Ableton Live
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Ableton Live
Ableton Live is a digital audio workstation for macOS and Windows developed by the German company Ableton. In contrast to many other software sequencers, Ableton Live is designed to be an instrument for live performances as well as a tool for composing, recording, arranging, mixing, and mastering. It is also used by DJs, as it offers a suite of controls for beatmatching, crossfading, and other different effects used by turntablists, and was one of the first music applications to automatically beatmatch songs. Live is available in three editions: Intro (with limited key features), Standard, and Suite. History Ableton Live was created by Gerhard Behles, Robert Henke and Bernd Roggendorf in the mid-1990s. Henke left Ableton in 2016 to concentrate on Monolake. Behles and Henke met while studying programming at the Technical University of Berlin, and wrote software in the music programming language Max to perform techno as their band Monolake. Henke and Behles identified a ...
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Ableton
Ableton AG is a German music software company that produces and distributes the production and performance program Ableton Live and a collection of related instruments and sample libraries, as well as their own hardware controller Ableton Push. Ableton's office is located in the Prenzlauer Berg district of Berlin, Germany, with a second office in Pasadena, California. History Ableton was founded in 1999 by Gerhard Behles and Robert Henke, who together formed the group Monolake, and software engineer Bernd Roggendorf. After Behles' work on granular synthesis for Native Instruments' Reaktor, as well as earlier software using a Silicon Graphics workstation at the Technical University of Berlin, Live was first released as commercial software in 2001. Behles remains the chief executive officer of Ableton. In March 2007, Ableton announced it was beginning a collaboration with Cycling '74, producers of Max/MSP. This collaboration is not directly based on Live or Max/MSP, but rather c ...
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Beatmatching
Beatmatching or pitch cue is a disc jockey technique of pitch shifting or timestretching an upcoming track to match its tempo to that of the currently playing track, and to adjust them such that the beats (and, usually, the bars) are synchronized—e.g. the kicks and snares in two house records hit at the same time when both records are played simultaneously. Beatmatching is a component of beatmixing which employs beatmatching combined with equalization, attention to phrasing and track selection in an attempt to make a single mix that flows together and has a good structure. The technique was developed to keep the people from leaving the dancefloor at the end of the song. These days it is considered basic among disc jockeys (DJs) in electronic dance music genres, and it is standard practice in clubs to keep the constant beat through the night, even if DJs change in the middle. Beatmatching is no longer considered a novelty, and new digital software has made the technique much ...
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Pro Tools
Pro Tools is a digital audio workstation (DAW) developed and released by Avid Technology (formerly Digidesign) for Microsoft Windows and macOS. It is used for music creation and production, sound for picture (sound design, audio post-production and mixing) and, more generally, sound recording, editing, and mastering processes. Pro Tools operates both as standalone software and in conjunction with a range of external analog-to-digital converters and PCIe cards with on-board digital signal processors (DSP). The DSP is used to provide additional processing power to the host computer for processing real-time effects, such as reverb, equalization, and compression and to obtain lower latency audio performance. Like all digital audio workstation software, Pro Tools can perform the functions of a multitrack tape recorder and a mixing console along with additional features that can only be performed in the digital domain, such as non-linear and non-destructive editing (most of aud ...
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Pitch (music)
Pitch is a perceptual property of sounds that allows their ordering on a frequency-related scale, or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melodies. Pitch is a major auditory attribute of musical tones, along with duration, loudness, and timbre. Pitch may be quantified as a frequency, but pitch is not a purely objective physical property; it is a subjective psychoacoustical attribute of sound. Historically, the study of pitch and pitch perception has been a central problem in psychoacoustics, and has been instrumental in forming and testing theories of sound representation, processing, and perception in the auditory system. Perception Pitch and frequency Pitch is an auditory sensation in which a listener assigns musical tones to relative positions on a musical scale based primarily on their perception of the frequency of vibration. Pitch is closely related to frequency, but ...
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Loop (music)
In music, a loop is a repeating section of sound material. Short sections can be repeated to create ostinato patterns. Longer sections can also be repeated: for example, a player might loop what they play on an entire verse of a song in order to then play along with it, accompanying themselves. Loops can be created using a wide range of music technologies including turntables, digital samplers, looper pedals, synthesizers, sequencers, drum machines, tape machine An audio tape recorder, also known as a tape deck, tape player or tape machine or simply a tape recorder, is a sound recording and reproduction device that records and plays back sounds usually using magnetic tape for storage. In its present- ...s, and digital delay, delay units, and they can be Programming (music), programmed using computer music software. The feature to loop a section of an audio track or video footage is also referred to by electronics vendors as ''A–B repeat''. Royalty-free loops can be ...
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Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ...
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Hans Zimmer
Hans Florian Zimmer (; born 12 September 1957) is a German film score composer and music producer. He has won two Academy Awards, Oscars and four Grammy Awards, Grammys, and has been nominated for two Primetime Emmy Awards, Emmys and a Tony Awards, Tony. Zimmer was also named on the list of Top 100 Living Geniuses, published by ''The Daily Telegraph''. His works are notable for integrating electronic music sounds with traditional orchestral arrangements. Since the 1980s, Zimmer has composed music for over 150 films. His works include ''The Lion King'' (for which he won the Academy Award for Best Original Score in 1995), ''Gladiator (2000 film), Gladiator'', ''The Last Samurai'', the ''Pirates of the Caribbean (film series), Pirates of the Caribbean'' series, The Dark Knight Trilogy, ''The Dark Knight'' trilogy, ''Inception'', ''Interstellar (film), Interstellar'' and ''Dunkirk (2017 film), Dunkirk''. He won a second Academy Award for ''Dune (2021 film), Dune'' in 2022. Zimmer sp ...
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Max (software)
Max, also known as Max/MSP/Jitter, is a visual programming language for music and multimedia developed and maintained by San Francisco-based software company Cycling '74. Over its more than thirty-year history, it has been used by composers, performers, software designers, researchers, and artists to create recordings, performances, and installations. The Max program is modular, with most routines existing as shared libraries. An application programming interface (API) allows third-party development of new routines (named ''external objects''). Thus, Max has a large user base of programmers unaffiliated with Cycling '74 who enhance the software with commercial and non-commercial extensions to the program. Because of this extensible design, which simultaneously represents both the program's structure and its graphical user interface (GUI), Max has been described as the lingua franca for developing interactive music performance software. History 1980s: Miller Puckette began work o ...
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Technical University Of Berlin
The Technical University of Berlin (official name both in English and german: link=no, Technische Universität Berlin, also known as TU Berlin and Berlin Institute of Technology) is a public research university located in Berlin, Germany. It was the first German university to adopt the name "Technische Universität" (Technical University). The university alumni and professor list includes several US National Academies members, two National Medal of Science laureates and ten Nobel Prize laureates. TU Berlin is a member of TU9, an incorporated society of the largest and most notable German institutes of technology and of the Top International Managers in Engineering network, which allows for student exchanges between leading engineering schools. It belongs to the Conference of European Schools for Advanced Engineering Education and Research. The TU Berlin is home of two innovation centers designated by the European Institute of Innovation and Technology. The university is labeled ...
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Monolake
Monolake is a German electronic music project, initially consisting of members Gerhard Behles and Robert Henke, Monolake is now perpetuated by Henke while Behles focuses on running music software company Ableton, which they founded in 1999 together with Bernd Roggendorf. From 2004, Torsten Pröfrock became a member of Monolake. Monolake's minimal, dub-influenced techno helped establish the sound of the Chain Reaction label, also located in Berlin, subsequently using their own l/i(''Monolake / Imbalance Computer Music'') label for the group's output. Both current members have solo projects, with Henke releasing under his own name and Pröfrock as "T++" and "Various Artists." In 2008, T++ followed Ricardo Villalobos in bridging the gap between minimal techno and dubstep, by remixing Shackleton's ''Death Is Not Final'' for the Skull Disco label. In 2009, Robert Henke appeared in the electronic music documentary, ''Speaking In Code'', which presented the completion of the Monodec ...
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Vice (website)
''Vice'' (stylized in all caps) is a Canadian-American magazine focused on lifestyle, arts, culture, and news/politics. Founded in 1994 in Montreal as an alternative Punk subculture, punk magazine, the founders later launched the youth media company Vice Media, which consists of divisions including the printed magazine as well as a website, broadcast news unit, a film production company, a record label, and a publishing Imprint (trade name), imprint. As of February 2015, the magazine's editor-in-chief is Ellis Jones. History Founded by Suroosh Alvi, Gavin McInnes, and Shane Smith (journalist), Shane Smith (the latter two being childhood friends), the magazine was launched in 1994 as the ''Voice of Montreal'' with government funding. The intention of the founders was to provide work and a community service. When the editors later sought to dissolve their commitments with the original publisher, Alix Laurent, they bought him out and changed the name to ''Vice'' in 1996. Richard S ...
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Robert Henke
Robert B. Henke (born 1969) is a German computer music artist working in the fields of audiovisual installation, music and performance. He was born in Munich, Germany, and lives in Berlin. Coming from an engineering background, Henke is fascinated by the beauty of technical objects. Developing his own instruments and algorithms is an integral part of his creative process. His materials are computer generated sound and images, field recordings, photography and light; transformed, re-arranged and modulated by mathematical rules, real time interaction and controlled random operations. Many of his works use multiple channels of audio or are specifically conceived for unique locations and their individual properties. For the past few years, he has been exploring the artistic usage of high power lasers in his installations and performances. Robert Henke is also a co-creator of the music software Ableton Live, with Gerhard Behles. Since 1995 he has produced electronic music under the n ...
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