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A City Ramble
''A City Ramble: or, the humours of the compter'' (sometimes ''The City Ramble'') is a 1715 dramatic comedy play by the British writer Charles Knipe. It was first performed at Lincoln's-Inn Fields Theatre, London in 1715. It was performed as an afterpiece at times. It was revived at Covent Garden in 1736. Whincop says that it was "received with applause". About the Writer Charles Knipe of Haughley, Suffolk, was educated at Trinity College, Cambridge. He married Ann Powel on April 30, 1719, at Selattyn, Shropshire. He was a justice of the peace in Bury St Edmunds, Suffolk. Plot Act I Scene I: A soliloquy from Twang, the turn-key who discusses honesty and conscience. There is a knock at the door and Strip, Skin'em and Bounce, his servants enter. Scene II: The Constable and watchmen arrive at the compter (prison) having arrested two gentlemen for the murder of One-Eyed Dick. Toby Twang, the turn-key greets them and tells them they will have good lodgings. Scene III: The C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lincoln's Inn Fields Theatre
Lisle's Tennis Court was a building off Portugal Street in Lincoln's Inn Fields in London. Originally built as a real tennis court, it was used as a playhouse during two periods, 1661–1674 and 1695–1705. During the early period, the theatre was called Lincoln's Inn Fields Playhouse, also known as The Duke's Playhouse, The New Theatre or The Opera. The building was demolished and replaced by a purpose-built theatre for a third period, 1714–1728. The tennis court theatre was the first public playhouse in London to feature the moveable scenery that would become a standard feature of Restoration theatres. Historical background The period beginning in England in 1642 and lasting until 1660 is known as the Interregnum, meaning "between kings." At this time, there was no monarch on the throne, and theatre was against the law. Spanning from 1642 to 1649, the English Civil War occurred. This war was an uprising against the current King of England, King Charles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Romans as '' Londinium'' and retains its medieval boundaries.See also: Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national government and parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London, governed by the Greater London Authority.The Greater London Authority consists of the Mayor of London and the London Assembly. The London Mayor is distinguished fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comedy Play
Comedy is a genre of dramatic performance having a light or humorous tone that depicts amusing incidents and in which the characters ultimately triumph over adversity. For ancient Greeks and Romans, a comedy was a stage-play with a happy ending. In the Middle Ages, the term expanded to include narrative poems with happy endings and a lighter tone. In this sense Dante used the term in the title of his poem, the ''Divine Comedy'' (Italian: ''Divina Commedia''). The phenomena connected with laughter and that which provokes it have been carefully investigated by psychologists. The predominating characteristics are incongruity or contrast in the object, and shock or emotional seizure on the part of the subject. It has also been held that the feeling of superiority is an essential factor: thus Thomas Hobbes speaks of laughter as a "sudden glory." Modern investigators have paid much attention to the origin both of laughter and of smiling, as well as the development of the "play insti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afterpiece
An afterpiece is a short, usually humorous one-act playlet or musical work following the main attraction, the full-length play, and concluding the theatrical evening.p24 "The Chambers Dictionary"Edinburgh, Chambers,2003 This short comedy, farce, opera or pantomime was a popular theatrical form in the 18th and 19th centuries. It was presented to lighten the five-act tragedy that was commonly performed. A similar piece preceding the main attraction is a curtain raiser. An example is ''The Padlock'' by Charles Dibdin, first performed in London London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a majo ... in 1768. Notes Theatrical genres Opera genres {{Theat-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Covent Garden Theatre
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, maki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Selattyn
Selattyn ( Welsh: ''Sylatyn'') is the name of a village close to Oswestry in Shropshire, England, on the England–Wales border. The village is near Offa's Dyke, which bounds the parish on the west. The parish includes the townships of Upper and Lower Porkington (which was adapted into Welsh as ''Brogyntyn''), and also the hamlet of Hengoed (Welsh for 'old forest'). The topography is undulating and well timbered, with soils of various qualities; the substratum abounds with limestone. There are quarries of good building-stone. Close to Selattyn lies the ruined Castle Brogyntyn dating to the 12th century. The area only became confirmed as part of Shropshire and therefore also a part of England in the 16th century. E. G. Ravenstein's look at the geographical extent of the Welsh language in 1878, from a lecture he gave in that year, reported Welsh services and Welsh being spoken in Selattyn and the surrounding area. Church of St Mary The church, dedicated to St. Mary, stands in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Bullock (actor)
William Bullock (''c.'' 1657 – ''c.'' 1740) was an English actor, "of great glee and much comic vivacity." He played at all the London theatres of his time, and in the summer at a booth at Bartholomew Fair. Life Bullock's name is mentioned in Downes's "Roscius Anglicanus." He first appears in the cast of Colley Cibber's "Love's Last Shift," produced by the associated companies of Drury Lane and Dorset Garden, 1696. In Cibber's piece he played Sly. He had joined the companies the previous year. Among his original characters were Sir Tunbelly Clumsy in the "Relapse," 1697, and Soto in ''She Would and She Would Not'' 1702. He also played with success many parts in the plays of John Dryden, William Wycherley, Thomas Shadwell. Until 1706, he was at Drury Lane. He then went to the Haymarket, returning to Drury Lane in 1708. After another brief migration to the Haymarket, followed by a new return to Drury Lane, he quitted definitely the latter theatre, 1715–16, for Lincoln's Inn Field ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benjamin Griffin (actor)
Benjamin Griffin (1680–1740), was an English actor and dramatist. He was the son of the Rev. Benjamin Griffin, rector of Buxton and Oxnead in Norfolk, and chaplain to the Earl of Yarmouth. Early life Griffin was born in Yarmouth in 1680, and educated at the free school, North Walsham. He was apprenticed to a glazier at Norwich, where in 1712 he joined a strolling company. In 1714-15 he was one of the company with which Christopher Rich opened the rebuilt theatre in Lincoln's Inn Fields. Acting career His name first appears in surviving records, 16 Feb. 1715, as Sterling in '' The Perplexed Couple''. On 2 June he was Ezekiel Prim, a presbyterian parson, in the ''A City Ramble ''A City Ramble: or, the humours of the compter'' (sometimes ''The City Ramble'') is a 1715 dramatic comedy play by the British writer Charles Knipe. It was first performed at Lincoln's-Inn Fields Theatre, London in 1715. It was performed as an a ...'', and on 14 June Sir Arthur Addlepate in his own ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Pack (actor)
George Pack ( fl. 1700 – 1724) was a British stage actor, singer and theatre manager of the eighteenth century.Heard p.48 His first known performance on the London stage was as Westmoreland in Shakespeare's '' Henry IV'' at the Lincoln's Inn Fields Theatre and he remained with the company until it transferred to the Queens's Theatre in the Haymarket in 1705. He played in a mixture of comedies and tragedies, originating roles in plays by many of the leading dramatists of the era including Nicholas Rowe, Mary Pix, John Vanbrugh and Susanna Centlivre. In 1708 Pack joined the Drury Lane company and remained with it until he left to join John Rich's new company at the revived Lincoln's Inn Fields Theare in 1715. His final original role was in '' The Chimera'' in 1721. The following year he announced his retirement but came back briefly to appear in a benefit performance for Frances Maria Knight in 1724 and also received his own benefit shortly afterwards. After leaving the st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Walker (actor)
Thomas Walker (1698–1744) was an English actor and dramatist. Early life He was the son of Francis Walker of Soho, London. At around the year 1714, he joined the Shepherd's company (perhaps the Shepherd who was at William Pinkethman's theatre in Greenwich in 1710). Barton Booth saw Walker in a droll, ''The Siege of Troy'', and recommended him to the management of the Drury Lane Theatre. Actor In November 1715 Walker seems to have played Tyrrel in Colley Cibber's ''Richard III''; on 12 December 1715 he was Young Fashion in a revival of ''The Relapse'' (John Vanburgh). On 23 September 1721 he appeared at Lincoln's Inn Fields as Edmund in ''King Lear'', and he remained there until 1733. On 29 January 1728 Walker took on his major original part, Captain Macheath in the ''Beggar's Opera'', and his reputation was established. On 10 February 1733, at the new Covent Garden Theatre, Walker was the first Periphas in John Gay's ''Achilles''.At this house he played Lothario, Banquo, Hec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Hippisley (actor)
John Hippisley (14 January 1696 – 12 February 1748) was an English comic actor and playwright. He appeared at Lincoln's Inn Fields and Covent Garden in London, and was the original Peachum in ''The Beggar's Opera''. He opened a theatre in Bristol, the Jacobs Well Theatre, where he and his daughter Elizabeth Hippisley appeared. Life Hippisley was born near Wookey Hole in Somerset. Hippisley's first recorded appearance took place at Lincoln's Inn Fields in November 1722, as Fondlewife in William Congreve's '' The Old Bachelor''; he is announced in the bills as never having appeared on that stage before. This was followed in the same season by Sir Hugh Evans in Shakespeare's '' The Merry Wives of Windsor'', Gomez in John Dryden's ''The Spanish Friar'', Polonius in ''Hamlet'', Pandarus in ''Troilus and Cressida'', and other comic parts. He remained at Lincoln's Inn Fields until the season of 1732–3, playing among many other characters Sir Francis Gripe in Susanna Centlivre's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Bridgewater
Roger Bridgewater (died 1754) was a British stage actor of the eighteenth century.''The Routledge Anthology of Restoration and Eighteenth-Century Drama'' p.XXXIX He worked as party of the Drury Lane company for many years, specialising in dramatic roles, before switching to Covent Garden in 1734. In later years he frequently played Falstaff. Selected roles * Earl of Northumberland in ''Sir Thomas Overbury'' by Richard Savage (1723) * Captain Gaylove in '' A Wife to be Let'' by Eliza Haywood (1723) * Orbasius in '' The Captives'' by John Gay (1724) * Ulysses in ''Hecuba'' by Richard West (1726) * Count Basset in ''The Provoked Husband'' by Colley Cibber (1728) * Malvil in '' Love in Several Masques'' by Henry Fielding (1728) * Timophanes in ''Timoleon'' by Benjamin Martyn (1730) * Lord Briton in '' Bayes's Opera'' by Gabriel Odingsells (1730) * Shamwell in '' The Humours of Oxford'' by James Miller (1730) * Laelius in ''Sophonisba'' by James Thomson (1730) * Athelwold in ''A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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