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After The Dance (song)
"After the Dance" is a slow jam recorded by singer Marvin Gaye and released as the second single off Gaye's 1976 hit album '' I Want You.'' Though it received modest success, the song was widely considered to be one of Marvin's best ballads and served as part of the template for quiet storm and urban contemporary ballads that came afterwards. Overview Written by Gaye and his co-producer Leon Ware, the song narrates a moment where the author noticed a woman on ''Soul Train'' and convinces her to "get together" after the two shared a dance. Throughout the entire ''I Want You'' album, which was dedicated to Marvin's live-in lover Janis Hunter (who wrote a 2015 memoir entitled ''After the Dance: My Life with Marvin Gaye''), the narrator — Gaye — brings up the dance concept in songs such as " Since I Had You". The song also served in a funky instrumental, which included a synthesizer solo performed by GayeRitz (2003) just days before the master for the ''I Want You'' album was d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terence Rattigan
Sir Terence Mervyn Rattigan (10 June 191130 November 1977) was a British dramatist and screenwriter. He was one of England's most popular mid-20th-century dramatists. His plays are typically set in an upper-middle-class background.Geoffrey Wansell. ''Terence Rattigan'' (London: Fourth Estate, 1995); He wrote ''The Winslow Boy'' (1946), '' The Browning Version'' (1948), '' The Deep Blue Sea'' (1952) and '' Separate Tables'' (1954), among many others. A troubled homosexual who saw himself as an outsider, Rattigan wrote a number of plays which centred on issues of sexual frustration, failed relationships, or a world of repression and reticence. Early life Terence Rattigan was born in 1911 in South Kensington,Wansell, p. 13. London, of Irish extraction. He had an elder brother, Brian. They were the grandsons of Sir William Henry Rattigan, a notable India-based jurist and later a Liberal Unionist Member of Parliament for North-East Lanarkshire. His father was Frank Rattigan CM ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Los Angeles Review Of Books
The ''Los Angeles Review of Books'' (''LARB'' is a literary review magazine covering the national and international book scenes. A preview version launched on Tumblr in April 2011, and the official website followed one year later in April 2012. A print edition premiered in May 2013. Founded by Tom Lutz, Chair of the Creative Writing Department at the University of California, Riverside, the ''Review'' seeks to redress the decline in Sunday book supplements by creating an online “encyclopedia of contemporary literary discussion.” The ''LARB'' features reviews of new fiction, poetry, and nonfiction; original reviews of classic texts; essays on contemporary art, politics, and culture; and literary news from abroad, including Mexico City, London, and St. Petersburg. The site also proposes looking seriously at detective fiction, thrillers, comics, graphic novels, and other writing “often dismissed as genre fiction,” and printing reviews of books published by university pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernie Watts
Ernest James Watts (born October 23, 1945) is an American jazz and rhythm and blues saxophonist who plays soprano, alto, and tenor saxophone. He has worked with Charlie Haden's Quartet West and toured with the Rolling Stones. On Frank Zappa's album '' The Grand Wazoo'' he played the "Mystery Horn", a straight-necked C melody saxophone. He played the notable saxophone riff on " The One You Love" by Glenn Frey. Biography Watts was born in Norfolk, Virginia, and began playing saxophone at thirteen. After a brief period at West Chester University, he attended the Berklee College of Music on a '' Down Beat'' magazine scholarship. He toured with Buddy Rich in the late-1960s, occupying one of the alto saxophone chairs. He visited Africa on a U.S. State Department tour with Oliver Nelson's group. For twenty years he played alto saxophone with The Tonight Show Band under Doc Severinsen. He was a featured soloist on many of Marvin Gaye's albums on Motown during the 1970s, as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Gadson
James Gadson ( James Edward Gadson; born June 17, 1939) is an American drummer and session musician. Beginning his career in the late 1960s, Gadson has since become one of the most-recorded drummers in the history of R&B. He is also a singer and songwriter. Career Born in Kansas City, Missouri, Gadson played with the first line-up of Charles Wright's Watts 103rd Street Rhythm Band, and recorded three albums with them between 1968 and 1970. Along with other members of Wright's band, he went on to appear on many hit records, including with Dyke & the Blazers. Gadson started to become well known as a drummer following the release of the album ''Still Bill'' by Bill Withers, released by Sussex Records in 1972. He played on The Temptations album ''1990'', released on the Motown label in 1973. In 1975, he played with Freddie King on ''Larger Than Life'' and went on to record with Martha Reeves, Randy Crawford, Quincy Jones, Herbie Hancock, B.B. King, Albert King, Rose Royce, El ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Our Kind Of Soul
''Our Kind of Soul'' is the seventeenth studio album by Hall & Oates, released in 2004. This album contains three original tracks and 14 covers of soul hits of the 1960s, 1970s and 1980s. The album is mostly acoustic with some electric guitar and synthesizers. It covers a number of their favorite soul songs. Track listing # "Let Love Take Control" (Hall, Oates, Billy Mann) - 3:29 # "Standing in the Shadows of Love" ( Lamont Dozier, Eddie Holland, Jr., Brian Holland) - 3:59 # " I'll Be Around" (Thom Bell, Phil Hurtt) - 4:02 # " Used to Be My Girl" ( Kenny Gamble, Leon Huff) - 4:00 # "Soul Violins" (Hall, Greg Bieck) - 4:05 # "I Can Dream About You" (Dan Hartman) - 3:16 # "Don't Turn Your Back on Me" (Hall) - 4:50 # "Fading Away" (Warren "Pete" Moore, Smokey Robinson, Robert Rodgers) - 3:39 # " Neither One of Us" (Jim Weatherly) - 4:19 # " After the Dance" ( Marvin Gaye, Leon Ware) - 4:11 # "Rock Steady" ( Aretha Franklin) - 4:04 # "Love TKO" (Gip Noble, Cecil Womack, Linda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hall & Oates
Daryl Hall and John Oates, commonly known as Hall & Oates, are an American pop rock duo formed in Philadelphia in 1970. Daryl Hall is generally the lead vocalist; John Oates primarily plays electric guitar and provides backing vocals. The two write most of the songs they perform, separately or in collaboration. They achieved their greatest fame from the mid-1970s to the late-1980s with a fusion of rock and roll, soul music and rhythm and blues. Though they are commonly referred to as ''Hall & Oates'', Hall has been adamant about the duo being called Daryl Hall & John Oates – its official name. They have been credited on albums as Daryl Hall & John Oates (or Daryl Hall John Oates) on all of their US releases. The duo reached the US Top 40 with 29 of their 33 singles charting on ''Billboard'''s Hot 100 between 1974 and 1991. Six of these peaked at number one: " Rich Girl" (1977), " Kiss on My List" (1980), the two 1981 releases " Private Eyes", and " I Can't Go for That (No ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
El DeBarge
Eldra Patrick "El" DeBarge (born June 4, 1961) is an American singer, songwriter and musician. He was the focal point and primary lead singer of the family group DeBarge. Popular songs led by El DeBarge include " Time Will Reveal", " Who's Holding Donna Now", "Stay with Me", " All This Love", and " Rhythm of the Night". As a solo artist, he is best known for his unique high tenor register, strong falsetto and hits like " Who's Johnny" and "Love Always". He has also collaborated with artists such as Dionne Warwick, Al Green, Lalah Hathaway, Tone Loc, Babyface, Faith Evans, Quincy Jones, Fourplay, and DJ Quik. DeBarge is a five-time Grammy Award nominee. Early life A native of Detroit, Michigan, El was the sixth of the children born to Robert Louis DeBarge Sr. (1932–2009) and Etterlene (née Abney) DeBarge. DeBarge sang in his local church choir and played piano as a child. Later, after his family moved to Grand Rapids, Michigan, he and the rest of his family began pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm And Blues
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music ... ith aheavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting in the mid-1950s, after this style of music co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fourplay
Fourplay (stylized as fOURPLAY) is a contemporary American smooth jazz quartet. The original members of the group were Bob James (keyboards), Lee Ritenour (guitars), Nathan East (bass), and Harvey Mason (drums). In 1997, Lee Ritenour left the group and Fourplay chose Larry Carlton as his replacement. In 2010, Larry Carlton left Fourplay and was replaced by Chuck Loeb, who died on July 31, 2017. During Loeb's illness, saxophonist Kirk Whalum joined the group for performances. The group has enjoyed consistent artistic and commercial success by grafting elements of R&B and pop to jazz, appealing to a broad mainstream audience. Their debut album, '' Fourplay'' (1991), sold over a million copies and remained at the number one position on the ''Billboard'' contemporary jazz chart for 33 weeks. Their next album, '' Between the Sheets'' (1993), reached number one, went gold, and received a Grammy Award nomination. In 1995, their third gold album, ''Elixir ELIXIR (the European life ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overdubbing
Overdubbing (also known as layering) is a technique used in audio recording in which audio tracks that have been pre-recorded are then played back and monitored, while simultaneously recording new, doubled, or augmented tracks onto one or more available tracks of a digital audio workstation (DAW) or tape recorder. The overdub process can be repeated multiple times. This technique is often used with singers, as well as with instruments, or ensembles/orchestras. Overdubbing is typically done for the purpose of adding richness and complexity to the original recording. For example, if there are only one or two artists involved in the recording process, overdubbing can give the effect of sounding like many performers. In vocal performances, the performer usually listens to an existing recorded performance (usually through headphones in a recording studio) and simultaneously plays a new performance along with it, which is also recorded. The intention is that the final mix will contain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Backing Track
A backing track is an audio recording on audiotape, CD or a digital recording medium or a MIDI recording of synthesized instruments, sometimes of purely rhythmic accompaniment, often of a rhythm section or other accompaniment parts that live musicians play along with or sing along to. Backing tracks enable singers and bands to add parts to their music which would be impractical or impossible to perform live, such as string section or choir parts which were recorded in the studio. A backing track can be used by a one person band (e.g., a singer-guitarist) to add any amount of bass, drums and keyboards to their live shows without the cost of hiring extra musicians. A small pop group or rock band (e.g., a power trio) can use backing tracks to add a string section, horn section, drumming or backing vocals to their live shows. Uses Bands or solo musicians may use backing tracks to add extra instrumental or vocal tracks to a live performance, to enhance the sound (as in the employment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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