Automatic Love (Kylie Minogue Song)
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Automatic Love (Kylie Minogue Song)
''Kylie Minogue'' is the fifth studio album recorded by Australian singer Kylie Minogue. Deconstruction released it in the United Kingdom on 19 September 1994, while a release was issued through Mushroom Records in Australia on the same date. After leaving Pete Waterman Entertainment, Minogue wanted to establish her credibility and signed with the independent record label Deconstruction in early 1993. She became involved with a diverse group of collaborators in order to experiment with different sounds. After generally unsuccessful sessions with Saint Etienne and The Rapino Brothers, Minogue collaborated with new producers including Brothers in Rhythm, M People, Farley & Heller, and Jimmy Harry. Musically, ''Kylie Minogue'' is a dance-pop album containing elements of dance, R&B and adult contemporary music. Lyrically, the album touches on themes of love, seduction and womanhood. Music critics praised the production and Minogue's vocals, while observing the start of a new ...
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Kylie Minogue
Kylie Ann Minogue (; born 28 May 1968) is an Australian singer, songwriter and actress. She is the highest-selling female Australian artist of all time, having sold over 80 million records worldwide. She has been recognised for reinventing herself in music and fashion, for which she is referred to by the European press as the " Princess of Pop" and a style icon. Her accolades include a Grammy Award, three Brit Awards and 17 ARIA Music Awards. Born and raised in Melbourne, Minogue first achieved recognition starring in the Australian soap opera '' Neighbours'', playing tomboy mechanic Charlene Robinson. She gained prominence as a recording artist in the late 1980s and released four bubblegum and dance-pop-influenced studio albums produced by Stock Aitken Waterman. By the early 1990s, she had amassed several top ten singles in the UK and Australia, including "I Should Be So Lucky", "The Loco-Motion", "Hand on Your Heart", and "Better the Devil You Know". Taking more cr ...
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Independent Record Label
An independent record label (or indie label) is a record label that operates without the funding or distribution of major record labels; they are a type of small- to medium-sized enterprise, or SME. The labels and artists are often represented by trade associations in their country or region, which in turn are represented by the international trade body, the Worldwide Independent Network (WIN). Many of the labels started as producers and distributors of specific genres of music, such as jazz music, or represent something new and non-mainstream, such as Elvis Presley in the early days. Indies release rock, soul, R&B, jazz, blues, gospel, reggae, hip hop, and world music. Music appearing on indie labels is often referred to as indie music, or more specifically by genre, such as indie hip-hop. Overview Independent record labels are small companies that produce and distribute records. They are not affiliated with or funded by the three major records labels. According to Sound ...
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Coffee Table Book
A coffee table book, also known as a cocktail table book, is an oversized, usually hard-covered book whose purpose is for display on a table intended for use in an area in which one entertains guests and from which it can serve to inspire conversation or pass the time. Subject matter is predominantly non-fiction and pictorial (a photo-book). Pages consist mainly of photographs and illustrations, accompanied by captions and small blocks of text, as opposed to long prose. Since they are aimed at anyone who might pick up the book for a light read, the analysis inside is often more basic and with less jargon than other books on the subject. Because of this, the term "coffee table book" can be used pejoratively to indicate a superficial approach to the subject.. In the field of mathematics, a coffee table book is usually a notebook containing a number of mathematical problems and theorems contributed by a community meeting in a particular place, or connected by a common scientific inte ...
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ARIA Award For Best Video
The ARIA Award for Best Video, is presented at the annual ARIA Awards, which recognise "the many achievements of Aussie artists across all music genres", since 1987. It is handed out by the Australian Recording Industry Association (ARIA), an organisation whose aim is "to advance the interests of the Australian record industry." The award is given to a director of a music video by an Australian-based group A group is a number of persons or things that are located, gathered, or classed together. Groups of people * Cultural group, a group whose members share the same cultural identity * Ethnic group, a group whose members share the same ethnic ide ... or solo artist, which was released within the eligibility period. Initially (from 1987 to 2011), it was voted for by a judging academy, which consisted of 1000 members from different areas of the music industry. From 2012, onwards the winner has instead been determined by the general public. The final nominees are the top  ...
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ARIA Music Awards Of 1995
The Ninth Australian Recording Industry Association Music Awards (generally known as the ARIA Music Awards or simply The ARIAS) was held on 20 October 1995 at the Sydney Convention & Exhibition Centre. There had been a 18-month gap since the previous award ceremony which was moved to be "closer to the business end of the music industry's year" and so reflect that year's works. Presenters distributed 28 awards from 1060 eligible submissions. Big winners for the year were Silverchair with five awards and Tina Arena with four, including Album of the Year and Song of the Year – both first time they were won by a female. In addition to previous categories, the former category Best Pop/Dance Release was split into Best Pop Release and Best Dance Release. Another new category Best World Music Album was also presented for the first time. The ARIA Hall of Fame inducted: The Seekers. Ceremony details Presenters and performers The ARIA Awards ceremony was hosted b ...
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Music Journalism
Music journalism (or music criticism) is media criticism and reporting about music topics, including popular music, classical music, and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on what is now regarded as classical music. In the 1960s, music journalism began more prominently covering popular music like rock and pop after the breakthrough of The Beatles. With the rise of the internet in the 2000s, music criticism developed an increasingly large online presence with music bloggers, aspiring music critics, and established critics supplementing print media online. Music journalism today includes reviews of songs, albums and live concerts, profiles of recording artists, and reporting of artist news and music events. Origins in classical music criticism Music journalism has its roots in classical music criticism, which has traditionally comprised the study, discussion, evaluation, and interpretation of music that has be ...
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Adult Contemporary Music
Adult contemporary music (AC) is a form of radio-played popular music, ranging from 1960s vocal and 1970s soft rock music to predominantly ballad-heavy music of the present day, with varying degrees of easy listening, pop, soul, R&B, quiet storm and rock influence. Adult contemporary is generally a continuation of the easy listening and soft rock style that became popular in the 1960s and 1970s with some adjustments that reflect the evolution of pop/rock music. Adult contemporary tends to have lush, soothing and highly polished qualities where emphasis on melody and harmonies is accentuated. It is usually melodic enough to get a listener's attention, and is inoffensive and pleasurable enough to work well as background music. Like most of pop music, its songs tend to be written in a basic format employing a verse–chorus structure. The format is heavy on romantic sentimental ballads which mostly use acoustic instruments (though bass guitar is usually used) such as aco ...
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Contemporary R&B
Contemporary R&B (or simply R&B) is a popular music genre that combines rhythm and blues with elements of pop, soul, funk, hip hop, and electronic music. The genre features a distinctive record production style, drum machine-backed rhythms, pitch corrected vocals, and a smooth, lush style of vocal arrangement. Electronic influences are becoming an increasing trend and the use of hip hop or dance-inspired beats are typical, although the roughness and grit inherent in hip hop may be reduced and smoothed out. Contemporary R&B vocalists often use melisma, and since the mid-1980s, R&B rhythms have been combined with elements of hip hop culture and music and pop culture and pop music. Pre-history According to Geoffrey Himes speaking in 1989, the progressive soul movement of the early 1970s "expanded the musical and lyrical boundaries of &Bin ways that haven't been equaled since". This movement was led by soul singer-songwriter/producers such as Curtis Mayfield, Marvin Gaye, ...
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Dance Music
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole musical piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient times (for example Ancient Greek vases sometimes show dancers accompanied by musicians), the earliest Western dance music that we can still reproduce with a degree of certainty are old fashioned dances. In the Baroque period, the major dance styles were noble court dances (see Baroque dance). In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and po ...
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Dance-pop
Dance-pop is a popular music subgenre that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-discoSmay, David & Cooper, Kim (2001). ''Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'': "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. . and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions. Da ...
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Jimmy Harry
Jimmy Harry is an American songwriter, producer, and multi-instrumentalist who currently resides in Los Angeles, California. Harry has worked with artists such as Madonna, Pink, Weezer, Kylie Minogue, Kelly Clarkson, Fischerspooner, Oh Land, and Santana. Recognized at the 2012 Golden Globes by the Hollywood Foreign Press Association, he won "Best Original Song" with Madonna and Julie Frost for the song "Masterpiece". In 2010 his production of Pink's "Sober" was nominated for a Grammy for "Best Female Pop Vocal Performance", and he also wrote and produced "Funhouse", the title track of her release nominated in the category "Best Pop Album". Jimmy received recognition from the Academy of Canadian Cinema & Television at the 2014 Canadian Screen Awards where he and Serena Ryder Serena most commonly refers to: * Serena Williams (born 1981), professional tennis player Serena may also refer to: Arts, entertainment, and media * Serena (genre), 13th-century Occitan poetic ...
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Fire Island (duo)
Fire Island are an English house music duo, made up of Record producer, producers and remixers Pete Heller and Terry Farley. Both are prolific musicians who have an extensive list of remixes to their credit, using the Fire Island moniker and also being billed as Heller & Farley Project, Roach Motel or Farley & Heller. As Fire Island, they hit number one on the United States, US Hot Dance Club Songs, Hot Dance Music/Club Play Record chart, chart in 1998 with "Shout to the Top!, Shout to the Top", a song originally recorded by the Style Council in 1984 and with lead vocals supplied by Loleatta Holloway. It also peaked at number 23 on the UK Singles Chart. The duo also had a hit single on both charts in 1992 with "In Your Bones / Fire Island" (the latter featuring Ricardo da Force). They collaborated with Michael Jackson for the song "Money", which appeared on the album ''Blood on the Dance Floor: HIStory in the Mix'', as well as providing a remix for the Blood on the Dance Floor ( ...
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