Aṉangu Pitjantjatjara Yankunytjatjara Lands
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Aṉangu Pitjantjatjara Yankunytjatjara Lands
Aṉangu is the name used by members of several Aboriginal Australian groups, roughly approximate to the Western Desert cultural bloc, to describe themselves. The term, which embraces several distinct "tribes" or peoples, in particular the Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara groups, is pronounced with the stress on the first syllable: . The term The original meaning of the word is "human being, person", "human body" in a number of eastern varieties of the Western Desert Languages (which are in the Pama–Nyungan group of languages), in particular Pitjantjatjara and Yankunytjatjara. It is now used as an Aboriginal endonym by a wide range of Western Desert Language (WDL) peoples to describe themselves. It is rarely or never applied to non-Aboriginal people when used in English, although the word now has a dual meaning in Pitjantjatjara and Yankunytjatjara. It has come to be used also as an exonym by non-Aboriginal Australians to refer to WDL-speaking groups or ind ...
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Retroflex Consonant
A retroflex ( /ˈɹɛtʃɹoːflɛks/), apico-domal ( /əpɪkoːˈdɔmɪnəl/), or cacuminal () consonant is a coronal consonant where the tongue has a flat, concave, or even curled shape, and is articulated between the alveolar ridge and the hard palate. They are sometimes referred to as cerebral consonants—especially in Indology. The Latin-derived word ''retroflex'' means "bent back"; some retroflex consonants are pronounced with the tongue fully curled back so that articulation involves the underside of the tongue tip ( subapical). These sounds are sometimes described as "true" retroflex consonants. However, retroflexes are commonly taken to include other consonants having a similar place of articulation without such extreme curling of the tongue; these may be articulated with the tongue tip (apical) or the tongue blade (laminal). Types Retroflex consonants, like other coronal consonants, come in several varieties, depending on the shape of the tongue. The tongue may be eith ...
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Sound Recording
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Sound recording is the transcription of invisible vibrations in air onto a storage medium such as a phonograph disc. The process is reversed in sound reproduction, and the variations stored on the medium are transformed back into sound waves. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted to a ...
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Film
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photography, photographing actual scenes with a movie camera, motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of computer-generated imagery, CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still imag ...
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Cultural Artefact
A cultural artifact, or cultural artefact (see American and British English spelling differences), is a term used in the social sciences, particularly anthropology, ethnology and sociology for anything created by humans which gives information about the culture of its creator and users. ''Artifact'' is the spelling in North American English; ''artefact'' is usually preferred elsewhere. Cultural artifact is a more generic term and should be considered with two words of similar, but narrower, nuance: it can include objects recovered from archaeological sites, i.e. archaeological artifacts, but can also include objects of modern or early-modern society, or social artifacts. For example, in an anthropological context: a 17th-century lathe, a piece of faience, or a television each provides a wealth of information about the time in which they were manufactured and used. Cultural artifacts, whether ancient or current, have a significance because they offer an insight into: technol ...
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Cultural Repatriation
Repatriation is the return of the cultural property, often referring to ancient or looted art, to their country of origin or former owners (or their heirs). The disputed cultural property items are physical artifacts of a group or society taken by another group, usually in the act of looting, whether in the context of imperialism, colonialism, or war. The contested objects vary widely and include sculptures, paintings, monuments, objects such as tools or weapons for purposes of anthropological study, and human remains. The looting of defeated peoples' cultural heritage by war has been common practice since ancient times. In the modern era, the Napoleonic looting of art was a series of confiscations of artworks and precious objects carried out by the French army or French officials in the territories of the First French Empire, including the Italian peninsula, Spain, Portugal, the Low Countries, and Central Europe. The looting continued for nearly 20 years, from 1797 to the Con ...
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Umuwa
Umuwa is an Aboriginal community in Anangu Pitjantjatjara Yankunytjatjara (APY lands) in South Australia, serving as an administrative centre for the six main communities on "The Lands" (the others being Amata, Pipalyatjara, Pukatja/Ernabella, Fregon/Kaltjiti, Indulkana and Mimili), as well as the outlying communities. Geography Umuwa is located approximately north-west of Marla and south-west of Alice Springs. Based upon the climate records of the nearest weather station at Marla Police Station, Umuwa experiences a hot-desert climate ( Köppen: ''BWh'', Trewartha: ''BWhl''), with very hot, relatively dry summers; mild to hot, dry springs and autumns; and mild, dry winters. It experiences summer maximum temperatures of an average of 37.3 degrees Celsius in January and a winter maximum average temperature of 19.6 degrees Celsius in June. Overnight lows range from a mean minimum temperature of 22.0 degrees in January to 4.8 degrees in June. Annual rainfall averages 216.9 m ...
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Anangu Pitjantjatjara Yankunytjatjara
Aṉangu Pitjantjatjara Yankunytjatjara, also known as APY, APY Lands or ''the Lands'', is a large, sparsely-populated local government area (LGA) for Aboriginal people, located in the remote north west of South Australia. Some of the aṉangu (people) of the Western Desert cultural bloc, in particular Pitjantjatjara, Yankunytjatjara and Ngaanyatjarra peoples, inhabit the Lands. Governance of the area is determined by the '' Anangu Pitjantjatjara Yankunytjatjara Land Rights Act 1981'' (or APYLRA), whereby an elected executive board reports to the Premier of South Australia. The APY administration centre of is located at Umuwa. A large portion of the APY Lands was formerly the North-West Aboriginal Reserve. History Early history The Pitjantjatjara and Yankunytjatjara people (''aṉangu'') had lived in this area for many thousands of years. Even after the British began to colonise the Australian continent from 1788 onwards, and the colonisation of South Australia from 1836, t ...
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South Australian Museum
The South Australian Museum is a natural history museum and research institution in Adelaide, South Australia, founded in 1856 and owned by the Government of South Australia. It occupies a complex of buildings on North Terrace in the cultural precinct of the Adelaide Parklands. Plans are under way to move much of its Australian Aboriginal cultural collection (the largest in the world), into a new National Gallery for Aboriginal Art and Cultures. History 19th century There had been earlier attempts at setting up mechanics' institutes in the colony, but they struggled to find buildings which could hold their library collections and provide spaces for lectures and entertainments. In 1856, the colonial government promised support for all institutes, in the form of provision the first government-funded purpose-built cultural institution building. The South Australian Institute, incorporating a public library and a museum, was established in 1861 in the rented premises of the ...
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Tjukurpa
The Dreaming, also referred to as Dreamtime, is a term devised by early anthropologists to refer to a religio-cultural worldview attributed to Australian Aboriginal beliefs. It was originally used by Francis Gillen, quickly adopted by his colleague Baldwin Spencer and thereafter popularised by A. P. Elkin, who, however, later revised his views. The Dreaming is used to represent Aboriginal concepts of ''Everywhen'', during which the land was inhabited by ancestral figures, often of heroic proportions or with supernatural abilities. These figures were often distinct from gods, as they did not control the material world and were not worshipped but only revered. The concept of the Dreamtime has subsequently become widely adopted beyond its original Australian context and is now part of global popular culture. The term is based on a rendition of the Arandic word ''alcheringa'', used by the Aranda (Arunta, Arrernte) people of Central Australia, although it has been argued tha ...
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Aboriginal Ceremony
Australian Aboriginal culture includes a number of practices and ceremonies centered on a belief in the Dreamtime and other mythology. Reverence and respect for the land and oral traditions are emphasised. Over 300 languages and other groupings have developed a wide range of individual cultures. Due the colonization of Australia under terra nullius concept these cultures were treated as one monoculture. Australian Aboriginal art has existed for thousands of years and ranges from ancient rock art to modern watercolour landscapes. Aboriginal music has developed a number of unique instruments. Contemporary Australian Aboriginal music spans many genres. Aboriginal peoples did not develop a system of writing before colonisation, but there was a huge variety of languages, including sign languages. Oral tradition Cultural traditions and beliefs as well as historical tellings of actual events are passed down in Aboriginal oral tradition, also known loosely as oral history (although the ...
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Inma
Australian Aboriginal culture includes a number of practices and ceremonies centered on a belief in the Dreamtime and other mythology. Reverence and respect for the land and oral traditions are emphasised. Over 300 languages and other groupings have developed a wide range of individual cultures. Due the colonization of Australia under terra nullius concept these cultures were treated as one monoculture. Australian Aboriginal art has existed for thousands of years and ranges from ancient rock art to modern watercolour landscapes. Aboriginal music has developed a number of unique instruments. Contemporary Australian Aboriginal music spans many genres. Aboriginal peoples did not develop a system of writing before colonisation, but there was a huge variety of languages, including sign languages. Oral tradition Cultural traditions and beliefs as well as historical tellings of actual events are passed down in Aboriginal oral tradition, also known loosely as oral history (although the ...
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