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African Traditional Music
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato- variation (variations based on a repeated theme). Polyphony (contrapuntal and ostinato variation) is common in African music and heterophony (the voices move at different times) is a common technique as well. Although these principles of traditional (precolonial and pre-Arab) African music are of Pan-African validity, the degree to which they are used in one area over another (or in the same community) varies. Specific techniques that used to generate harmony in Africa are the "span process", "pedal notes" (a held note, typically in the bass, around which other parts move), "rhythmic harmony", "harmony by imitation", and "scalar clusters" (see below for expla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Theory
Music theory is the study of the practices and possibilities of music. ''The Oxford Companion to Music'' describes three interrelated uses of the term "music theory". The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology that "seeks to define processes and general principles in music". The musicological approach to theory differs from music analysis "in that it takes as its starting-point not the individual work or performance but the fundamental materials from which it is built." Music theory is frequently concerned with describing how musicians and composers make music, including tuning systems and composition methods among other topics. Because of the ever-expanding conception of what constitutes music, a more inclusive definition could be the consideration of any sonic phenomena, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karlton E
Karlton is a variant spelling of Carlton Carlton may refer to: People * Carlton (name), a list of those with the given name or surname * Carlton (singer), English soul singer Carlton McCarthy * Carlton, a pen name used by Joseph Caldwell (1773–1835), American educator, Presbyterian .... It may refer to: ;People * Karlton Hester, American musician and educator * Karlton Rolle, Bahamian sprinter * Karlton Rosholt, American journalist * Lawrence K. Karlton, American judge ;Other uses * Karlton Theatre, American non-profit theatrical producing organization {{given name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interval (music)
In music theory, an interval is a difference in pitch between two sounds. An interval may be described as horizontal, linear, or melodic if it refers to successively sounding tones, such as two adjacent pitches in a melody, and vertical or harmonic if it pertains to simultaneously sounding tones, such as in a chord. In Western music, intervals are most commonly differences between notes of a diatonic scale. Intervals between successive notes of a scale are also known as scale steps. The smallest of these intervals is a semitone. Intervals smaller than a semitone are called microtones. They can be formed using the notes of various kinds of non-diatonic scales. Some of the very smallest ones are called commas, and describe small discrepancies, observed in some tuning systems, between enharmonically equivalent notes such as C and D. Intervals can be arbitrarily small, and even imperceptible to the human ear. In physical terms, an interval is the ratio between two sonic freq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerhard Kubik
Gerhard Kubik (born 10 December 1934) is an Austrian music ethnologist from Vienna. He studied ethnology, musicology and African languages at the University of Vienna. He published his doctoral dissertation in 1971 and achieved habilitation in 1980. Biography Kubik has been carrying out research in Africa for every year since 1958. Since then, he has published over 300 articles and books on Africa and African-Americans, based on his field work in fifteen African countries, in Venezuela and Brazil. Kubik's topics are music and dance, oral traditions and traditional systems of education, the extension of African culture to the Americas (especially Brazil) and the linguistics of the Bantu languages of central Africa. Moreover, Kubik has compiled the largest collection of African traditional music worldwide, with over 25,000 recordings, mostly archived at the Phonogrammarchiv Wien in Vienna. Kubik also performs as a clarinettist with a neo-traditional kwela Jazz Band from Malawi th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pan-African
Pan-Africanism is a worldwide movement that aims to encourage and strengthen bonds of solidarity between all Indigenous and diaspora peoples of African ancestry. Based on a common goal dating back to the Atlantic slave trade, the movement extends beyond continental Africans with a substantial support base among the African diaspora in the Americas and Europe. Pan-Africanism can be said to have its origins in the struggles of the African people against enslavement and colonization and this struggle may be traced back to the first resistance on slave ships—rebellions and suicides—through the constant plantation and colonial uprisings and the "Back to Africa" movements of the 19th century. Based on the belief that unity is vital to economic, social, and political progress and aims to "unify and uplift" people of African ancestry. At its core, pan-Africanism is a belief that "African people, both on the continent and in the diaspora, share not merely a common history, but a c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonization
In music, harmonization is the chordal accompaniment to a line or melody: "Using chords and melodies together, making harmony by stacking scale tones as triads". A harmonized scale can be created by using each note of a musical scale as a root note for a chord and then by taking other tones within the scale building the rest of a chord. For example, using an Ionian (major scale) * the root note would become the I major chord, * the second note the ii minor chord, * the third note the iii minor chord, * the fourth note the IV major chord, * the fifth note the V major chord (or even a dominant 7th), * the sixth note the vi minor chord, * the seventh note the vii diminished chord and * the octave would be a I major chord. Using the minor (aeolian mode) one would have: * i minor, * ii diminished, * ()III major, * iv minor, * v minor, * ()VI major, * ()VII major and * the i minor an octave higher. Reharmonization Reharmonization is the technique of taking an existing melodic l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homophonic Parallelism In A Traditional African Context (Rhythm Is Simplified)
In music, homophony (;, Greek: ὁμόφωνος, ''homóphōnos'', from ὁμός, ''homós'', "same" and φωνή, ''phōnē'', "sound, tone") is a texture in which a primary part is supported by one or more additional strands that flesh out the harmony. One melody predominates while the other parts play either single notes or an elaborate accompaniment. This differentiation of roles contrasts with equal-voice polyphony (in which similar lines move with rhythmic and melodic independence to form an even texture) and monophony (in which all parts move in unison or octaves). Historically, homophony and its differentiated roles for parts emerged in tandem with tonality, which gave distinct harmonic functions to the soprano, bass and inner voices. A homophonic texture may be homorhythmic, which means that all parts have the same rhythm. Chorale texture is another variant of homophony. The most common type of homophony is melody-dominated homophony, in which one voice, often the h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mode (music)
In music theory, the term mode or ''modus'' is used in a number of distinct senses, depending on context. Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. ( Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and gregorian modes borrow terminology from ancient Greece, the Greek ''tonoi'' do not otherwise resemble their mediaeval/modern counterparts. In the Middle Ages the term modus was used to describe both intervals and rhythm. Modal rhythm was an essential feature of the modal notation system ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonic Series (music)
A harmonic series (also overtone series) is the sequence of harmonics, musical tones, or pure tones whose frequency is an integer multiple of a ''fundamental frequency''. Pitched musical instruments are often based on an acoustic resonator such as a string or a column of air, which oscillates at numerous modes simultaneously. At the frequencies of each vibrating mode, waves travel in both directions along the string or air column, reinforcing and canceling each other to form standing waves. Interaction with the surrounding air causes audible sound waves, which travel away from the instrument. Because of the typical spacing of the resonances, these frequencies are mostly limited to integer multiples, or harmonics, of the lowest frequency, and such multiples form the harmonic series. The musical pitch of a note is usually perceived as the lowest partial present (the fundamental frequency), which may be the one created by vibration over the full length of the string or air co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heptatonic
A heptatonic scale is a musical scale that has seven pitches, or tones, per octave. Examples include the major scale or minor scale; e.g., in C major: C D E F G A B C—and in the relative minor, A minor, natural minor: A B C D E F G A; the melodic minor scale, A B C D E FGA ascending, A G F E D C B A descending; the harmonic minor scale, A B C D E F GA; and a scale variously known as the Byzantine, and Hungarian,''The New Grove Dictionary of Music and Musicians'', second edition, edited by Stanley Sadie and John Tyrrell (London, 2001) scale, C D E F G A B C. Indian classical theory postulates seventy-two seven-tone scale types, collectively called ''thaat'', whereas others postulate twelve or ten (depending on the theorist) seven-tone scale types. Several heptatonic scales in Western, Roman, Spanish, Hungarian, and Greek music can be analyzed as juxtapositions of tetrachords.Dupré, Marcel (1962). ''Cours Complet d'Improvisation a l'Orgue'', v.2, p. 35, trans. John Fenstermake ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anhemitonic Scale
Musicology commonly classifies scales as either hemitonic or anhemitonic. Hemitonic scales contain one or more semitones, while anhemitonic scales do not contain semitones. For example, in traditional Japanese music, the anhemitonic ''yo'' scale is contrasted with the hemitonic ''in'' scale. The simplest and most commonly used scale in the world is the atritonic anhemitonic "major" pentatonic scale. The whole tone scale is also anhemitonic. A special subclass of the hemitonic scales is the cohemitonic scales. Cohemitonic scales contain two or more semitones (making them hemitonic) such that two or more of the semitones appear consecutively in scale order. For example, the Hungarian minor scale in C includes F, G, and A in that order, with a semitone between F and G, and then a semitone between G and A. Ancohemitonic scales, in contrast, either contain no semitones (and thus are anhemitonic), or contain semitones (being hemitonic) where none of the semitones appear conse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
