Autumn Leaves (Bill Evans Album)
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Autumn Leaves (Bill Evans Album)
''Autumn Leaves'' is a 1980 album by Bill Evans with Eddie Gómez on bass and Marty Morell on drums. It was released by Lotus, an Italian Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Ita ... record label. Track listing References External links * http://pianologist.com/transcription-sheet-music-score/bill-evans-autumn-leaves-transcription-of-solo/ {{Bill Evans 1980 live albums Bill Evans live albums ...
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Bill Evans
William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who worked primarily as the leader of his trio. His use of impressionist harmony, interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continues to influence jazz pianists today. Born in Plainfield, New Jersey, United States, he was classically trained at Southeastern Louisiana University and the Mannes School of Music, in New York City, where he majored in composition and received the Artist Diploma. In 1955, he moved to New York City, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, which in 1959, then immersed in modal jazz, recorded '' Kind of Blue'', the best-selling jazz album ever. In late 1959, Evans left the Miles Davis band and began his career as a leader, with bassist Scott LaFaro and drummer Paul Motian, a group now regarded as a se ...
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Eddie Gómez (musician)
Edgar Gómez (born October 4, 1944) is a Puerto Rican jazz double bassist, known for his work with the Bill Evans Trio from 1966 to 1977. Biography Gómez moved with his family from Puerto Rico at a young age to New York, where he was raised. Yanow, Scott. Allmusic biography of Eddie Gómez. Retrieved January 26, 2014. He started on double bass in the New York City school system at the age of eleven and at age thirteen went to the New York City High School of Music & Art. He played in the Newport Festival Youth Band (led by Marshall Brown) from 1959 to 1961, and graduated from Juilliard in 1963. He played with musicians such as Gerry Mulligan, Marian McPartland, Paul Bley, Steps Ahead, and Chick Corea. He spent a total of eleven years with the Bill Evans Trio, which included performances in the United States, Europe and Asia, as well as dozens of recordings. His career mainly consists of working as an accompanist, a position suited for his quick reflexes and flexibility. I ...
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Marty Morell
Marty Morell (born February 25, 1944) is a jazz drummer who was a member of the Bill Evans Trio for seven years—longer than any other drummer. Before joining Evans, he worked with the Al Cohn-Zoot Sims Quintet, Red Allen, Gary McFarland, Steve Kuhn, and Gábor Szabó. Career From 1968 to 1974, he was in a trio with pianist Bill Evans and bassist Eddie Gómez. Peter Pettinger, a biographer of Evans, called Morell "an unsung stalwart of piano trio history": After leaving the trio, he settled in Toronto, Canada, and became a studio drummer. He led bands as a drummer and played vibraphone and congas with the 1970s funk-jazz band Ravin'. He has played on jingles and films and has worked with Don Sebesky, Stan Getz, Kenny Wheeler, Claus Ogerman, From 1968 to 1971, he was a member of Rob McConnell's Boss Brass. He has taught drums and percussion at the University of Central Florida and has recorded with The Jazz Professors, a band consisting of university faculty members: saxophon ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Italy
Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical region. Italy is also considered part of Western Europe, and shares land borders with France, Switzerland, Austria, Slovenia and the enclaved microstates of Vatican City and San Marino. It has a territorial exclave in Switzerland, Campione. Italy covers an area of , with a population of over 60 million. It is the third-most populous member state of the European Union, the sixth-most populous country in Europe, and the tenth-largest country in the continent by land area. Italy's capital and largest city is Rome. Italy was the native place of many civilizations such as the Italic peoples and the Etruscans, while due to its central geographic location in Southern Europe and the Mediterranean, the country has also historically been home ...
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Emily (1964 Song)
"Emily" is a popular song composed by Johnny Mandel, with lyrics by Johnny Mercer. It was the title song to the 1964 film '' The Americanization of Emily.'' (The song wasn't sung in the movie, which is the reason that it couldn't be nominated for an Academy Award.) It has since been recorded by numerous artists, notably Bill Evans, Tony Bennett, and Barbra Streisand. Frank Sinatra recorded it twice, for his 1964 album '' Softly, as I Leave You'' and again in the 1970s for an unreleased album. His second recording was released on '' The Complete Reprise Studio Recordings''. Andy Williams released a version in 1964 as the B-side to his hit "Dear Heart" and it was also included in his album ''Andy Williams' Dear Heart'' (1965). Jack Jones for his album ''Dear Heart and Other Great Songs of Love'' (1965). Paul Desmond recorded the piece on his album '' Summertime''. "Emily" became particularly associated with Bill Evans, who recorded it for the first time for his 1967 album '' ...
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There Will Never Be Another You
"There Will Never Be Another You" is a popular song with music by Harry Warren and lyrics by Mack Gordon that was written for the Twentieth Century Fox musical ''Iceland'' (1942) starring Sonja Henie and John Payne. The songs in the film featured Joan Merrill accompanied by Sammy Kaye and His Orchestra.Joan Merrill
at JazzStandards.com
The song was published in 1942. The most popular version, a 1966 Chris Montez recording, went to #4 on the chart and #33 on the

Stairway To The Stars
"Stairway to the Stars" is a popular song composed by Matty Malneck and Frank Signorelli, with lyrics by Mitchell Parish. It was based on a theme from Malneck and Signorelli's 1934 instrumental piece, "Park Avenue Fantasy." Hit recordings in 1939 were by Glenn Miller, Kay Kyser, Jimmy Dorsey and by Al Donohue. Notable recordings * Glenn Miller and His Orchestra, vocals by Ray Eberle (May 9, 1939) * Ella Fitzgerald and her Famous Orchestra (June 29, 1939) * The Ink Spots – 1939 NBC radio Broadcast (July 12, 1939) * Jimmy Dorsey and his Orchestra, vocals by Bob Eberly (1939) * Kay Kyser and his Orchestra, vocals by Harry Babbitt (1939) * Al Donahue and his Orchestra, vocals by Paula Kelly (1939) * Carmen Cavallaro – Decca (1947) * Dinah Washington with Chubby Jackson's Orchestra (1947) * Buddy DeFranco quartet – New York (1953) * Benny Goodman – An Album of Swing Classics (1955) * Bud Powell – ''Piano Interpretations by Bud Powell'' (1956) * Sarah Vaughan – ''At Mist ...
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Someday My Prince Will Come
"Someday My Prince Will Come" is a song from Walt Disney's 1937 animated movie ''Snow White and the Seven Dwarfs''. It was written by Larry Morey (lyrics) & Frank Churchill (music), and performed by Adriana Caselotti (Snow White's voice in the movie). It was also featured in the 1979 stage adaptation of the 1937 animated musical movie. In AFI's 100 Years...100 Songs, it was ranked the 19th greatest film song of all time. Production Conception Adriana Caselotti was cast in the 1937 film ''Snow White and the Seven Dwarfs'' after interrupting a phone conversation her father – a voice coach – was having on the phone with a talent scout. The scout was casting the upcoming film and noted that a previous candidate had sounded like a 30-year-old so was let go; Caselotti picked up the extension and recommended herself. Only 18 at the time, Disney thought she sounded like a 14-year-old, which is what he wanted, and he offered her the part. She worked on the film for a nominal f ...
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Blue In Green
"Blue in Green" is the third tune on Miles Davis' 1959 album, ''Kind of Blue''. One of two ballads on the LP (the other being "Flamenco Sketches"), the melody of "Blue in Green" is very modal, incorporating the presence of the Dorian, Mixolydian, and Lydian modes. This is the only tune on which Cannonball Adderley sits out. Background It has long been speculated that pianist Bill Evans wrote "Blue in Green", even though the LP and most jazz fakebooks credit only Davis with its composition. In his autobiography, Davis maintains that he alone composed the pieces on ''Kind of Blue.'' The version on Evans' trio album ''Portrait in Jazz'', recorded in 1959, credits the tune to "Davis-Evans". Earl Zindars, in an interview conducted by Win Hinkle, stated that "Blue in Green" was indeed "100-percent Bill's." In a radio interview broadcast on May 27, 1979, Evans himself said that he had written the piece. On being asked about the issue by interviewer Marian McPartland, he said: "The t ...
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