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Adoration Of The Magi (Filippino Lippi)
The ''Adoration of the Magi'' is a painting by the Italian Renaissance painter Filippino Lippi. It is signed and dated at 1496. It is housed in the Uffizi of Florence. The panel was painted for the Convent of San Donato in Scopeto, in substitution of the one commissioned in 1481 to Leonardo da Vinci, who left it unfinished. In 1529 it was acquired by Cardinal Carlo de' Medici and in 1666 it became part of the Uffizi collection. Filippino Lippi followed Leonardo's setting, in particular in the central part of the work. Much of its inspiration was clearly derived from Botticelli's ''Adoration of the Magi'', also in the Uffizi: this is evident in the disposition of the characters on the two sides, with the Holy Family portrayed in the centre under. Similarly to Botticelli's work, Filippino also portrayed numerous members of the Medici cadet line, who had adhered to the Savonarolian Republic in the period in which the work was executed. On the left, kneeling and holding an astrolabe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippino Lippi
Filippino Lippi (April 1457 – 18 April 1504) was an Italian painter working in Florence, Italy during the later years of the Early Renaissance and first few years of the High Renaissance. Biography Filippino Lippi was born in Prato, Tuscany, the illegitimate son of the painter Fra Filippo Lippi and Lucrezia Buti. Filippino first trained under his father. They moved to Spoleto, where Filippino served as workshop adjuvant in the construction of the Cathedral. When his father died in 1469, he completed the frescoes with ''Storie della Vergine'' (''Histories of the Virgin'') in the cathedral. Filippino Lippi completed his apprenticeship in the workshop of Botticelli, who had been a pupil of Filippino's father. In 1472 the records of the painters' guild record that Botticelli had only Filippino Lippi as an assistant. His first works greatly resemble those of Botticelli, but with less sensitivity and subtlety. The very first ones (dating from 1475 onwards) were initially a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Astrolabe
An astrolabe ( grc, ἀστρολάβος ; ar, ٱلأَسْطُرلاب ; persian, ستارهیاب ) is an ancient astronomical instrument that was a handheld model of the universe. Its various functions also make it an elaborate inclinometer and an analog calculation device capable of working out several kinds of problems in astronomy. In its simplest form it is a metal disc with a pattern of wires, cutouts, and perforations that allows a user to calculate astronomical positions precisely. Historically used by astronomers, it is able to measure the altitude above the horizon of a celestial body, day or night; it can be used to identify stars or planets, to determine local latitude given local time (and vice versa), to survey, or to triangulate. It was used in classical antiquity, the Islamic Golden Age, the European Middle Ages and the Age of Discovery for all these purposes. The astrolabe's importance comes not only from the early developments into the study of astron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Filippino Lippi In The Uffizi
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adoration Of The Magi In Art
The Adoration of the Magi or Adoration of the Kings is the name traditionally given to the subject in the Nativity of Jesus in art in which the three Magi, represented as kings, especially in the West, having found Jesus by following a star, lay before him gifts of gold, frankincense, and myrrh, and worship him. It is related in the Bible by Matthew 2:11: "On entering the house, they saw the child with Mary his mother; and they knelt down and paid him homage. Then, opening their treasure chests, they offered him gifts of gold, frankincense, and myrrh. And having been warned in a dream not to return to Herod, they left for their own country by another path". Christian iconography considerably expanded the bare account of the Biblical Magi described in the Gospel of Matthew ( 2:1– 22). By the later Middle Ages this drew from non-canonical sources like the Golden Legend by Jacobus de Voragine. Artists used the expanded Christian iconography to reinforce the idea tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In The Uffizi
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Filippino Lippi
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1496 Paintings
Year 1496 ( MCDXCVI) was a leap year starting on Friday (link will display the full calendar) of the Julian calendar. Events January–December * February – Pietro Bembo's ''Petri Bembi de Aetna Angelum Chalabrilem liber'', a description of a journey to Mount Etna, is published in Venice by Aldus Manutius, the first book printed in the old-style serif or humanist typeface cut by Francesco Griffo (known from the 20th century as Bembo) and with early adoption of the semicolon (dated 1495 according to the ''more veneto''). * February 24 – King Henry VII of England signs the commercial treaty ''Intercursus Magnus'' with Venice, Florence, and the cities of the Hanseatic League and the Netherlands. * March 5 – Henry VII of England issues letters patent to Italian-born adventurer John Cabot and his sons, authorizing them to discover unknown lands. * March 10 – Christopher Columbus leaves Hispaniola for Spain, ending his second visit to the Western Hemis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adoration Of The Magi (Botticelli, 1475)
The ''Adoration of the Magi'' (Italian: ''Adorazione dei Magi'') is a painting by the Italian Renaissance master Sandro Botticelli. Botticelli painted this piece for the altar in Gaspare di Zanobi del Lama's chapel in Santa Maria Novella around 1475. This painting depicts the Biblical story of the Three Magi following a star to find the newborn Jesus. The image of the altarpiece centers on the Virgin Mary and the newborn Jesus, with Saint Joseph behind them. Before them are the three kings who are described in the New Testament story of the Adoration of the Magi. The three kings worship the Christ Child and present him with gifts of gold, frankincense and myrrh. In addition, the Holy Family is surrounded by a group of people who came to see the child who was said to be the son of God. The ''Adoration of the Magi'' is now in the Minneapolis Institute of Art in Minnesota until January 2023. Patron Around the year 1475, the Florentine banker and financial broker, Gaspare di Zanob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Il Popolano
Lorenzo di Pierfrancesco de' Medici (4 August 1463 – 20 May 1503), nicknamed ''the Popolano'', was an Italian banker and politician, the brother of Giovanni il Popolano. He belonged to the junior (or "Popolani") branch of the House of Medici of Florence. Biography Lorenzo was born in Florence, the son of Pierfrancesco de' Medici (the Elder) and Laudomia Acciaioli. Relations between the senior Medici branch and the younger "Popolani" branch had been tense since the 1440s, and Pierfrancesco had tried to shield his sons from the influence of the senior branch.Brown, A. (1993) ''The Medici in Florence: the exercise and language of power''. Florence: Olschki But Lorenzo and Giovanni were still boys when their father Pierfrancesco died in 1476, and they promptly came under the tutelage of their older cousin, Lorenzo (il Magnifico), the effective ruler of Florence. Facing financial difficulties after 1478, Lorenzo il Magnifico plundered the Popolani boys' inheritance with "fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Il Popolano
Giovanni de' Medici, in full Giovanni di Pierfrancesco de' Medici, later known as il Popolano (the commoner) (21 October 1467 – 14 September 1498) was an Italian nobleman of the Medici House of Florence. He was the son of Pierfrancesco di Lorenzo de' Medici, and therefore a member of a secondary branch of the family. Biography Giovanni was born in Florence on 21 October 1467. After his father's death (1476), he and his elder brother Lorenzo (il Popolano) came under the tutelage of their cousins Giuliano and Lorenzo (il Magnifico), and were educated by humanists such as Marsilio Ficino and Angelo Poliziano. They conceived a passion for classical studies and books, and later created a large library of manuscripts and codexes. Later their relationship with Lorenzo il Magnifico deteriorated, mostly for economic reasons (Lorenzo had kept for himself the Popolanos' inheritance, instead of simply administering it). After Lorenzo il Magnifico's death, they were among the opponents ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierfrancesco Di Lorenzo De' Medici
Pierfrancesco de' Medici the Elder (1430 – 19 July 1476) was an Italian nobleman, banker, diplomat, and a member of the House of Medici of Florence. Biography Born in Florence, he was the son of Lorenzo the Elder and Ginevra Cavalcanti, thus a nephew of Cosimo de' Medici and cousin to Piero the Gouty, ''de facto'' lords of the city from 1459. Pierfrancesco was orphaned in 1440 and was raised by his uncle Cosimo. He served the Republic of Florence as ambassador (to the pope in 1458 and to the Duchy of Mantua in 1463) and as ''Priore delle Arti'' ("Prior of the Guilds") in the Florentine municipal government (1459). After Cosimo's death (1464), Pierfrancesco was initially a supporter of Piero the Gouty, but later sided against him; he was among the conspirators who participated in Luca Pitti's failed coup in 1466. Forgiven by Piero, he thenceforth took care of the family bank. From his marriage with Laudomia di Agnolo Acciaioli he had two sons: Lorenzo (1463–1503) and Giov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Savonarola
Girolamo Savonarola, OP (, , ; 21 September 1452 – 23 May 1498) or Jerome Savonarola was an Italian Dominican friar from Ferrara and preacher active in Renaissance Florence. He was known for his prophecies of civic glory, the destruction of secular art and culture, and his calls for Christian renewal. He denounced clerical corruption, despotic rule, and the exploitation of the poor. In September 1494, when Charles VIII of France invaded Italy and threatened Florence, such prophecies seemed on the verge of fulfilment. While Savonarola intervened with the French king, the Florentines expelled the ruling Medicis and, at the friar's urging, established a "popular" republic. Declaring that Florence would be the New Jerusalem, the world centre of Christianity and "richer, more powerful, more glorious than ever", he instituted an extreme puritanical campaign, enlisting the active help of Florentine youth. In 1495 when Florence refused to join Pope Alexander VI's Holy League ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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