Actor-manager
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Actor-manager
An actor-manager is a leading actor who sets up their own permanent theatrical company and manages the business, sometimes taking over a theatre to perform select plays in which they usually star. It is a method of theatrical production used consistently since the 16th century, particularly common in 19th-century Britain and the United States. History The first actor-managers, such as Robert Browne, appeared in the late 16th century, to be followed by another Robert Browne (no relation) and George Jolly in the 17th century. In the 18th century, actor-managers such as Colley Cibber and David Garrick gained prominence. The system of actor-management generally produced high standards of performance, as demonstrated by such 19th-century actors as William Macready, Charles Wyndham, Henry Irving, Frank Benson and Herbert Beerbohm Tree, by husband-wife teams such as Squire Bancroft and Effie Bancroft, Frank Wyatt and Violet Melnotte, William Hunter Kendal and Madge Robertson Ken ...
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Sarah Thorne
Sarah Thorne (10 May 1836 – 27 February 1899) was a British actress and actor-manager, actress-manager of the 19th century who managed the Theatre Royal at Margate for many years. She ran a school for acting there which is widely regarded as Britain's first formal drama school. The Sarah Thorne Theatre Club in Broadstairs is named in her memory. Early life Sarah Thorne was born in London in 1836, the eldest of ten children born to Richard Samuel Thorne (1813–1875), an actor and Actor-manager, theatre manager who managed the Surrey Theatre, and his wife, Sarah née Rogers (1812–1896). Two of her younger brothers were Thomas Thorne, one of the founding managers of London's Vaudeville Theatre, and George Thorne (singer), George Thorne, the singer and actor, best known for his performances in the comic baritone roles of the Savoy Operas with the D'Oyly Carte Opera Company. Sarah Thorne made her stage debut aged 12 on 26 December 1848 in a pantomime produced by her father at ...
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