his name. He painted particularly large containers such as '' stamnoi'', kraters, hydria and shoulder amphorae, as well as Nolan amphorae and ''pelike''. Beside this famous vase painter two further vase painters have the name Polygnotos. They have become known in the scholarly literature as the Lewis Painter and the Nausikaa Painter. File:NAMA Courtisane & client.jpg, Young man with a hetaera, pelike. Archaeological Museum of Athens. File:NAMA 18063 Helene Phœbe.JPG, Theseus abducts Helen, stamnos. Archaeological Museum of Athens. File:Pelike ...
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Ancient Greek
Ancient Greek includes the forms of the Greek language used in ancient Greece and the ancient world from around 1500 BC to 300 BC. It is often roughly divided into the following periods: Mycenaean Greek (), Dark Ages (), the Archaic period (), and the Classical period (). Ancient Greek was the language of Homer and of fifth-century Athenian historians, playwrights, and philosophers. It has contributed many words to English vocabulary and has been a standard subject of study in educational institutions of the Western world since the Renaissance. This article primarily contains information about the Epic and Classical periods of the language. From the Hellenistic period (), Ancient Greek was followed by Koine Greek, which is regarded as a separate historical stage, although its earliest form closely resembles Attic Greek and its latest form approaches Medieval Greek. There were several regional dialects of Ancient Greek, of which Attic Greek developed into Koine. Dia ...
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Aristophanes (vase Painter)
Aristophanes ( grc-gre, Ἀριστοφάνης; active between 430 and 400 BC in Athens) was an ancient Greek vase painter of the Attic red-figure style. Three pieces signed by him are known. Two of them are bowls made by the potter Erginos, now in Berlin ( Antikensammlung Berlin) and Boston ( Museum of Fine Arts), the third is the fragment of a ''krater'' in Agrigento (Museo Archeologico Regionale). A number of further works are attributed to him. Aristophanes strove to make his figures appear as lively as possible. His paintings are characterised by carefully drawn separate lines. In some cases, the drawing of garment folds or women's hair leads to a somewhat artificial impression. Selected works *Agrigento, Museo Archeologico Regionale :fragment of a bell krater *Berlin, Antikensammlung :loutrophoros F 2373 • bowl 2531 • lekythos F 2706 *Boston, Museum of Fine Arts :bowl 00.344 • bowl 00.345 *St. Petersburg Saint Petersburg ( rus, links=no, Санкт-Петер ...
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Penthesilea Painter
The Penthesilea Painter (active between 470 and 450 BC at Athens) was a Greek vase painter of the Attic red-figure style. His true name is unknown. His conventional name is derived from his name vase, "bowl 2688" in Munich, the inside of which depicts the slaying of Penthesilea by Achilles. On the basis of that work, John Beazley attributed 177 known vases to the painter, about 100 of which only survive fragmentarily. Bowls, 149 in number, represent the bulk of his work. The rest is distributed among small shapes like ''skyphoi'', '' kantharoi'' and bobbins. His work is characterised by large, space-filling figures whose posture is often bent so as to permit them to fit on a vessel. For the same reason, ornamental decoration around the edges is often very narrow. His works are also characterised by being very colourful, permitting several intermediate shades. Apart from dark coral red and the usual light red, he also used tones of brown, yellow, yellow-white and gold. His figures ...
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