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Ain't Nobody's Business
"Ain't Nobody's Business" (originally "Tain't Nobody's Biz-ness if I Do") is a 1920s blues song that became one of the first blues standards. It was published in 1922 by Porter Grainger and Everett Robbins. The song features a lyrical theme of freedom of choice and a vaudeville jazz–style musical arrangement. It was first recorded, as "'Tain't Nobody's Biz-ness if I Do", in 1922 by Anna Meyers, backed by the Original Memphis Five. Recordings by other classic female blues singers, including Sara Martin, Alberta Hunter, and Bessie Smith soon followed. In 1947, the song was revived by the jump blues singer Jimmy Witherspoon as "Ain't Nobody's Business". It was the best-selling race record of 1949 and inspired numerous adaptations of the song. In 2011, Witherspoon's rendition was inducted into the Blues Foundation Hall of Fame as a "Classic of Blues Recording". Composition and lyrics The early versions of "Ain't Nobody's Business" feature vocals with piano and sometimes horn a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Original Memphis Five
The Original Memphis Five was an early jazz quintet founded in 1917 by trumpeter Phil Napoleon and pianist Frank Signorelli. Jimmy Lytell was a member from 1922 to 1925. The group made many recordings between 1921 and 1931, sometimes under different names, including Ladd's Black Aces and The Cotton Pickers. Richard Cook and Brian Morton, writing for ''The Penguin Guide to Jazz'', refer to the group as "one of the key small groups of the '20s". The group formed around 1917. The name Original Memphis Five was first used in 1920, and applied to small groups of white musicians throughout the decade. The Ladd's Black Aces name was used from 1921 until 1924. Cook and Morton identify Jimmy Lytell and Miff Mole as standout musicians in the group. Jimmy Durante played piano with Ladd's Black Aces, while both Tommy and Jimmy Dorsey were members of the Original Memphis Five. Occasional vocalists were Anna Meyers, Annette Hanshaw and Vernon Dalhart (as George White). Both Red Nichols ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blues Foundation
The Blues Foundation is an American nonprofit corporation, headquartered in Memphis, Tennessee, that is affiliated with more than 175 blues organizations from various parts of the world. Founded in 1980, a 25-person board of directors governs the foundation whose stated mission is to preserve blues heritage, celebrate blues recording and performance, and expand worldwide awareness of the blues. On its formation, the foundation organized the annual W. C. Handy Awards to "give recognition of the finest in blues performances and recordings." The awards have since been renamed the Blues Music Awards. The BMAs are generally recognized as the highest honor given to blues musicians, and are awarded by vote of Blues Foundation members. The Blues Foundation is also responsible for the Blues Hall of Fame Museum, International Blues Challenge (IBC), Keeping the Blues Alive Award (KBA) and Blues in the Schools program. Every year, the Blues Foundation presents the KBA Awards to individuals ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
McFarland & Company
McFarland & Company, Inc., is an American independent book publisher based in Jefferson, North Carolina, that specializes in academic and reference works, as well as general-interest adult nonfiction. Its president is Rhonda Herman. Its former president and current editor-in-chief is Robert Franklin, who founded the company in 1979. McFarland employs a staff of about 50, and had published 7,800 titles. McFarland's initial print runs average 600 copies per book. Subject matter McFarland & Company focuses mainly on selling to libraries. It also utilizes direct mailing to connect with enthusiasts in niche categories. The company is known for its sports literature, especially baseball history, as well as books about chess, military history, and film. In 2007, the ''Mountain Times'' wrote that McFarland publishes about 275 scholarly monographs and reference book titles a year; Robert Lee Brewer reported in 2015 that the number is about 350. List of scholarly journals The following ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornell University
Cornell University is a private statutory land-grant research university based in Ithaca, New York. It is a member of the Ivy League. Founded in 1865 by Ezra Cornell and Andrew Dickson White, Cornell was founded with the intention to teach and make contributions in all fields of knowledge—from the classics to the sciences, and from the theoretical to the applied. These ideals, unconventional for the time, are captured in Cornell's founding principle, a popular 1868 quotation from founder Ezra Cornell: "I would found an institution where any person can find instruction in any study." Cornell is ranked among the top global universities. The university is organized into seven undergraduate colleges and seven graduate divisions at its main Ithaca campus, with each college and division defining its specific admission standards and academic programs in near autonomy. The university also administers three satellite campuses, two in New York City and one in Education City, Qatar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broadcast Music, Inc
Broadcast Music, Inc. (BMI) is a performance rights organization in the United States. It collects blanket license fees from businesses that use music, entitling those businesses to play or sync any songs from BMI's repertoire of over 20.6 million musical works. On a quarterly basis, BMI distributes the money to songwriters, composers, and music publishers as royalties to those members whose works have been performed. In FY 2022, BMI collected $1.573 billion in revenues and distributed $1.471 billion in royalties. BMI's repertoire includes over 1.3 million songwriters and 20.6 million compositions. BMI is the biggest performing rights organization in the United States and is one of the largest such organizations in the world. BMI songwriters create music in virtually every genre. BMI represents artists such as Patti LaBelle, Selena, Miley Cyrus, Lil Wayne, Lil Nas X, Birdman, Lady Gaga, Taylor Swift, Eminem, Rihanna, Shakira, Doja Cat, Megan Thee Stallion, Ed Sheeran, Kar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarence Williams (musician)
Clarence Williams (October 6, 1898 or October 8, 1893 – November 6, 1965) was an American jazz pianist, composer, promoter, vocalist, theatrical producer, and publisher. Biography Williams was born in Plaquemine, Louisiana, to Dennis, a bassist, and Sally Williams, and ran away from home at age 12 to join Billy Kersands' Traveling Minstrel Show, then moved to New Orleans. At first, Williams worked shining shoes and doing odd jobs, but soon became known as a singer and master of ceremonies. By the early 1910s, he was a well-regarded local entertainer also playing piano, and was composing new tunes by 1913. Williams was a good businessman and worked arranging and managing entertainment at the local African American vaudeville theater as well as at various saloons and dance halls around Rampart Street, and at clubs and houses in Storyville. Williams started a music publishing business with violinist/bandleader Armand J. Piron in 1915, which by the 1920s was the leading African-A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mamie Smith
Mamie Smith (née Robinson; May 26, 1891 – September 16, 1946) was an American vaudeville singer, dancer, pianist, and actress. As a vaudeville singer she performed in multiple styles, including jazz and blues. In 1920, she entered blues history as the first African American artist to make vocal blues recordings. Willie "The Lion" Smith (no relation) described the background of that recording in his autobiography, ''Music on My Mind'' (1964). Early life Robinson was born in Cincinnati, Ohio, in 1891. The year of her birth has previously been given as 1883, but in 2018, researcher John Jeremiah Sullivan discovered her birth certificate stating she was born in Cincinnati in 1891. When she was around 10 years old, she found work touring with a white act, the Four Dancing Mitchells. As a teenager, she danced in Salem Tutt Whitney's ''Smart Set''. In 1913, she left the Tutt Brothers to sing in clubs in Harlem and married William "Smitty" Smith, a singer. Musical career On February ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Phleps
Thomas Phleps (2 September 1955 – 5 June 2017) was a German guitarist and musicologist. Life Born in Bad Hersfeld, Phleps studieded at the Philipps-Universität Marburg and the University of Kassel and completed his studies in 1981 and 1983 respectively with state examinations for the teaching profession in the subjects music, German and philosophy. Since 1983 he has been a lecturer for musicology and guitar in Kassel. He received his doctorate in 1987 with the work ''Hanns Eisler's "Deutsche Sinfonie". A contribution to the aesthetics of resistance''. Initially Phleps worked as a stage musician at the Staatstheater Kassel. Since 1989 he worked as a teacher in Bad Arolsen. In 1995 he was appointed to the University of Giessen. In 2000 he habilitated there in the fields of musicology and music education. From 2001 to 2003 he was professor for music education at the University of Bremen, and since 2003 in Gießen. From 2010 Phleps was the editor-in-chief of the ''Hanns Eisler Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Doehring
André Doehring (born in 1973) is a German musicologist, who is active in pop music and jazz research. Work Born in Uelzen, Doehring studied musicology and sociology. Since 2005 he worked as a research assistant at the Institute for Musicology and Music Pedagogy at the University of Gießen, where he earned his doctorate in 2010 with a thesis on pop music journalism. After a teaching assignment in Vienna, he was appointed professor for jazz and popular music research at the University of Music and Performing Arts Graz in 2016. There he heads the Institute for Jazz Research. His research interests include topics in popular music, sociomusicology Sociomusicology (from Latin: ''socius'', "companion"; from Old French ''musique''; and the suffix ''-ology'', "the study of", from Old Greek λόγος, ''lógos'' : "discourse"), also called music sociology or the sociology of music, refers to bo ... and musical analysis. He is also on the Scientific Advisory Board of the and the Inter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Call And Response (music)
In music, call and response is a succession of two distinct phrases usually written in different parts of the music, where the second phrase is heard as a direct commentary on or in response to the first. This can take form as commentary to a statement, an answer to a question or repetition of a phrase following or slightly overlapping the initial speaker(s). It corresponds to the call and response pattern in human communication and is found as a basic element of musical form, such as verse-chorus form, in many traditions. African music In Sub-Saharan African cultures, call and response is a pervasive pattern of democratic participation—in public gatherings in the discussion of civic affairs, in religious rituals, as well as in vocal and instrumental musical expression. African-American music Enslaved Africans brought call and response music with them to the colonized American continents and it has been transmitted over the centuries in various forms of cultural express ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
