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Aurora Sanseverino
Aurora Sanseverino (28 April 1669 – 2 July 1726) was an Italian noblewoman, salon-holder, patron and poet. One of the most celebrated women in the highest rank of the Neapolitan aristocracy, she was known for her great cultural activity as a patron and mecenat of art and for her famous cultural salon in Naples, and correspondent of several contemporary culture personalities that made her a central figure in baroque Italy. Remembered as a "very beautiful, kind and lively lady",Gérard Labrot, Carol Togneri Dowd, Anna Cera Sones, ''Collections of paintings in Naples: 1600-1780'', K. G. Saur Verlag GmbH, 1992, p. 409 she also contributed much to giving women a dignified place in the cultural circles of Neapolitan society of the time. Biography Born in Saponara (the actual Grumento Nova, province of Potenza), she was the daughter of Carlo Maria Sanseverino, Prince of Bisignano and Count of Saponara, and Maria Fardella, Countess of Paceco. At the age of 11, she married Girolamo ...
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Grumento Nova
Grumento Nova is a town and ''comune'' in the province of Potenza, in the Southern Italian region of Basilicata. The ancient name of the town was Saponara. In the locality Spineta are the remains of the Roman town of Grumentum Grumentum ( grc, Γρούμεντον) was an ancient Ancient Rome, Roman city in the centre of Lucania, in what is now the ''comune'' of Grumento Nova, c. south of Potenza by the direct road through Anxia, and by the ''Via Herculia'', at the po .... References Cities and towns in Basilicata {{Basilicata-geo-stub ...
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Gian Vincenzo Gravina
Giovanni Vincenzo Gravina (20 January 1664 – 6 January 1718) was an Italian man of letters and jurist. He was born at Roggiano Gravina, a small town near Cosenza, in Calabria. Biography Giovanni Vincenzo Gravina was descended from a distinguished family, and under the direction of his maternal uncle, Gregorio Caloprese, who possessed some reputation as a poet and philosopher, received a learned education, after which he studied at Naples civil and Canon law (Catholic Church), Canon law. In 1689, he came to Rome, where in 1690, he united with several others of literary tastes in forming the Academy of Arcadians. In 1699, he was appointed to the chair of civil law in the Roman college of University of Rome La Sapienza, La Sapienza, and in 1703, he was transferred to the chair of canon law. A schism (religion), schism occurred in the academy in 1711, and Gravina and his followers founded in opposition to it the Academy of Quirina. From pope Innocent XII, Innocent XII Gravi ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Michele Pagano (painter)
Michele Pagano (1697–1732) was an Italian painter of the late Baroque period, active in his natal city of Naples. Pagano initially trained under Raimondo di Dominici, known as il Maltese. Working later with Bernardo de Dominici, he became a follower of Franz Joachim Beich, and flourished as a landscape painter or vedutista, but died in his mid-thirties. He left di Dominici to work with Gaetano Martoriello Gaetano Martoriello (c. 1680–1733) was an Italian painter of the late-Baroque period, active in his natal city of Naples. He painted mainly marine vedute and landscapes. He initially trained under Giacomo del Po, but desiring to paint landscape .... He is said to have died from Mercury treatment of venereal disease. It is unknown if he is a distant relation to Francesco Pagano, a painter of the 15th century in Naples. Notes References * {{DEFAULTSORT:Pagano, Michele 1697 births 1732 deaths 17th-century Neapolitan people 17th-century Italian painters Ital ...
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Nicola Maria Rossi
Nicola Maria Rossi, also known as Nicolò Maria (Naples, 1690 – Naples, 23 April 1758) was an Italian painter of the late-Baroque. Biography At the age of 15 years, he had begun studying a classic education, but after a fireworks injury damaged on eye, he became a pupil of Francesco Solimena in 1706. Nicola later likely tutored Corrado Giaquinto while in that studio. Rossi painted an altarpiece of the ''Immaculate Conception with Saints and Bishops'' for the church of the Cappuccinelle sopra Ponte Corbo. Rossi was called to Vienna, to paint a Hall for the Marquis of Refrano, a counselor for the Holy Roman Emperor Charles VI. He depicted ''Heroic virtue crowned by Glory, Fame, and other Virtues''. In Vienna, he also painted portraits of the chancellor, the Count of Zinzendorff, and others in the court. Her returned to Naples, where he worked for the Viceroy Aloys Thomas Raimund Graf Harrach. He painted allegoric and mythologic panels, as well as large canvases depicting the vice ...
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Giacomo Nani
Giacomo Nani (1698 in Porto Ercole – 1755 in Naples) was an Italian painter, mainly of still-life paintings and of porcelain. Biography According to De Dominici, he was a pupil of Andrea Belvedere and Gaspare Lopez. In marriage documents from 1726, he stated his trade as a painter. His older son, Mariano Nani, was a painter active in Spain. Works by Nani are listed in an inventory by the Duchess of Terranova in 1723, and by the Duke of Limatola in 1725. He is said to have collaborated with the figure painter Paolo de Matteis. Two dozen of his canvases, originally in the Royal Palace in Naples, were sent to Spain by the king Charles VII of Naples to his mother, the former Queen Isabella Farnese, and are presently conserved in the Royal Palace of Riofrío. Nani also made designs for the painting at the royal factory of Capodimonte porcelain founded in 1740. In 1754, the factory director, Giacomo Boschi, stated that for years, Nani had been employed in painting animals and natur ...
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Teresa Del Pò
Teresa del Pò (1649–1716), also spelled ''del Po'', was an Italian painter and engraver of the late Baroque. Life She was born in Rome in 1649, the daughter of Pietro del Pò. She was his second daughter of this name. An earlier Teresa, baptised in Naples in 1646, must have died in infancy.Maria Barbara Guerrieri Borsoi''Del Po, Pietro'' in: Dizionario Biografico degli Italiani - Volume 38 (1990) . She is said to have painted in oil and in miniature, and etched a few plates in the style of her father; they included ''Susannah and the Elders'', after Carracci. She became a member of the Accademia di San Luca in Rome, and died in Naples Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's adminis ... in 1716.Bryan,1886-9 References Sources * 1649 births 1716 deaths 18th-century ...
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Domenico Brandi
Domenico Brandi (1683–1736) was an Italian painter, active in his native Naples, where he painted still lifes of birds and animals, as well as pastoral landscapes (vedute) and a bambocciata. He was the son of the painter Gaetano Brandi, and Domenico initially trained with his uncle, Niccola Maria Rossi, in Naples. He later moved to work under Benedetto Luti Benedetto Luti (17 November 1666 – 17 June 1724) was an Italian painter. Early life Luti was born in Florence on 17 November 1666. Career In 1691, he moved to Rome, where he was patronized by Cosimo III de' Medici, Grand Duke of Tuscany, an en ... in Rome. He was a painter to the Viceroy d'Harrach of Naples, and died in the latter city.Le belle arti
Volumes 1-2, By Giovanni Battista Gennaro Grossi, Tipografia del Giornale Enciclopedico, Strada del Salvadore a Sant'Angelo a Nilo #48, Naple ...
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Giacinto Brandi
Giacinto Brandi (1621 – 19 January 1691) was an Italian painter from the Baroque era, active mainly in Rome and Naples. left, 250px, ''Christ in Gesthemane'', Pinacoteca Vaticana left, 250px, Dome of the church of San Carlo al Corso Biography Born in Rome, he was part of the studio of Alessandro Algardi, a noted sculptor who noted that Brandi was more suited to painting. He joined the studio of Giovanni Giacomo Sementi. He traveled to Naples from 1638, and by 1647 had returned to Rome to work under Giovanni Lanfranco, where Brandi befriended Mattia Preti. The two artists would later on, often collaborate. His works are well distributed among baroque Churches of Rome including San Carlo al Corso ceiling frescoes (1670–1671), San Silvestro in Capite, Sant'Andrea al Quirinale, a canvas of ''Sant'Andrea'' (1650) in Santa Maria in Via Lata, a painting of ''Martyrdom of the Forty'' (1660) for the Chiesa delle Santissima Stimmate di San Francesco, a ''Coronation of the ...
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Giovanni Battista Ruoppolo
Giovan Battista Ruoppolo (1629–1693) was a Neapolitan painter of still-lifes. Life He was a pupil of Paolo Porpora (1617–1673), a contemporary of Salvatore Rosa. Additional Porpora pupils who formed a school of still-life painters in Naples were Giovan Battista, Giuseppe Recco, and Ruoppolo's brother of Giuseppe Ruoppolo. His pupils included Onofrio Loth and Aniello Ascione.B. de’ Dominici, ''Vite de’ Pittori, Scultori ed Architetti Napoletani non mai date alla luce da autore alcuno,dedicate agli eccellentissimi Eletti della fedelissima citta di Napoli''
Napoli 1742-44, I, p. 638
In addition, he influenced

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Bernardo De' Dominici
Bernardo de' Dominici or Bernardo De Dominici (13 December 1683 – c. 1759) was an Italian art historian and painter of the late- Baroque period, active mainly in Naples. As a painter he was known for his landscapes, marine vedute and genre scenes in a style characteristic of the Bamboccianti. He is now mainly known for his art historical writings and in particular the ''Vite dei Pittori, Scultori, ed Architetti Napolitani'', a three volume collection of brief biographies of Neapolitan artists.F Ferdinando Bologna, ''Bernardo de Dominici''
In: Dizionario Biografico degli Italiani - Volume 33 (1987)


Life

Bernardo de' Dominici was born in Naples as the son of the painter, musician and collector
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Paolo De Matteis
Paolo de Matteis (also known as ''Paolo de' Matteis''; 9 February 1662 – 26 January 1728) was an Italian painter. Biography He was born in Piano Vetrale, a hamlet of Orria, in the current Province of Salerno, and died in Naples. He trained with Francesco di Maria in Naples, then with Luca Giordano. He served in the employ of the Spanish Viceroy of Naples. From 1702 to 1705, de' Matteis worked in Paris, Calabria, and Genoa. In Genoa, he painted an ''Immaculate Conception with St. Jerome Appearing to St. Sevrio''. Returning to Naples, he painted decorative schemes for Neapolitan churches, including the vault of the chapel of San Ignatius in the church of Gesù Nuovo in Naples. He also painted an ''Assumption of the Virgin'' for the Abbey at Monte Cassino. Between 1723 and 1725, de' Matteis lived in Rome, where he received a commission from Pope Innocent XIII. He had as pupils Filippo Falciatore, Francesco Peresi, and members of the Sarnelli family including Francesco, Gennaro, ...
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