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A Mother's Love (1950 Film)
is a 1950 Japanese drama film directed by Hiroshi Shimizu. Plot Toshiko, mother of three children, all from different fathers, travels from Tokyo to the countryside to give them into foster care, as they get in the way to her occupation as a bar owner. After her daughter has been taken in by her brother Gentaro, himself father of eight children, and her younger son by her uncle Yokogawa, she heads for the home of her former nurse Oseki, who now runs a tea house in the mountains. On the way, Toshiko meets an elderly woman who looks after her grandchild, as her daughter, the child's mother and member of a troupe of travelling actors, refuses to give it away even under difficult circumstances. She resides at an inn with her elder son Fusao, where she falls ill and moves into a room with painter Takuoka as the inn is booked out. Mitsuko, Toshiko's business partner, pays her a visit and gets entangled with Takuoka. Toshiko eventually meets with Oseki, but instead of asking her to ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiroshi Shimizu (director)
was a Japanese film director, who directed over 160 films during his career. Biography Early years Shimizu was born in Shizuoka Prefecture and attended Hokkaidō University, but left before graduating. He joined the Shochiku film studio in Tokyo in 1921, making his directorial debut in 1924 at the age of just 21. Career Shimizu specialised in melodramas and comedies. In his most distinguished silent films like ''Fue no Shiratama'' (1929) and '' Japanese Girls at the Harbor'' (1933), he explored a Japan poised between native and Western ideas, traditionalism and liberalism, while stylistically relying on modernist and avant-garde techniques. The majority of his silent films is nowadays considered lost. In the 1930s, Shimizu increasingly took advantage of shooting on location and with non-professional actors, and was praised at the time by film critics such as Matsuo Kishi and fellow directors as Kenji Mizoguchi. ''Mr. Thank You'' (1936), ''The Masseurs and a Woman'' (1938) and ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kumeko Urabe
Kumeko Urabe ( ja, link=no, 浦辺粂子) (October 5, 1902 – October 26, 1989) was a Japanese movie actress, and one of the first in the country. Born Kimura Kume, she also adopted the stage names Kumeko Ichijo, Toyama Midori, Chidori Shizuura and Chidori Toyama. She worked on stage and in film and television. Urabe was born in a rural part of the Shizuoka Prefecture. She lived in several homes while growing up, as she relocated with her father, a Buddhist priest, among the temples to which he was assigned. Urabe completed her education in Numazu, and left school in 1919 to join a theatre company, touring under various stage names as an actor and dancer. In 1923, Urabe auditioned at the film studio Nikkatsu, and adopted the name Kumeko Urabe, by which she was known for the rest of her life. She appeared in her first film the following year, and continued to act until 1987. She worked with such directors as Kenji Mizoguchi and Mikio Naruse, and performed in over 320 films, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Directed By Hiroshi Shimizu
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Black-and-white Films
Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspora, Japanese emigrants and their descendants around the world * Japanese citizens, nationals of Japan under Japanese nationality law ** Foreign-born Japanese, naturalized citizens of Japan * Japanese writing system, consisting of kanji and kana * Japanese cuisine, the food and food culture of Japan See also * List of Japanese people * * Japonica (other) * Japonicum * Japonicus * Japanese studies Japanese studies (Japanese: ) or Japan studies (sometimes Japanology in Europe), is a sub-field of area studies or East Asian studies involved in social sciences and humanities research on Japan. It incorporates fields such as the study of Japanese ... {{disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Drama Films
Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspora, Japanese emigrants and their descendants around the world * Japanese citizens, nationals of Japan under Japanese nationality law ** Foreign-born Japanese, naturalized citizens of Japan * Japanese writing system, consisting of kanji and kana * Japanese cuisine, the food and food culture of Japan See also * List of Japanese people * * Japonica (other) * Japonicum * Japonicus * Japanese studies Japanese studies (Japanese: ) or Japan studies (sometimes Japanology in Europe), is a sub-field of area studies or East Asian studies involved in social sciences and humanities research on Japan. It incorporates fields such as the study of Japanese ... {{disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1950 Films
The year 1950 in film involved some significant events. __TOC__ Top-grossing films (U.S.) The top ten 1950 released films by box office gross in North America are as follows: Events * January 13 – Three weeks after its world premiere at the Paramount and Rivoli theatres in New York City, Cecil B. DeMille's ''Samson and Delilah'' opens in Los Angeles. The film is a massive commercial success and wins the awards for Best Art Direction and Best Costume Design at the 23rd Academy Awards. * February 15 – Walt Disney Studios' animated film ''Cinderella'' debuts. The film is the most successful the studio has made since ''Dumbo'', and saves the studio from four million dollars in debt. * July 19 – Walt Disney Studios' first completely live-action film ''Treasure Island'' debuts. Awards Top ten money making stars Notable films released in 1950 US unless stated # *'' 47 morto che parla'', starring Totò – (Italy) *''711 Ocean Drive'', starring Edmond O'Brien and J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Standard
''Der Standard'' is an Austrian daily newspaper published in Vienna. History and profile ''Der Standard'' was founded by Oscar Bronner as a financial newspaper and published its first edition on 19 October 1988. German media company Axel Springer acquired a stake in the paper in 1988 and sold it in 1995. Bronner remains the paper's publisher, Martin Kotynek is editor-in-chief. ''Der Standard'' sees itself as—in a Continental European sense (socially and culturally, but not economically)—liberal and independent. Third parties have described the paper as having a left-liberal stance. Until 2007, the editor-in-chief of the daily was Gerfried Sperl, Alexandra Föderl-Schmid succeeded him in the post. In 2002 the paper was one of four quality daily newspapers with nationwide distribution along with ''Salzburger Nachrichten'', ''Die Presse'', and ''Wiener Zeitung''. Although ''Der Standard'' is intended to be a national paper, in the past it had an undeniable tendency to focus on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinémathèque Française
The Cinémathèque Française (), founded in 1936, is a French non-profit film organization that holds one of the largest archives of film documents and film-related objects in the world. Based in Paris's 12th arrondissement, the archive offers daily screenings of worldwide films. History The collection emerged from the efforts of Henri Langlois and Lotte H. Eisner in the mid 1930s to collect and screen films. Langlois had acquired one of the largest collections in the world by the beginning of World War II, only to have it nearly wiped out by the German authorities in occupied France, who ordered the destruction of all films made prior to 1937. He and his friends smuggled huge numbers of documents and films out of occupied France to protect them until the end of the war. After the war, the French government provided a small screening room, staff and subsidy for the collection, which was relocated to the Avenue de Messine. Significant French filmmakers of the 1940s and 1950s, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Austrian Film Museum
The Austrian Film Museum (German: Österreichisches Filmmuseum) is a film archive and museum located in Vienna, Austria. It was founded by Peter Konlechner and Peter Kubelka in 1964 as a non-profit organization. History In February 1964, independent filmmaker Peter Kubelka and film enthusiast Peter Konlechner founded the Austrian Film Museum. They had met in 1962 at the "Internationale Kurzfilmwoche" (International Short Film Week), which Konlechner organized as part of his student film club Cinestudio at the Technical University of Vienna. The Austrian Film Museum aimed to preserve films and present them to the public, affirming what the founders thought to be the two roles of film: "as the most important form of artistic expression in modernity and as the chief historiographical source of the 20th century." This effort was financially supported through the Austrian government as well as the Vienna, City of Vienna. Private sponsors alongside the membership and admission fees hav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isuzu Yamada
was a Japanese stage and screen actress whose career spanned seven decades. Biography Yamada was born in Osaka as Mitsu Yamada, the daughter of Kusudu Yamada, a shinpa actor specialising in onnagata roles, and Ritsu, a geisha. Under her mother's influence, she began learning nagauta and Japanese traditional dance from the age of six. Yamada debuted as a film actress in 1930 at age twelve, appearing in the Nikkatsu film ''Tsurugi wo koete'' opposite Denjirō Ōkōchi. She soon became one of Nikkatsu's top actresses, but it was her portrayals of strong-willed modern girls in Kenji Mizoguchi's ''Osaka Elegy'' and '' Sisters of the Gion'' in 1936 at the new Daiichi Eiga studio that earned her popularity and critical acclaim. Moving to Shinkō Kinema and then to Toho, she became a star with Mikio Naruse's ''Tsuruhachi and Tsurujiro'' (1938), appearing at the side of Kazuo Hasegawa. During World War II, she established the theatre group Shin Engi-za together with Hasegawa, and appea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matsuo Kishi
(18 September 1906 – 17 August 1985) was a Japanese film critic, director, screenwriter, producer, and biographer. His real name was Aji Shūichirō. Born in Tokyo, he became interested in film from his days in high school and, continuing on to Keio University, began submitting reviews to magazines such as ''Kinema Junpo'' and editing theater programs. Starting a dōjinshi ''Eiga kaihō'' with Tsuneo Hazumi, Kishi became involved in the left-wing film movement of the late 1920s, eventually becoming a member of the Proletarian Film League of Japan (Prokino). He soon left out of dissatisfaction with such a political approach to film. In 1932, he became the first critic to champion the work of Sadao Yamanaka, and later was a strong supporter of the films of Hiroshi Shimizu. In 1937, he gave up being a film critic and became an assistant director at Toho, where he directed one film— ''Kazaguruma'', in 1938— before concentrating on screenwriting. After the war, he mainly worked at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
