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Auteur Cinema
An auteur (; , 'author') is an artist with a distinctive approach, usually a film director whose filmmaking control is so unbounded but personal that the director is likened to the "author" of the film, which thus manifests the director's unique style or thematic focus. As an unnamed value, auteurism originated in French film criticism of the late 1940s, and derives from the critical approach of André Bazin and Alexandre Astruc, whereas American critic Andrew Sarris in 1962 called it auteur theory. Yet the concept first appeared in French in 1955 when director François Truffaut termed it ''policy of the authors'', and interpreted the films of some directors, like Alfred Hitchcock, as a body revealing recurring themes and preoccupations. American actor Jerry Lewis directed his own 1960 film ''The Bellboy'' via sweeping control, and was praised for "personal genius." By 1970, the New Hollywood era emerged with studios granting directors broad leeway. Pauline Kael argued, however, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Author
An author is the writer of a book, article, play, mostly written work. A broader definition of the word "author" states: "''An author is "the person who originated or gave existence to anything" and whose authorship determines responsibility for what was created''." Typically, the first owner of a copyright is the person who created the work, i.e. the author. If more than one person created the work (i.e., multiple authors), then a case of joint authorship takes place. The copyright laws are have minor differences in various jurisdictions across the United States. The United States Copyright Office, for example, defines copyright as "a form of protection provided by the laws of the United States (title 17, U.S. Code) to authors of 'original works of authorship.'" Legal significance of authorship Holding the title of "author" over any "literary, dramatic, musical, artistic, rcertain other intellectual works" gives rights to this person, the owner of the copyright, especially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schreiber Theory
The Schreiber theory is a writer-centered approach to film criticism and film theory which holds that the principal author of a film is generally the screenwriter rather than the director. The term was coined by David Morris Kipen, Director of Literature at the US National Endowment for the Arts. Outline In his 2006 book ''The Schreiber Theory: A Radical Rewrite of American Film History'', Kipen says that the influential 1950s-era auteur theory has wrongly skewed analysis towards a director-centred view of film. In contrast, Kipen believes that the screenwriter has a greater influence on the quality of a finished work and that knowing who wrote a film is "the surest predictor" of how good it will be: A filmgoer seeking out pictures written by, say, Eric Roth or Charlie Kaufman won't always see a masterpiece, but he'll see fewer clunkers than he would following even a brilliant director like John Boorman, or an intelligent actor like Jeff Goldblum. It's all a matter of betting on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Positif (magazine)
''Positif'' is a French film magazine, founded in 1952 by Bernard Chardère in Lyon. It is one of two major French-language film magazines, created several months after '' Les Cahiers du cinéma''. The magazine is headquartered in Paris and is published monthly. Traditionally, ''Positif'' has served as a counterpoint to ''Les'' ''Cahiers du cinéma'', focusing on film themes and scripts, in contrast to politics and aesthetics. In the 1950s, ''Positif'' was associated with the non-Communist left (while ''Les Cahiers du cinéma'' originally held political affiliations with the right). Today, ''Positif'' is a neutral publication run by volunteers. The magazine was edited by Eric Losfeld from 1959. After publishing an article about Orson Welles in 1963, Michel Ciment became a member of the magazine's editorial committee. In 1966, he was promoted to editor in chief, a post he continues to occupy today. ''Positif'' has been printed by different publishers throughout the years and i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cahiers Du Cinéma
''Cahiers du Cinéma'' (, ) is a French film magazine co-founded in 1951 by André Bazin, Jacques Doniol-Valcroze, and Joseph-Marie Lo Duca.Itzkoff, Dave (9 February 2009''Cahiers Du Cinéma Will Continue to Publish''The New York TimesMacnab, Geoffrey (7 April 2001''Pretentious, nous?''''The Guardian'' It developed from the earlier magazine ''Revue du Cinéma'' ( established in 1928) involving members of two Paris film clubs Objectif 49 (Robert Bresson, Jean Cocteau, and Alexandre Astruc, among others; ) and Ciné-Club du Quartier Latin (). Initially edited by Doniol-Valcroze and, after 1957, by Éric Rohmer (aka, Maurice Scherer), it included amongst its writers Jacques Rivette, Jean-Luc Godard, Claude Chabrol, and François Truffaut, who went on to become highly influential filmmakers. It is the oldest French-language film magazine in publication. History The first issue of ''Cahiers'' appeared in April 1951. Much of its head staff, including Bazin, Doniol-Valcroze, Lo Duca, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ali Baba And The Forty Thieves (1954 Film)
''Ali Baba and the Forty Thieves'' (French: ''Ali Baba et les 40 voleurs'') is a 1954 French comedy film directed by Jacques Becker and starring Fernandel, Samia Gamal and Dieter Borsche.Spaas p.148 It was made at the Billancourt Studios in Paris. The film's sets were designed by Georges Wakhévitch. Some scenes were shot on location in French Morocco. Cast * Fernandel as Ali Baba * Samia Gamal as Morgiane * Dieter Borsche as Abdel, bandit chief * Henri Vilbert as Cassim * Édouard Delmont as Père de Morgiane * Edmond Ardisson as Mendiant * Manuel Gary as Mendiant * Julien Maffre as Mendiant * Leopoldo Francés * Gaston Orbal as Mufti * Bob Ingarao as Un bandit * Yôko Tani * Fanfan Minucci * José Casa José is a predominantly Spanish and Portuguese form of the given name Joseph. While spelled alike, this name is pronounced differently in each language: Spanish ; Portuguese (or ). In French, the name ''José'', pronounced , is an old vernac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Becker
Jacques Becker (; 15 September 1906 – 21 February 1960) was a French film director and screenwriter. His films, made during the 1940s and 1950s, encompassed a wide variety of genres, and they were admired by some of the filmmakers who led the French New Wave movement. Biography Born in Paris, Becker was from an upper-middle-class background. His father Louis Becker, from Lorraine, was corporate director for Fulmen, a battery manufacturer; his mother, Margaret Burns, of Scottish and Irish descent, managed a fashion house in rue Cambon near Chanel in Paris. He was educated at the Lycées Condorcet and Carnot and then at the École Bréguet. Becker was reluctant to pursue a business career like his father and at the age of 18 he went to New York. On a transatlantic liner he met the film director King Vidor who offered him a job but Becker turned it down. Back in France Becker developed a friendship with Jean Renoir, whom he had first met in 1921 through their mutual acqua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cahiers Du Cinéma
''Cahiers du Cinéma'' (, ) is a French film magazine co-founded in 1951 by André Bazin, Jacques Doniol-Valcroze, and Joseph-Marie Lo Duca.Itzkoff, Dave (9 February 2009''Cahiers Du Cinéma Will Continue to Publish''The New York TimesMacnab, Geoffrey (7 April 2001''Pretentious, nous?''''The Guardian'' It developed from the earlier magazine ''Revue du Cinéma'' ( established in 1928) involving members of two Paris film clubs Objectif 49 (Robert Bresson, Jean Cocteau, and Alexandre Astruc, among others; ) and Ciné-Club du Quartier Latin (). Initially edited by Doniol-Valcroze and, after 1957, by Éric Rohmer (aka, Maurice Scherer), it included amongst its writers Jacques Rivette, Jean-Luc Godard, Claude Chabrol, and François Truffaut, who went on to become highly influential filmmakers. It is the oldest French-language film magazine in publication. History The first issue of ''Cahiers'' appeared in April 1951. Much of its head staff, including Bazin, Doniol-Valcroze, Lo Duca, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French New Wave
French New Wave (french: La Nouvelle Vague) is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm. New Wave filmmakers explored new approaches to editing, visual style, and narrative, as well as engagement with the social and political upheavals of the era, often making use of irony or exploring existential themes. The New Wave is often considered one of the most influential movements in the history of cinema. The term was first used by a group of French film critics and cinephiles associated with the magazine '' Cahiers du cinéma'' in the late 1950s and 1960s. These critics rejected the ''Tradition de qualité'' ("Tradition of Quality") of mainstream French cinema, which emphasized craft over innovation and old works over experimentation. This was apparent in a manifesto-like 1954 essay by François Truffaut, ''Une certaine tenda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Leenhardt
Roger Leenhardt (23 July 1903 – 4 December 1985) was a French writer and filmmaker. Early life Born in a bourgeois Protestant family, this brilliant student of philosophy was very soon fascinated by cinema. Through a cousin, he started working for the newsreel program ''Éclair Journal'' and in 1934 set up his own production company with René Zuber, "Les Films du Compas," later known as, "Roger Leenhardt Films.” Career As a critic in the journal '' Esprit'', he was considered one of the most perceptive observers of pre-war France and strongly influenced André Bazin and the entire "Nouvelle Vague.” Thanks to his series of articles known as "La petite école du spectateur," cinema became considered as an art and a language in its own right. Leenhardt also contributed to other journals, such as ''Fontaine, Les Lettres Françaises'', and ''l'Ecran français'', in which in 1948 he delivered his famous cry, "Down with Ford! Long Live Wyler!" In 1949, he fostered the creatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Agee
James Rufus Agee ( ; November 27, 1909 – May 16, 1955) was an American novelist, journalist, poet, screenwriter and film critic. In the 1940s, writing for ''Time Magazine'', he was one of the most influential film critics in the United States. His autobiographical novel, ''A Death in the Family'' (1957), won the author a posthumous 1958 Pulitzer Prize. Agee is also known as a co-writer of the book ''Let Us Now Praise Famous Men'' and as the screenwriter of the film classics ''The African Queen'' and '' The Night of the Hunter''. Early life and education Agee was born in Knoxville, Tennessee, to Hugh James Agee and Laura Whitman Tyler, at Highland Avenue and 15th Street, which was renamed James Agee Street, in what is now the Fort Sanders neighborhood. When Agee was six, his father was killed in an automobile accident. From the age of seven, Agee and his younger sister, Emma, were educated in several boarding schools. The most prominent of these was located near his mother's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Julius Bloem
Walter Julius Bloem (October 22, 1898 – presumed dead 1945) was a German writer who became known under the pseudonym Kilian Koll. Bloem was an officer in the First and Second World War as well as a member of the SS. Life Bloem was born in 1898 in Barmen, in present-day North Rhine-Westphalia, Germany as the son of the writer Walter Bloem, noted as an author of patriotic novels, and his first wife Margarete Kalähne. His father e.g. wrote the memoir "''The Advance from Mons 1914''"—the translation included a foreword by James Edward Edmonds who called it "one of the most graphic and dramatic accounts of the war yet written." Since his earliest youth, Bloem suffered from irreparable hearing damage. Nevertheless, in 1915, at the age of 16, he volunteered for service in the First World War at the front, after he had fulfilled his father's demand that he complete his Oberprima (roughly advanced secondary school in the US) at Easter 1915. In the war, he was decorated several ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
