Aison (vase Painter)
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Aison was an
ancient Greek Ancient Greek includes the forms of the Greek language used in ancient Greece and the ancient world from around 1500 BC to 300 BC. It is often roughly divided into the following periods: Mycenaean Greek (), Dark Ages (), the Archaic p ...
vase painter of the
red-figure Red-figure vase painting is one of the most important styles of figural Greek vase painting. It developed in Athens around 520 BCE and remained in use until the late 3rd century BCE. It replaced the previously dominant style of black-figure va ...
style. About 60 of his vases survive, which are dated between 435 and 415 BCE. Aison spent his career in several workshops, where he came into contact with several other well-known painters. His first works were created in the same workshop as the
Kodros Painter Codrus (; ; Greek: , ''Kódros'') was the last of the semi-mythical Kings of Athens (r. ca 1089–1068 BC). He was an ancient exemplar of patriotism and self-sacrifice. He was succeeded by his son Medon, who it is claimed ruled not as king but a ...
. A kylix with motifs from the
Theseus Theseus (, ; grc-gre, Θησεύς ) was the mythical king and founder-hero of Athens. The myths surrounding Theseus his journeys, exploits, and friends have provided material for fiction throughout the ages. Theseus is sometimes describ ...
legend, that is today in the
National Archaeological Museum of Spain The National Archaeological Museum ( es, Museo Arqueológico Nacional; MAN) is a museum in Madrid, Spain. It is located on Calle de Serrano beside the Plaza de Colón, sharing its building with the National Library of Spain. History The museu ...
, was created in the same workshop that
Penthesilea Painter The Penthesilea Painter (active between 470 and 450 BC at Athens) was a Greek vase painter of the Attic red-figure style. His true name is unknown. His conventional name is derived from his name vase, "bowl 2688" in Munich, the inside of which ...
was active in and Aristophanes was later to join. In his third workshop he worked together with the Schuvalow Painter and the Eretria Painter. Here he painted mostly closed containers. All three artists stood in the tradition of
Polygnotos Polygnotus ( el, Πολύγνωτος ''Polygnotos'') was an ancient Greek painter from the middle of the 5th century BC. Life He was the son and pupil of Aglaophon. He was a native of Thasos, but was adopted by the Athenians, and admitted to ...
. From this time his second showpiece originates, the lekythos in
Naples National Archaeological Museum The National Archaeological Museum of Naples ( it, Museo Archeologico Nazionale di Napoli, italic=no, sometimes abbreviated to MANN) is an important Italian archaeological museum, particularly for ancient Roman remains. Its collection includes wo ...
. Two further
lekythos A lekythos (plural lekythoi) is a type of ancient Greek vessel used for storing oil (Greek λήκυθος), especially olive oil Olive oil is a liquid fat obtained from olives (the fruit of ''Olea europaea''; family Oleaceae), a traditiona ...
(from the
Louvre The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central l ...
and the National Archaeological Museum of Athens) clearly mark a turning point in the artist's life when he embraced the
Adonis In Greek mythology, Adonis, ; derived from the Canaanite word ''ʼadōn'', meaning "lord". R. S. P. Beekes, ''Etymological Dictionary of Greek'', Brill, 2009, p. 23. was the mortal lover of the goddess Aphrodite. One day, Adonis was gored by ...
cult. The difference is seen in the quality of his work, which is probably due primarily to difficult life circumstances, as demonstrated by the frequent workshop changes.


References

* John Boardman. ''Attic Red Figure Vases: The Classical Period: A Handbook''. London: Thames and Hudson, 1989. {{DEFAULTSORT:Aison 5th-century BC deaths Ancient Greek vase painters Year of birth unknown