Ayayayayay
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Ayayayayay
''Ayayayayay'' is a studio album by Filipino folk singer Popong Landero and the Davao-based folk band Bagong Lumad, released in 1987 by the Development Education Media Services (DEMS) Foundation. The group's founder, Joey Ayala, stepped back from his regular role as the band's vocalist to allow Landero the opportunity to be the lead singer in a recording, and instead Ayala positioned himself as an instrumentalist and musical director for the album. Recorded using four-track equipment, 14 of the album's 16 songs are in Filipino, with the remaining two ("Bisan Pa" and "Bugsay") recorded in Cebuano. The title track "Ayayayayay" was originally written in Cebuano for the band's foray into musical theater, ''Sinalimba'', in 1986. ''Ayayayayay'' received positive reviews from critics such as Lav Diaz, who praised the group's musicality and the album's "raw" quality and integrity. Tracklist All tracks are written by Popong Landero. Critical response Lav Diaz, writing for the ''Manil ...
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Joey Ayala
José Íñigo Homer Lacambra Ayala (born June 1, 1956 in Bukidnon, Philippines), professionally known as Joey Ayala, is a Filipino singer, songwriter and former chairman of the music committee of the National Commission for Culture and the Arts. He is well known for his style of music that combines the sounds of Filipino ethnic instruments with modern pop music. His public music life started when he released an album recorded in a makeshift studio in 1982 in Davao City. To date, he has released fourteen albums. He is the elder brother of singer-songwriter Cynthia Alexander. Some of the Filipino ethnic instruments Ayala is known to use include the two-stringed ''Hegalong'' of the T'Boli people of Mindanao, the ''Kubing'', the bamboo jaw harp found in various forms throughout the Philippines, and the 8-piece gong set, ''Kulintang'', the melodic gong-rack of the indigenous peoples of the southern regions of the country. He also uses modern instruments in his music, such as the ele ...
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Philippine Folk Music
The traditional music of the Philippines reflects the Philippines' diverse culture, originating from more than 100 ethnolinguistic groups and shaped by a widely varying historical and sociocultural milieu. Like the folk music of other countries, it reflects the life of common, mostly rural Filipinos. Like their counterparts in Asia, many traditional songs from the Philippines have a strong connection with nature. Classification Traditional Filipino music is reflective of the country's history as a melting pot of different cultures, both western and eastern. Among the dominant cultural strains noticeable today are Hispanic, American and to some extent Chinese, Indian and Islamic. It is thus difficult to strictly classify the whole corpus of Philippine music. A frequently used system is to classify it according to ethno-linguistic or cultural divisions: for example, traditional Tagalog music, which is somewhat more Hispanic in flavour, differs from Ifugao music and Maranao ' ...
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Filipino Language
Filipino (; , ) is an Austronesian language. It is the national language ( / ) of the Philippines, and one of the two official languages of the country, with English. It is a standardized variety of Tagalog based on the native dialect, spoken and written, in Metro Manila, the National Capital Region, and in other urban centers of the archipelago. The 1987 Constitution mandates that Filipino be further enriched and developed by the other languages of the Philippines. Filipino is only used as a tertiary language in the Philippine public sphere. Filipino, like other Austronesian languages, commonly uses verb-subject-object order, but can also use subject-verb-object order as well. Filipino follows the trigger system of morphosyntactic alignment that is also common among Austronesian languages. It has head-initial directionality. It is an agglutinative language but can also display inflection. It is not a tonal language and can be considered a pitch-accent language and a sy ...
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