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A Provincial Lady
''A Provincial Lady'' (russian: Провинциалка, translit=Provintsialka) is a one-act play by Ivan Turgenev.Banham (1998, 1129) and Moser (1992, 247). Written in 1850, it was first produced in January 1851 at a benefit performance for the seminal 19th-century Russian actor Mikhail Shchepkin at the Maly Theatre in Moscow. In the 20th century, the play was produced at the world-famous Moscow Art Theatre as part of a triple bill of works by Turgenev.Benedetti (1999, 213, 224). Constantin Stanislavski Konstantin Sergeyevich Stanislavski ( Alekseyev; russian: Константин Сергеевич Станиславский, p=kənstɐnʲˈtʲin sʲɪrˈgʲejɪvʲɪtɕ stənʲɪˈslafskʲɪj; 7 August 1938) was a seminal Soviet Russian ... directed and played Count Liubin. It opened on 5 March 1912. References Sources * Banham, Martin, ed. 1998. ''The Cambridge Guide to Theatre.'' Cambridge: Cambridge UP. . * Benedetti, Jean. 1999. ''Stanislavski: His Life and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konstantin Stanislavski
Konstantin Sergeyevich Stanislavski ( Alekseyev; russian: Константин Сергеевич Станиславский, p=kənstɐnʲˈtʲin sʲɪrˈgʲejɪvʲɪtɕ stənʲɪˈslafskʲɪj; 7 August 1938) was a seminal Russian Soviet Federative Socialist Republic, Soviet Russian theatre practitioner. He was widely recognized as an outstanding character actor and the many List of productions directed by Konstantin Stanislavski, productions that he directed garnered him a reputation as one of the leading theatre directors of his generation. His principal fame and influence, however, rests on Stanislavski's system, his "system" of actor training, preparation, and rehearsal technique. Stanislavski (his stage name) performed and directed as an Amateur theatre, amateur until the age of 33, when he co-founded the world-famous Moscow Art Theatre (MAT) company with Vladimir Nemirovich-Danchenko, following a legendary 18-hour discussion. Its influential tours of Europe (1906) and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moscow Art Theatre
The Moscow Art Theatre (or MAT; russian: Московский Художественный академический театр (МХАТ), ''Moskovskiy Hudojestvenny Akademicheskiy Teatr'' (МHАТ)) was a theatre company in Moscow. It was founded in 1898 by the seminal Russian theatre practitioner Konstantin Stanislavski, together with the playwright and director Vladimir Nemirovich-Danchenko. It was conceived as a venue for naturalistic theatre, in contrast to the melodramas that were Russia's dominant form of theatre at the time. The theatre, the first to regularly put on shows implementing Stanislavski's system, proved hugely influential in the acting world and in the development of modern American theatre and drama. It was officially renamed the Gorky Moscow Art Theatre in 1932. In 1987, the theatre split into two troupes, the Chekhov Moscow Art Theatre and the Gorky Moscow Art Theatre. Beginnings At the end of the 19th-century, Stanislavski and Nemirovich-Danchenk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivan Turgenev
Ivan Sergeyevich Turgenev (; rus, links=no, Ива́н Серге́евич Турге́невIn Turgenev's day, his name was written ., p=ɪˈvan sʲɪrˈɡʲe(j)ɪvʲɪtɕ tʊrˈɡʲenʲɪf; 9 November 1818 – 3 September 1883 (Old Style dates: 28 October 1818 – 22 August 1883) was a Russian novelist, short story writer, poet, playwright, translator and popularizer of Russian literature in the West. His first major publication, a short story collection titled ''A Sportsman's Sketches'' (1852), was a milestone of Russian realism. His novel '' Fathers and Sons'' (1862) is regarded as one of the major works of 19th-century fiction. Life Ivan Sergeyevich Turgenev was born in Oryol (modern-day Oryol Oblast, Russia) to noble Russian parents Sergei Nikolaevich Turgenev (1793–1834), a colonel in the Russian cavalry who took part in the Patriotic War of 1812, and Varvara Petrovna Turgeneva (née Lutovinova; 1787–1850). His father belonged to an old, but impoverished Turge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maly Theatre (Moscow)
Maly Theatre (, literally ''Small Theatre'' as opposed to nearby Bolshoi, or ''Grand'', opera theatre) is a theatre in Moscow, Russia, principally associated with the production of plays. Established in 1806Londre, Margot p. 307 and operating on its present site on the Theatre Square since 1824, the theatre traces its history to the Moscow University drama company, established in 1756. In the 19th century, Maly was "universally recognized in Russia as the leading dramatic theatre of the century", and was the home stage for Mikhail Shchepkin and Maria Yermolova. 40 of Alexander Ostrovsky's 54 plays premiered at Maly, and the theatre was known as The House of Ostrovsky.Londre, Margot p. 306 The Maly Theatre in Moscow and Alexandrinsky Theatre in Saint Petersburg "to a great extent determined the development of Russian theatre during the 19th and 20th century". Maly Theatre positions itself as a traditional drama theatre that produces classical heritage plays. For example, the 200 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moscow
Moscow ( , US chiefly ; rus, links=no, Москва, r=Moskva, p=mɐskˈva, a=Москва.ogg) is the capital and largest city of Russia. The city stands on the Moskva River in Central Russia, with a population estimated at 13.0 million residents within the city limits, over 17 million residents in the urban area, and over 21.5 million residents in the metropolitan area. The city covers an area of , while the urban area covers , and the metropolitan area covers over . Moscow is among the world's largest cities; being the most populous city entirely in Europe, the largest urban and metropolitan area in Europe, and the largest city by land area on the European continent. First documented in 1147, Moscow grew to become a prosperous and powerful city that served as the capital of the Grand Duchy that bears its name. When the Grand Duchy of Moscow evolved into the Tsardom of Russia, Moscow remained the political and economic center for most of the Tsardom's history. When th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russian Language
Russian (russian: русский язык, russkij jazyk, link=no, ) is an East Slavic languages, East Slavic language mainly spoken in Russia. It is the First language, native language of the Russians, and belongs to the Indo-European languages, Indo-European language family. It is one of four living East Slavic languages, and is also a part of the larger Balto-Slavic languages. Besides Russia itself, Russian is an official language in Belarus, Kazakhstan, and Kyrgyzstan, and is used widely as a lingua franca throughout Ukraine, the Caucasus, Central Asia, and to some extent in the Baltic states. It was the De facto#National languages, ''de facto'' language of the former Soviet Union,1977 Soviet Constitution, Constitution and Fundamental Law of the Union of Soviet Socialist Republics, 1977: Section II, Chapter 6, Article 36 and continues to be used in public life with varying proficiency in all of the post-Soviet states. Russian has over 258 million total speakers worldwide. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One-act Play
A one-act play is a play that has only one act, as distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, '' Cyclops'', a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon.Francis M. Dunn. ''Tragedy's End: Closure and Innovation in Euripidean Drama''. Oxford University Press (1996). One act plays became more common in the 19th century and are now a stand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One-act Play
A one-act play is a play that has only one act, as distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, '' Cyclops'', a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon.Francis M. Dunn. ''Tragedy's End: Closure and Innovation in Euripidean Drama''. Oxford University Press (1996). One act plays became more common in the 19th century and are now a stand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nineteenth-century Theatre
Nineteenth-century theatre describes a wide range of movements in the theatrical culture of Europe and the United States in the 19th century. In the West, they include Romanticism, melodrama, the well-made plays of Scribe and Sardou, the farces of Feydeau, the problem plays of Naturalism and Realism, Wagner's operatic ''Gesamtkunstwerk'', Gilbert and Sullivan's plays and operas, Wilde's drawing-room comedies, Symbolism, and proto- Expressionism in the late works of August Strindberg and Henrik Ibsen. Melodrama Beginning in France after the theatre monopolies were abolished during the French Revolution, melodrama became the most popular theatrical form of the century. Melodrama itself can be traced back to classical Greece, but the term ''mélodrame'' did not appear until 1766 and only entered popular usage sometime after 1800. The plays of August von Kotzebue and René Charles Guilbert de Pixérécourt established melodrama as the dominant dramatic form of the early 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mikhail Shchepkin
, birth_date = , birth_place = Krasnoe, Kursk Province, Russian Empire , death_date = (aged 64) , death_place = Yalta, Russian Empire , resting_place = , occupation = Actor , language = Russian , nationality = Russian , period = 19th-century theatre , movement = Realism , notablework = ''Memoirs'' , spouse = , children = , relatives = , awards = , signature = , signature_alt = , years_active = 1805—1863 , module = , website = , portaldisp = Mikhail Semyonovich Shchepkin (russian: Михаи́л Семёнович Ще́пкин, , the village Krasnoe, Oboyan county, Kursk Province — ) was the most famous Russian Empire actor of the 19th century. He is considered the "father" of realist acting in Russia and, via the influence of his student, Glikeriya Fedotova, a major influence on the development of the 'system' of Konstantin Stanislavski (who was born in the year in which Shchepkin died). Shchepkin's significance to the Thea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twentieth-century Theatre
Twentieth-century theatre describes a period of great change within the theatrical culture of the 20th century, mainly in Europe and North America. There was a widespread challenge to long-established rules surrounding theatrical representation; resulting in the development of many new forms of theatre, including modernism, expressionism, impressionism, political theatre and other forms of Experimental theatre, as well as the continuing development of already established theatrical forms like naturalism and realism. Throughout the century, the artistic reputation of theatre improved after being derided throughout the 19th century. However, the growth of other media, especially film, has resulted in a diminished role within the culture at large. In light of this change, theatrical artists have been forced to seek new ways to engage with society. The various answers offered in response to this have prompted the transformations that make up its modern history. Developments in ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constantin Stanislavski
Konstantin Sergeyevich Stanislavski ( Alekseyev; russian: Константин Сергеевич Станиславский, p=kənstɐnʲˈtʲin sʲɪrˈgʲejɪvʲɪtɕ stənʲɪˈslafskʲɪj; 7 August 1938) was a seminal Soviet Russian theatre practitioner. He was widely recognized as an outstanding character actor and the many productions that he directed garnered him a reputation as one of the leading theatre directors of his generation. His principal fame and influence, however, rests on his "system" of actor training, preparation, and rehearsal technique. Stanislavski (his stage name) performed and directed as an amateur until the age of 33, when he co-founded the world-famous Moscow Art Theatre (MAT) company with Vladimir Nemirovich-Danchenko, following a legendary 18-hour discussion. Its influential tours of Europe (1906) and the US (1923–24), and its landmark productions of ''The Seagull'' (1898) and ''Hamlet'' (1911–12), established his reputation and opene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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