Automatic Double Tracking
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Automatic Double Tracking
Automatic double-tracking or artificial double-tracking (ADT) is an analogue recording technique designed to enhance the sound of voices or instruments during the mixing process. It uses tape delay to create a delayed copy of an audio signal which is then combined with the original. The effect is intended to simulate the sound of the natural doubling of voices or instruments achieved by double tracking. The technique was developed in 1966 by engineers at Abbey Road Studios in LondonMartin, George, '' All You Need Is Ears'', St. Martin's Press, 1979, p. 155, . at the request of the Beatles. Overview As early as the 1950s, it was discovered that double tracking the lead vocal in a song gave it a richer, more appealing sound, especially for singers with weak or light voices. Use of this technique became possible with the advent of magnetic tape for use in sound recording. Originally, a pair of single-track (or "mono") tape recorders were used to produce the effect; later, multitra ...
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Magnetic Tape Sound Recording
An audio tape recorder, also known as a tape deck, tape player or tape machine or simply a tape recorder, is a sound recording and reproduction device that records and plays back sounds usually using magnetic tape for storage. In its present-day form, it records a fluctuating signal by moving the tape across a tape head that polarizes the magnetic domains in the tape in proportion to the audio signal. Tape-recording devices include the reel-to-reel tape deck and the cassette deck, which uses a cassette for storage. The use of magnetic tape for sound recording originated around 1930 in Germany as paper tape with oxide lacquered to it. Prior to the development of magnetic tape, magnetic wire recorders had successfully demonstrated the concept of magnetic recording, but they never offered audio quality comparable to the other recording and broadcast standards of the time. This German invention was the start of a long string of innovations that have led to present-day magnetic ta ...
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Taxman (song)
"Taxman" is a song by the English rock band the Beatles from their 1966 album ''Revolver''. Written by the group's lead guitarist, George Harrison, with some lyrical assistance from John Lennon, it protests against the higher level of progressive tax imposed in the United Kingdom by the Labour government of Harold Wilson, which saw the Beatles paying over 90 per cent of their earnings to the Treasury. The song was selected as the album's opening track and contributed to Harrison's emergence as a songwriter beside the dominant Lennon–McCartney partnership. It was the group's first topical song and the first political statement they had made in their music. The Beatles began recording "Taxman" in April 1966, a month after Wilson's landslide win in the 1966 general election. Coinciding with the song's creation, Harrison learned that the band members' tax obligations were likely to lead to their bankruptcy, and he was outspoken in his opposition to the government using their inc ...
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Phil Spector
Harvey Phillip Spector (born Harvey Philip Spector; December 26, 1939January 16, 2021) was an American record producer and songwriter, best known for his innovative recording practices and entrepreneurship in the 1960s, followed decades later by his two trials and conviction for murder in the 2000s. Spector developed the Wall of Sound, a production style that is characterized for its diffusion of tone colors and dense orchestral sound, which he described as a "Wagnerian" approach to rock and roll. He is widely regarded as one of the most influential figures in pop music history and one of the most successful producers of the 1960s. Born in the Bronx, Spector moved to Los Angeles as a teenager and began his career in 1958 as a founding member of the Teddy Bears, for whom he penned "To Know Him Is to Love Him", a U.S. number-one hit. In 1960, after working as an apprentice to Leiber and Stoller, Spector co-founded Philles Records, and at the age of 21 became the youngest ever U.S ...
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Let It Be (Beatles Album)
''Let It Be'' is the twelfth and final studio album by the English rock band the Beatles. It was released on 8 May 1970, almost a month after the group's public break-up, in tandem with the documentary of the same name. Concerned about recent friction within the band, Paul McCartney had conceived the project as an attempt to reinvigorate the group by returning to simpler rock 'n' roll configurations. The album topped charts in many countries, including both the UK and the US, but was a critical failure at the time, and ''Let It Be'' came to be regarded as one of the most controversial rock albums in history. Retroactively, general response has since become much more favorable. The album’s infamous rehearsals began at Twickenham Film Studios in January 1969 as part of a planned television documentary showing the Beatles' return to live performance. The filmed rehearsals were marked by ill feeling, leading to George Harrison's temporary departure from the group. As a con ...
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Peter Sellers
Peter Sellers (born Richard Henry Sellers; 8 September 1925 – 24 July 1980) was an English actor and comedian. He first came to prominence performing in the BBC Radio comedy series ''The Goon Show'', featured on a number of hit comic songs and became known to a worldwide audience through his many film roles, among them Chief Inspector Clouseau in '' The Pink Panther'' series. Born in Southsea, Portsmouth, Sellers made his stage debut at the Kings Theatre, Southsea, when he was two weeks old. He began accompanying his parents in a variety act that toured the provincial theatres. He first worked as a drummer and toured around England as a member of the Entertainments National Service Association (ENSA). He developed his mimicry and improvisational skills during a spell in Ralph Reader's wartime Gang Show entertainment troupe, which toured Britain and the Far East. After the war, Sellers made his radio debut in ''ShowTime'', and eventually became a regular performer on vario ...
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Matt Monro
Matt Monro (born Terence Edward Parsons, 1 December 1930 – 7 February 1985) was an English singer. Known as "The Man with the Golden Voice", he performed internationally during his 30-year career. AllMusic has described Monro as "one of the most underrated pop vocalists of the '60s", who "possessed the easiest, most perfect baritone in the business". His recordings include the UK Top 10 hits: "Portrait of My Love", " My Kind of Girl", " Softly As I Leave You", " Walk Away" and " Yesterday" (originally by The Beatles). He also recorded several film themes such as "From Russia with Love" for the eponymous James Bond film, "Born Free" for the eponymous film and "On Days Like These" for ''The Italian Job''. Life and early career Monro was born Terence Edward Parsons on 1 December 1930 in Finsbury, north London, to Frederick and Alice Parsons. He had three brothers — Arthur, Reg and Harry — and a sister, Alice. He attended Duncombe School in Islington, and Elliott School, P ...
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Comb Filter
In signal processing, a comb filter is a filter implemented by adding a delayed version of a signal to itself, causing constructive and destructive interference. The frequency response of a comb filter consists of a series of regularly spaced notches in between regularly spaced ''peaks'' (sometimes called ''teeth'') giving the appearance of a comb. Applications Comb filters are employed in a variety of signal processing applications, including: * Cascaded integrator–comb (CIC) filters, commonly used for anti-aliasing during interpolation and decimation operations that change the sample rate of a discrete-time system. * 2D and 3D comb filters implemented in hardware (and occasionally software) in PAL and NTSC analog television decoders, reduce artifacts such as dot crawl. * Audio signal processing, including delay, flanging, physical modelling synthesis and digital waveguide synthesis. If the delay is set to a few milliseconds, a comb filter can model the effect of acousti ...
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Flanging
Flanging is an audio effect produced by mixing two identical signals together, one signal delayed by a small and (usually) gradually changing period, usually smaller than 20 milliseconds. This produces a swept comb filter effect: peaks and notches are produced in the resulting frequency spectrum, related to each other in a linear harmonic series. Varying the time delay causes these to sweep up and down the frequency spectrum. A flanger is an effects unit that creates this effect. Part of the output signal is usually fed back to the input (a "re-circulating delay line"), producing a resonance effect which further enhances the intensity of the peaks and troughs. The phase of the fed-back signal is sometimes inverted, producing another variation on the flanger sound. Origin As an audio effect, a listener hears a "drainpipe" or "swoosh" or "jet plane" sweeping effect as shifting sum-and-difference harmonics are created analogous to use of a variable notch filter. The term "flang ...
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George Martin
Sir George Henry Martin (3 January 1926 – 8 March 2016) was an English record producer, arranger, composer, conductor, and musician. He was commonly referred to as the "Fifth Beatle" because of his extensive involvement in each of the Beatles' original albums. AllMusic has described him as the "world's most famous record producer". Martin's formal musical expertise and interest in novel recording practices complemented the Beatles' rudimentary musical education and relentless quest for new musical sounds to record. Most of the Beatles' orchestral arrangements and instrumentation were written or performed by Martin, and he played piano or keyboards on a number of their records. Martin's collaboration with the Beatles resulted in popular, highly acclaimed records with innovative sounds, such as the 1967 album '' Sgt. Pepper's Lonely Hearts Club Band''—the first rock album to win a Grammy Award for Album of the Year. Martin's career spanned more than six decades in music ...
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Eleanor Rigby
"Eleanor Rigby" is a song by the English rock band the Beatles from their 1966 album ''Revolver''. It was also issued on a double A-side single, paired with " Yellow Submarine". The song was written primarily by Paul McCartney and credited to Lennon–McCartney. "Eleanor Rigby" continued the transformation of the Beatles from a mainly rock and roll- and pop-oriented act to a more experimental, studio-based band. With a double string quartet arrangement by George Martin and lyrics providing a narrative on loneliness, it broke sharply with popular music conventions, both musically and lyrically. The song topped singles charts in Australia, Belgium, Canada and New Zealand. Background and inspiration Paul McCartney came up with the melody for "Eleanor Rigby" as he experimented on his piano. Donovan recalled hearing McCartney play an early version of the song on guitar, where the character was named Ola Na Tungee. At this point, the song reflected an Indian musical influence and its ...
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Here, There And Everywhere
"Here, There and Everywhere" is a song by the English rock band the Beatles from their 1966 album ''Revolver''. A love ballad, it was written by Paul McCartney and credited to Lennon–McCartney. McCartney includes it among his personal favourites of the songs he has written. In 2000, ''Mojo'' ranked it 4th in the magazine's list of the greatest songs of all time. Inspiration and background McCartney began writing "Here, There and Everywhere" at Lennon's house in Weybridge, in early June, while waiting for Lennon to wake up. McCartney recalled: "I sat out by the pool on one of the sun chairs with my guitar and started strumming in E. And soon had a few chords, and I think by the time he'd woken up, I had pretty much written the song, so we took it indoors and finished it up." When discussing his song "Here, There and Everywhere", McCartney has often cited the Beach Boys' "God Only Knows", his favourite pop song of all time, as a source of inspiration. In 1990, McCartney told ...
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Doctor Robert
"Doctor Robert" is a song by the English rock band the Beatles. It was released in 1966 on their album ''Revolver'', apart from in North America, where it instead appeared on their '' Yesterday and Today'' album. The song was written by John Lennon (and credited to Lennon–McCartney), although Paul McCartney has said that he co-wrote it. The Beatles recorded the track in seven takes on 17 April 1966, with vocals overdubbed on 19 April. Background and inspiration According to musicologist Walter Everett, the lyrics to "Doctor Robert" "contained the most overt drug references of any published Beatles song" up to 1966, and he adds that in their recording of the song, the band "found musical ways to portray the doctor as a saint". The character is in keeping with the idea of a " Dr Feelgood", a physician who prescribed drugs such as amphetamines under the guise of legitimate medical practice. Lennon recalled that McCartney might have helped him write the "Well, well, well" bridge; ...
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