Adoration Of The Shepherds (Crivelli)
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Adoration Of The Shepherds (Crivelli)
''Adoration of the Shepherds'' is a c. 1480 tempera and gold on panel painting by the Italian painter Carlo Crivelli. It is now in the Museum of Fine Arts in Strasbourg, for which it was acquired in Florence by Wilhelm von Bode. Its inventory number is 171. Art historians are uncertain about the dating of the painting, and propositions have ranged from 1470 to 1491. Its commissioner is unknown but the work relates to the ''Nativity'' panel in the predella of the Ottoni Altarpiece in Matelica. Its attribution has varied - in 1896 Charles Loeser argued it was a fake and Drey wrote of its artist as an elusive "Master of the Adoration of Strasbourg", but it is now held to be a late completely autograph work by Crivelli. Zampetti refers to it as "a small masterpiece".Pietro Zampetti, ''Carlo Crivelli'', Nardini Editore, Firenze 1986 Bethlehem is shown in the work's background, possibly modelled on Ascoli Piceno, with the addition of a column with a gilded statue, one of the m ...
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Carlo Crivelli
Carlo Crivelli (Venice, c. 1430 – Ascoli Piceno, c. 1495) was an Italian Renaissance painter of conservative Late Gothic decorative sensibility, who spent his early years in the Veneto, where he absorbed influences from the Vivarini, Squarcione, and Mantegna. He left the Veneto by 1458 and spent most of the remainder of his career in the March of Ancona, where he developed a distinctive personal style that contrasts with that of his Venetian contemporary Giovanni Bellini. Early life Crivelli was born around 1430–35 in Venice to a family of painters and received his artistic formation there and in Padua. The details of Crivelli's career are still sparse: He is said to have studied under Jacobello del Fiore, who was painting as late as 1436; at that time Crivelli was probably only a boy. He also studied at the school of Vivarini in Venice, then left Venice for Padua, where he is believed to have worked in the workshop of Francesco Squarcione and then, after bein ...
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Matelica
Matelica is a (municipality) of the Province of Macerata in the Italian region of Marche. Located about southwest of Ancona and west of Macerata, it extends over an area of . Geography Matelica lies in an ample valley where the Braccano creek joins the Esino river, dominated by the town from an eastern ravine. The valley, roughly in the north–south direction, is delimited on the east and west sides by Apennines sub-ranges, whose highest peaks are respectively Mount Gemmo at and Mount San Vicino at , compared to the above sea-level of the city centre. Matelica borders on the following municipalities: Apiro, Castelraimondo, Cerreto d'Esi, Esanatoglia, Fabriano, Fiuminata, Gagliole, Poggio San Vicino, San Severino Marche. Climate The climate is dictated by the Apennines and, to a lesser extent, by the temperate Adriatic Sea on the east. Consequently, Matelica enjoys a somewhat continental climate with cool winters and hot, dry summers. In winter, Matelica occasion ...
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Paintings By Carlo Crivelli
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrati ...
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1480 Paintings
148 may refer to: *148 (number), a natural number *AD 148, a year in the 2nd century AD *148 BC, a year in the 2nd century BC *148 (album), an album by C418 *148 (Meiktila) Battery Royal Artillery *148 (New Jersey bus) See also * List of highways numbered 148 The following highways are numbered 148: Argentina * National Route 148 (Argentina), National Route 148 Canada * New Brunswick Route 148 * Ontario Highway 148 * Prince Edward Island Route 148 * Quebec Route 148 Costa Rica * National Route 148 ( ...
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Ovetari Chapel
The Ovetari Chapel (Italian: ''Cappella Ovetari'') is a chapel in the right arm of the Church of the Eremitani in Padua. It is renowned for a Renaissance fresco cycle by Andrea Mantegna and others, painted from 1448 to 1457. The cycle was destroyed by an Allied bombing in 1944: today, only two scenes and a few fragments survive, which have been restored in 2006. They are, however, known from black-and-white photographs. History Antonio Ovetari was a Padua notary who, at his death, left a large sum for the decoration of the family chapel in the Church of the Eremitani. The project was carried out by his widow, Imperatrice Ovetari, who, in 1448, commissioned the work to a group of artists, which included the elder Giovanni d'Alemagna, Antonio Vivarini (a Venetian late Gothic painter) and two young Paduans, Niccolò Pizzolo and Andrea Mantegna. The latter at the time was seventeen years old and had just begun his apprenticeship in Squarcione's workshop. According to the original ag ...
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Andrea Mantegna
Andrea Mantegna (, , ; September 13, 1506) was an Italian painter, a student of Roman archeology, and son-in-law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with perspective, e.g. by lowering the horizon in order to create a sense of greater monumentality. His flinty, metallic landscapes and somewhat stony figures give evidence of a fundamentally sculptural approach to painting. He also led a workshop that was the leading producer of prints in Venice before 1500. Biography Youth and education Mantegna was born in Isola di Carturo, Venetian Republic close to Padua (now Italy), second son of a carpenter, Biagio. At the age of 11, he became the apprentice of Paduan painter Francesco Squarcione. Squarcione, whose original profession was tailoring, appears to have had a remarkable enthusiasm for ancient art, and a faculty for acting. Like his famous compatriot Petrarca, Squarcione was an ancient Rome enthusiast: he traveled in Italy, and perhaps a ...
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Constantinople
la, Constantinopolis ota, قسطنطينيه , alternate_name = Byzantion (earlier Greek name), Nova Roma ("New Rome"), Miklagard/Miklagarth (Old Norse), Tsargrad ( Slavic), Qustantiniya (Arabic), Basileuousa ("Queen of Cities"), Megalopolis ("the Great City"), Πόλις ("the City"), Kostantiniyye or Konstantinopolis ( Turkish) , image = Byzantine Constantinople-en.png , alt = , caption = Map of Constantinople in the Byzantine period, corresponding to the modern-day Fatih district of Istanbul , map_type = Istanbul#Turkey Marmara#Turkey , map_alt = A map of Byzantine Istanbul. , map_size = 275 , map_caption = Constantinople was founded on the former site of the Greek colony of Byzantion, which today is known as Istanbul in Turkey. , coordinates = , location = Fatih, İstanbul, Turkey , region = Marmara Region , type = Imperial city , part_of = , length = , width ...
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Ascoli Piceno
Ascoli Piceno (; la, Asculum; dialetto ascolano: Ascule) is a town and ''comune'' in the Marche region of Italy, capital of the province of the same name. Its population is around 46,000 but the urban area of the city has more than 93,000. Geography The town lies at the confluence of the Tronto River and the small river Castellano and is surrounded on three sides by mountains. Two natural parks border the town, one on the northwestern flank ( Parco Nazionale dei Monti Sibillini) and the other on the southern (Parco Nazionale dei Monti della Laga). Ascoli has good rail connections to the Adriatic coast and the city of San Benedetto del Tronto, by highway to Porto d'Ascoli and by the Italian National Road 4 Salaria to Rome. History Ascoli was founded by an Italic population (Piceni) several centuries before Rome's founding on the important Via Salaria, the salt road that connected Latium with the salt production areas on the Adriatic coast. In 268 BC it became a ''civitas foe ...
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Bethlehem
Bethlehem (; ar, بيت لحم ; he, בֵּית לֶחֶם '' '') is a city in the central West Bank, Palestine, about south of Jerusalem. Its population is approximately 25,000,Amara, 1999p. 18.Brynen, 2000p. 202. and it is the capital of the Bethlehem Governorate of the State of Palestine. The economy is primarily tourist-driven, peaking during the Christmas season, when Christians make pilgrimage to the Church of the Nativity. The important holy site of Rachel's Tomb is at the northern entrance of Bethlehem, though not freely accessible to the city's own inhabitants and in general Palestinians living in the Israeli-occupied West Bank due to the Israeli West Bank barrier. The earliest known mention of Bethlehem was in the Amarna correspondence of 1350–1330 BCE when the town was inhabited by the Canaanites. The Hebrew Bible, which says that the city of Bethlehem was built up as a fortified city by Rehoboam, identifies it as the city David was from and where he was ...
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Charles Loeser
Charles Alexander Loeser (January 11, 1864 – March 15, 1928) was an American art historian and art collector. Life Charles Loeser was born in New York City on January 11, 1864, into a family of German origin: his father, Frederick Loeser (1833-1911), founded Frederick Loeser & Co. After completing his Master of Arts degree in Philosophy at Harvard University in 1888, Charles Loeser decided to travel to Europe and visit his friend and fellow Harvard alumnus, George Santayana. Loeser settled in Florence in 1890, where he met and married German pianist Olga Lebert Kaufmann. He spent the rest of his life here collecting and studying Medieval and early Renaissance art and furniture. Loesser purchased his Villa Torri Gattaia, nestled in the Florentine hills behind San Miniato al Monte, around 1908 and started on renovations. In Florence, Loeser devoted himself to his studies and the collecting of works of art, and furniture that was flooding the market at the turn of the century ...
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Ottoni Altarpiece
''Madonna of the Swallow'' (Italian - ''Madonna della rondine'') is a painting by Carlo Crivelli. It is named after the swallow perched on the top left hand corner of the Madonna's throne - the bird was a symbol of the Resurrection. It was commissioned by Ranuzio Ottoni and Giorgio di Giacomo for the church of San Francesco in Matelica in March 1490 - Ottoni was Lord of Matelica and Giacomo was guardian of the local Franciscan monastery. It was completed between 1490 and 1492. It is now in the National Gallery, London The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The current Director o ..., who bought it in 1862. The central panel shows the Madonna and Child in a granite, porphyry and marble throne, with Jerome to their left and saint Sebastian to their right. At the base is the Ottoni coat of ar ...
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Tempera
Tempera (), also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. Tempera also refers to the paintings done in this medium. Tempera paintings are very long-lasting, and examples from the first century AD still exist. Egg tempera was a primary method of painting until after 1500 when it was superseded by oil painting. A paint consisting of pigment and binder commonly used in the United States as poster paint is also often referred to as "tempera paint", although the binders in this paint are different from traditional tempera paint. Etymology The term ''tempera'' is derived from the Italian ''dipingere a tempera'' ("paint in distemper"), from the Late Latin ''distemperare'' ("mix thoroughly"). History Tempera painting has been found on early Egyptian sarcophagus decorations. Many of the Fayum mummy portraits use tempera, sometimes in combina ...
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