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Abramtsevo Colony
Abramtsevo (russian: Абра́мцево) is a former country estate and now museum-reserve located north of Moscow, in the proximity of Khotkovo, that became a centre for the Slavophile movement and an artists' colony in the 19th century. The estate is located in the village of Abramtsevo, in Sergiyevo-Posadsky District of Moscow Oblast. The Abramtsevo Museum-reserve site is an object of cultural heritage in Russia. History Originally owned by the author Sergei Aksakov, other writers and artists — such as Nikolai Gogol — at first came there as his guests. Under Aksakov, visitors to the estate discussed ways of ridding Russian art of Western influences to revive a purely national style. In 1870, eleven years after Aksakov's death, it was purchased by Savva Mamontov, a wealthy industrialist and patron of the arts. Under Mamontov, Russian themes and folk art flourished there. During the 1870s and 1880s, Abramtsevo hosted a colony of artists who sought to recapture the qual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Estate (land)
An estate is a large parcel of land under single ownership, which would historically generate income for its owner. British context In the UK, historically an estate comprises the houses, outbuildings, supporting farmland, and woods that surround the gardens and grounds of a very large property, such as a country house, mansion, palace or castle. It is the modern term for a manor, but lacks a manor's now-abolished jurisdiction. The "estate" formed an economic system where the profits from its produce and rents (of housing or agricultural land) sustained the main household, formerly known as the manor house. Thus, "the estate" may refer to all other cottages and villages in the same ownership as the mansion itself, covering more than one former manor. Examples of such great estates are Woburn Abbey in Bedfordshire, England, and Blenheim Palace, in Oxfordshire, England, built to replace the former manor house of Woodstock. In a more urban context are the "Great Estates" i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vasily Polenov
Vasily Dmitrievich Polenov (Russian: Васи́лий Дми́триевич Поле́нов; 1 June 1844 – 18 July 1927) was a Russian landscape painter associated with the Peredvizhniki movement of realist artists. His contemporaries would call him the “Knight of Beauty” as he embodied both European and Russian traditions of painting. His vision of life was summarized as following: “Art should promote happiness and joy”. As a painter and a humanist, he would truly believe in the civilizing mission of Art, Culture and Education. Early life and family heritage As a native of St. Petersburg, Polenov grew up in a wealthy, intellectual and artistic family. During his teenage years, in 1860s, Russia was energized by great minds promoting virtues of democracy, progress, education, and they would stand against oppression. The painter's father, Dmitriy Vasilevich Polenov (1806–1872), was a well known archaeologist and bibliographer. As a representative of the Academy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baba Yaga
In Slavic folklore, Baba Yaga, also spelled Baba Jaga (from Polish), is a supernatural being (or one of a trio of sisters of the same name) who appears as a deformed and/or ferocious-looking woman. In fairy tales Baba Yaga flies around in a mortar, wields a pestle, and dwells deep in the forest in a hut usually described as standing on chicken legs. Baba Yaga may help or hinder those that encounter or seek her out and may play a maternal role; she has associations with forest wildlife. According to Vladimir Propp's folktale morphology, Baba Yaga commonly appears as either a donor or a villain, or may be altogether ambiguous. Dr. Andreas Johns identifies Baba Yaga as "one of the most memorable and distinctive figures in eastern European folklore", and observes that she is "enigmatic" and often exhibits "striking ambiguity". Johns summarizes Baba Yaga as "a many-faceted figure, capable of inspiring researchers to see her as a Cloud, Moon, Death, Winter, Snake, Bird, Pelican ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivan Ropet
Ivan Pavlovich Ropet (pseudonym of Ivan Nikolaevich Petrov, 1845, Petergof – 1908) was an architect widely regarded as the originator of the Russian Revival in architecture, which is sometimes called the ''Ropet Style'' after him. His work was hailed by Vladimir Stasov as "the future of our architecture". Biography Raised in the family of his uncle, Ropet studied at the Imperial Academy of Arts under Alexey Gornostaev, pioneer of Russian Revival and a master of tented roof design. Together with Viktor Hartmann, Ropet aspired to revive a truly national style of architecture, based primarily on ornate wooden huts of rural Russia. Basically, Ropet's circle propagated the same theories of the romantic nationalism as The Five did in regard to Russian music. Between 1874 and 1880, they brought out a series of albums of ''Russian Architecture Motifs'' which made their work known throughout Russia. Most of his works were in timber; one of the few still standing is the bath at Abr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Rus
Kievan Rusʹ, also known as Kyivan Rusʹ ( orv, , Rusĭ, or , , ; Old Norse: ''Garðaríki''), was a state in Eastern and Northern Europe from the late 9th to the mid-13th century.John Channon & Robert Hudson, ''Penguin Historical Atlas of Russia'' (Penguin, 1995), p.14–16.Kievan Rus Encyclopædia Britannica Online. Encompassing a variety of polities and peoples, including East Slavic, Norse, and Finnic, it was ruled by the , foun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mikhail Vrubel
Mikhail Aleksandrovich Vrubel (russian: Михаил Александрович Врубель; March 17, 1856 – April 14, 1910, all n.s.) was a Russian painter, draughtsman, and sculptor. A prolific and innovative master in various media such as painting, drawing, decorative sculpture, and theatrical art, Vrubel is generally characterized as one of the most important artists in Russian Symbolist tradition and a pioneering figure of Modernist art. In a 1990 biography of Vrubel, the Soviet art historian considered his life and art as a three-act drama with prologue and epilogue, while the transition between acts was rapid and unexpected. The "Prologue" refers to his earlier years of studying and choosing a career path. The "first act" peaked in the 1880s when Vrubel was studying at the Imperial Academy of Arts and then moved to Kiev to study Byzantine and Christian art. The "second act" corresponded to the so-called "Moscow period" that started with ''The Demon Seated' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konstantin Stanislavsky
Konstantin Sergeyevich Stanislavski ( Alekseyev; russian: Константин Сергеевич Станиславский, p=kənstɐnʲˈtʲin sʲɪrˈgʲejɪvʲɪtɕ stənʲɪˈslafskʲɪj; 7 August 1938) was a seminal Soviet Russian theatre practitioner. He was widely recognized as an outstanding character actor and the many productions that he directed garnered him a reputation as one of the leading theatre directors of his generation. His principal fame and influence, however, rests on his "system" of actor training, preparation, and rehearsal technique. Stanislavski (his stage name) performed and directed as an amateur until the age of 33, when he co-founded the world-famous Moscow Art Theatre (MAT) company with Vladimir Nemirovich-Danchenko, following a legendary 18-hour discussion. Its influential tours of Europe (1906) and the US (1923–24), and its landmark productions of ''The Seagull'' (1898) and ''Hamlet'' (1911–12), established his reputation and ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Snow Maiden
''The Snow Maiden'' (subtitle: A Spring Fairy Tale) ( rus, Снегурочка–весенняя сказка, Snegúrochka–vesénnyaya skázka, italic=yes ) is an opera in four acts with a prologue by Nikolai Rimsky-Korsakov, composed during 1880–1881. The Russian libretto, by the composer, is based on the like-named play by Alexander Ostrovsky (which had premiered in 1873 with incidental music by Tchaikovsky). The first performance of Rimsky-Korsakov's opera took place at the Mariinsky Theatre, Saint Petersburg on 29 January 1882 ( OS; 10 February NS) conducted by Eduard Nápravník. By 1898 it was revised in the edition known today. It remained the composer's own favorite work. Analysis The story deals with the opposition of eternal forces of nature and involves the interactions of mythological characters (Frost, Spring, Wood-Sprite), real people (Kupava, Mizgir'), and those in-between, i.e., half-mythical, half-real (Snow Maiden, Lel’, Berendey). The co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolai Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov . At the time, his name was spelled Николай Андреевичъ Римскій-Корсаковъ. la, Nicolaus Andreae filius Rimskij-Korsakov. The composer romanized his name as ''Nicolas Rimsky-Korsakow''.The BGN/PCGN transliteration of Russian is used for his name here. ALA-LC system: Nikolaĭ Andrevich Rimskiĭ-Korsakov, ISO 9 system: Nikolaj Andreevič Rimskij-Korsakov. (18 March 1844 – 21 June 1908) was a Russian composer, a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—''Capriccio Espagnol'', the ''Russian Easter Festival Overture'', and the symphonic suite ''Scheherazade''—are staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. ''Scheherazade'' is an example of his frequent use of fairy-tale and folk subjects. Rimsky-Korsakov believed in developing a nationalistic style of classical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Antokolsky
Mark Matveyevich Antokolsky (russian: Марк Матве́евич Антоко́льский; 2 November 18409 July 1902) was a Russian Imperial sculptor of Lithuanian Jewish descent. Biography Mordukh Matysovich Antokolsky''Boris Schatz: The Father of Israeli Art'' Yigal Zalmona, The Israel Museum, 2006, signed letter from Paris, p.18. was born in Vilnius ( Antokol city district), Lithuania (at the time part of the Russian Empire). He studied in the Imperial Academy of Arts (1862–68) at St. Petersburg. He first began with Jewish themes, statues: "Jewish Tailor", "Nathan The Wise", "Inquisition's Attack against Jews", "The Talmudic Debate". From 1868–1870, Mark Antokolsky lived in Berlin. His statue of Ivan the Terrible (1870) was purchased for the Hermitage by Emperor Alexander II of Russia. The latter approved his work and awarded the sculptor the title of Academic. Antokolsky believed that sculpture was a social and humane ideal. In order to improve his failing h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viktor Hartmann
Viktor Alexandrovich Hartmann (Russian: Ви́ктор Алекса́ндрович Га́ртман; 5 May 1834, Saint Petersburg – 4 August 1873, Kireyevo near Moscow) was a Russian architect and painter. He was associated with the Abramtsevo Colony, purchased and preserved beginning in 1870 by Savva Mamontov, and the Russian Revival. Life Victor-Edouard Hartmann was born in Saint Petersburg into a family of German ancestry. He was orphaned at a young age and grew up in the house of his mother's sister, L. Hemilian, and her husband Alexandre Hemilian, who was a well-known architect. He studied at the Academy of Fine Arts in Saint Petersburg and at first started working by illustrating books. He also worked as an architect and sketched, among other things, the monument to the thousandth anniversary of Russia in Novgorod, which was inaugurated in 1862. He made most of his water colors and pencil drawings on journeys abroad in the years 1864 to 1868. Together with Ivan R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mikhail Nesterov
Mikhail Vasilyevich Nesterov (russian: Михаи́л Васи́льевич Не́стеров; – 18 October 1942) was a Russian and Soviet painter; associated with the Peredvizhniki and Mir Iskusstva. He was one of the first exponents of Symbolist art in Russia. Biography He was born to a strongly patriarchal merchant family. His father was a draper and haberdasher, but always had a strong interest in history and literature. As a result, he was sympathetic to his son's desire to be an artist, but insisted that he acquire practical skills first and, in 1874, he was sent to Moscow where he enrolled at the Voskresensky Realschule. In 1877, his counselors suggested that he transfer to the Moscow School of Painting, Sculpture and Architecture, where he studied with Pavel Sorokin, Illarion Pryanishnikov and Vasily Perov, who was his favorite teacher. In 1879, he began to participate in the school's exhibitions. Two years later, he entered the Imperial Academy of Fine Arts, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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