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Adele Sandrock
Adele Sandrock (; born Adele Feldern-Förster; 19 August 1863 – 30 August 1937) was a German-Dutch actress. After a successful theatrical career, she became one of the first German movie stars. Early life Sandrock was born in Rotterdam, Netherlands, the daughter of the German merchant Eduard Sandrock (1834–1897) and his Dutch wife, Johanna Simonetta ten Hagen (1833–1917). With sister Wilhelmine (1861-1948) and brother Christian (1862–1924), she grew up in Rotterdam, and, after her parents' divorce on 15 November 1869, in Berlin. Career In 1878 at the age of fifteen, Sandrock made her debut as Selma in ''Mutter und Sohn'' by Charlotte Birch-Pfeiffer. In Berlin she met the famous Meiningen Ensemble and achieved success at the theatre of Meiningen, where her first role was Luise in Friedrich Schiller's ''Intrigue and Love'', followed by further engagements in Moscow, Wiener Neustadt, and Budapest. In 1889, she had her breakthrough at the Theater an der Wien in Vienna an ...
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Rotterdam
Rotterdam ( , , , lit. ''The Dam on the River Rotte'') is the second largest city and municipality in the Netherlands. It is in the province of South Holland, part of the North Sea mouth of the Rhine–Meuse–Scheldt delta, via the ''"New Meuse"'' inland shipping channel, dug to connect to the Meuse first, but now to the Rhine instead. Rotterdam's history goes back to 1270, when a dam was constructed in the Rotte. In 1340, Rotterdam was granted city rights by William IV, Count of Holland. The Rotterdam–The Hague metropolitan area, with a population of approximately 2.7 million, is the 10th-largest in the European Union and the most populous in the country. A major logistic and economic centre, Rotterdam is Europe's largest seaport. In 2020, it had a population of 651,446 and is home to over 180 nationalities. Rotterdam is known for its university, riverside setting, lively cultural life, maritime heritage and modern architecture. The near-complete destruction ...
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Volkstheater, Vienna
The Volkstheater in Vienna (roughly translated as "People's Theatre") was founded in 1889 by request of the citizens of Vienna, amongst them the dramatist Ludwig Anzengruber and the furniture manufacturer Thonet, in order to offer a popular counter weight to the ''Hofburgtheater''. It was erected according to designs by Ferdinand Fellner and Hermann Helmer, who attempted to reconcile their plans with historicism. It is located in Neubau, the seventh district of Vienna. The founders of this stage had a theatrical stage in mind, in order to expose wider circles of the population of Vienna to classical and modern literature whilst staging these next to more traditional plays. The theatre follows this tradition even today. New productions of the classics are always in the pipeline along with regular reinterpretations of works by Ferdinand Raimund and Johann Nestroy and many new plays and reruns. Special attention is given to Austrian playwrights of old and new. In 2005 Michael Schott ...
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Sound Film
A sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent film. The first known public exhibition of projected sound films took place in Paris in 1900, but decades passed before sound motion pictures became commercially practical. Reliable synchronization was difficult to achieve with the early sound-on-disc systems, and amplification and recording quality were also inadequate. Innovations in sound-on-film led to the first commercial screening of short motion pictures using the technology, which took place in 1923. The primary steps in the commercialization of sound cinema were taken in the mid-to-late 1920s. At first, the sound films which included synchronized dialogue, known as "talking pictures", or "talkies", were exclusively shorts. The earliest feature-length movies with recorded sound included only music and effects. The first feature film originally presented as a talkie (although it had only limited so ...
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Hans Hinrich
Hans Hinrich (27 November 1903 – 20 October 1974) was a German film director and actor. He initially worked in Germany but later also worked in Italy where he was usually credited as ''Giovanni Hinrich''. Hinrich was a noted theatre director, before moving into film directing in 1932. Hinrich was of Jewish heritage but he converted to Roman Catholicism, Catholicism. While he was initially granted permission to continue working following the Nazi takeover of Germany, he found it increasingly difficult and moved to Italy following the production of ''Freight from Baltimore'' (1938). During the Fascist era he made several films such as the historical ''Lucrezia Borgia (1940 film), Lucrezia Borgia'' (1940). When Hinrich was threatened with dismissal from the 1941 film ''Il vetturale del San Gottardo'', several of his actors including Osvaldo Valenti secured a reversal of the decision by protesting their support for him.Lehman & Grieb p.181 After the war Hinrich moved from directi ...
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Reinhold Schünzel
Reinhold Schünzel (7 November 1888 – 11 November 1954) was a German actor and director, active in both Germany and the United States. The son of a German father and a Jewish mother, he was born in St. Pauli, the poorest part of Hamburg. Despite being of Jewish ancestry, Schünzel was allowed by the Nazis to continue making films for several years until he eventually left in 1937 to live abroad. Life in Germany Reinhold Schünzel (or Schuenzel) started his career as an actor in 1915 with a role in the film ''Werner Krafft''. He directed his first film in 1918's ''Mary Magdalene (1920 film), Mary Magdalene'' and in 1920 directed ''The Girl from Acker Street'' and ''Catherine the Great (1920 film), Catherine the Great''. He was one of Germany's best-known silent film stars after World War I, a period during which films were significantly influenced by the consequences of the war. Schünzel performed in both comedies and dramas, often appearing as a villain or a powerful and corrup ...
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Short Subject
A short film is any motion picture that is short enough in running time not to be considered a feature film. The Academy of Motion Picture Arts and Sciences defines a short film as "an original motion picture that has a running time of 40 minutes or less, including all credits". In the United States, short films were generally termed short subjects from the 1920s into the 1970s when confined to two 35 mm reels or less, and featurettes for a film of three or four reels. "Short" was an abbreviation for either term. The increasingly rare industry term "short subject" carries more of an assumption that the film is shown as part of a presentation along with a feature film. Short films are often screened at local, national, or international film festivals and made by independent filmmakers with either a low budget or no budget at all. They are usually funded by film grants, nonprofit organizations, sponsor, or personal funds. Short films are generally used for industry experience and ...
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Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ...
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Adele Sandrock (1863–1937) Um 1930
Adele Sandrock (; born Adele Feldern-Förster; 19 August 1863 – 30 August 1937) was a German-Dutch actress. After a successful theatrical career, she became one of the first German movie stars. Early life Sandrock was born in Rotterdam, Netherlands, the daughter of the German merchant Eduard Sandrock (1834–1897) and his Dutch wife, Johanna Simonetta ten Hagen (1833–1917). With sister Wilhelmine (1861-1948) and brother Christian (1862–1924), she grew up in Rotterdam, and, after her parents' divorce on 15 November 1869, in Berlin. Career In 1878 at the age of fifteen, Sandrock made her debut as Selma in ''Mutter und Sohn'' by Charlotte Birch-Pfeiffer. In Berlin she met the famous Meiningen Ensemble and achieved success at the theatre of Meiningen, where her first role was Luise in Friedrich Schiller's ''Intrigue and Love'', followed by further engagements in Moscow, Wiener Neustadt, and Budapest. In 1889, she had her breakthrough at the Theater an der Wien in Vienna ...
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Max Reinhardt
Max Reinhardt (; born Maximilian Goldmann; 9 September 1873 – 30 October 1943) was an Austrian-born Theatre director, theatre and film director, theater manager, intendant, and theatrical producer. With his innovative stage productions, he is regarded as one of the most prominent directors of German-language theatre in the early 20th century. In 1920, he established the Salzburg Festival with the performance of Hugo von Hofmannsthal's ''Jedermann (play), Jedermann''. Life and career Reinhardt was born Maximilian Goldmann in the spa town of Baden bei Wien, Baden near Vienna, the son of Wilhelm Goldmann (1846–1911), a History of the Jews in Austria, Jewish merchant from Stupava, Slovakia, Stupava, Austro-Hungarian Monarchy, and his wife Rachel Lea Rosi "Rosa" Goldmann (''née'' Wengraf; 1851–1924). Having finished school, he began an apprenticeship at a bank, but already took acting lessons. In 1890, he gave his debut on a private stage in Vienna with the stage name ''Max ...
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Deutsches Theater (Berlin)
The Deutsches Theater is a theater in Berlin, Germany. It was built in 1850 as Friedrich-Wilhelm-Städtisches Theater, after Frederick William IV of Prussia. Located on Schumann Street (Schumannstraße), the Deutsches Theater consists of two adjoining stages that share a common, classical facade. The main stage was built in 1850, originally for operettas. Adolf L'Arronge founded the Deutsches Theater in 1883 with the ambition of providing Berliners with a high-quality ensemble-based repertory company on the model of the German court theater, the Meiningen Ensemble, which had been developed by Georg II, Duke of Saxe-Meiningen and his colleagues to become "the most widely admired and imitated company in Europe", thanks to its historically accurate sets and costumes, vividly-realized crowd scenes, and meticulous directorial control.Banham (1998a) and (1998b). Otto Brahm, the leading exponent of theatrical Naturalism in Germany, took over the direction of the theater in 1894, and a ...
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Burgtheater
The Burgtheater (literally:"Castle Theater" but alternatively translated as "(Imperial) Court Theater"), originally known as '' K.K. Theater an der Burg'', then until 1918 as the ''K.K. Hofburgtheater'', is the national theater of Austria in Vienna. It is the most important German-language theater and one of the most important theatres in the world. aeiou-Burgtheater "Burgtheater" (history)
''Encyclopedia of Austria'', Aeiou Project, 1999
The Burgtheater was opened in 1741 and has become known as ''"die Burg"'' by the Viennese population; its theater company has created a traditional style and speech typical of Burgtheater performances.


History

The original Burgtheater was set up in a

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Alexander Roda Roda
Alexander Friedrich Ladislaus Roda Roda (13 April 1872 – 20 August 1945) was an Austrian writer and satirist. Biography Roda Roda was born as Šandor Friedrich Rosenfeld in Drnowitz, Moravia, Austria-Hungary (now Drnovice, Czech Republic). His sister was the physician Gisela Januszewska. As a child, he moved with his family to Slavonia. He Germanized his name from Šandor to Alexander, and his surname from Rosenfeld to Roda Roda. Roda is the Croatian word for stork. He chose his new surname because storks nested on the chimney of his house in Esseg (today Osijek). In 1894, Roda Roda converted from Judaism to Catholicism.Kaiser, Max: "Roda Roda (bis 1899 Rosenfeld, 1899–1906 Roda), Alexande ...
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