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Augustus Snodgrass
Augustus Snodgrass is a fictional character in Charles Dickens's first novel, ''The Pickwick Papers'' (1836). He considers himself a Romantic poet, though there is no mention of any of his own poetry in the novel. A founder and younger member of the Pickwick Club created by the retired businessman Samuel Pickwick, he is one of Pickwick's travelling companions along with Nathaniel Winkle and Tracy Tupman who extend their scientific researches into the quaint and curious phenomena of British rural life by travelling to locations far distant from London to report on their findings to the other "Pickwickians" remaining at home. Introduced by Dickens in Chapter One of ''The Pickwick Papers'', Dickens does little to develop the character of Snodgrass in the novel. While described as a poet, and keeping extensive notes of his ideas for poems, he writes none throughout the story, at least, none that are mentioned or that he reads to his fellow travellers. In this way Snodgrass is depic ...
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The Pickwick Papers
''The Posthumous Papers of the Pickwick Club'' (also known as ''The Pickwick Papers'') was Charles Dickens's first novel. Because of his success with ''Sketches by Boz'' published in 1836, Dickens was asked by the publisher Chapman & Hall to supply descriptions to explain a series of comic "cockney sporting plates" by illustrator Robert Seymour (illustrator), Robert Seymour, and to connect them into a novel. The book became a publishing phenomenon, with bootleg copies, theatrical performances, Sam Weller (character), Sam Weller joke books, and other merchandise. On its cultural impact, Nicholas Dames in ''The Atlantic'' writes, “'Literature' is not a big enough category for ''Pickwick''. It defined its own, a new one that we have learned to call “entertainment.” Published in 19 issues over 20 months, the success of ''The Pickwick Papers'' popularised Serial (literature), serialised fiction and cliffhanger endings. Seymour's widow claimed that the idea for the novel was or ...
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The Adventures Of Mr
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ...
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Literary Characters Introduced In 1836
Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment, and can also have a social, psychological, spiritual, or political role. Literature, as an art form, can also include works in various non-fiction genres, such as biography, diaries, memoir, letters, and the essay. Within its broad definition, literature includes non-fictional books, articles or other printed information on a particular subject.''OED'' Etymologically, the term derives from Latin ''literatura/litteratura'' "learning, a writing, grammar," originally "writing formed with letters," from ''litera/littera'' "letter". In spite of this, the term has also been applied to spoken or s ...
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Fictional British People
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and context of ...
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Charles Dickens Characters
Charles is a masculine given name predominantly found in English and French speaking countries. It is from the French form ''Charles'' of the Proto-Germanic name (in runic alphabet) or ''*karilaz'' (in Latin alphabet), whose meaning was "free man". The Old English descendant of this word was '' Ċearl'' or ''Ċeorl'', as the name of King Cearl of Mercia, that disappeared after the Norman conquest of England. The name was notably borne by Charlemagne (Charles the Great), and was at the time Latinized as ''Karolus'' (as in ''Vita Karoli Magni''), later also as '' Carolus''. Some Germanic languages, for example Dutch and German, have retained the word in two separate senses. In the particular case of Dutch, ''Karel'' refers to the given name, whereas the noun ''kerel'' means "a bloke, fellow, man". Etymology The name's etymology is a Common Germanic noun ''*karilaz'' meaning "free man", which survives in English as churl (< Old English ''ċeorl''), which developed its depr ...
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University Of Oklahoma
The University of Oklahoma (OU) is a Public university, public research university in Norman, Oklahoma. Founded in 1890, it had existed in Oklahoma Territory near Indian Territory for 17 years before the two Territories became the state of Oklahoma. In Fall 2022, the university had 29,705 students enrolled, most at its main campus in Norman. Employing nearly 3,000 faculty members, the school offers 152 Bachelor's degree, baccalaureate programs, 160 Master's degree, master's programs, 75 doctorate programs, and 20 majors at the first professional level. The university is Carnegie Classification of Institutions of Higher Education, classified among "R1: Doctoral Universities – Very high research activity". According to the National Science Foundation, OU spent $283 million on research and development in 2018, ranking it 82nd in the nation. Its Norman campus has two prominent museums, the Fred Jones Jr. Museum of Art, specializing in French Impressionism and Native Americans in the ...
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Joseph Clayton Clark
Joseph Clayton Clark (1857— 8 August 1937), who worked under the pseudonym "Kyd", was a British artist best known for his illustrations of characters from the novels of Charles Dickens. The artwork was published in magazines or sold as watercolor paintings, rather than included in an edition of the novels. Early life and family life He was born in Peel on the Isle of Man in 1857, the son of Lauris and Eliza Clark. In 1889 he married Agnes Roberts (born 1872), and their children were: David (born 1891), Dora (born 1891), Constance (born 1893), Grace (born 1895), Josephine (born 1897), Rose (born 1898), Joseph Cecil (1900–1989), Cecil William (1900–1989), Alice Ivy (1906–1927), and Joseph Clayton Jr. (born 1911). Around 1892, Clark moved with his family to Chichester in West Sussex. Career Clark had many occupations during his lifetime, including designer of cigarette cards and postcards, and as a fore-edge painter principally specializing in characters from the works o ...
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The Pickwick Papers (TV Series)
''The Pickwick Papers'' is a twelve-part BBC adaptation of the 1837 novel ''The Pickwick Papers'' by Charles Dickens, first broadcast in 1985. It starred Nigel Stock, Alan Parnaby, Clive Swift and Patrick Malahide, with narration by Ray Brooks. Central characters * Nigel Stock as Samuel Pickwick – the protagonist and founder of the Pickwick Club. * Jeremy Nicholas as Mr. Nathaniel Winkle – travelling companion and friend of Pickwick's; a reluctant sportsman * Alan Parnaby as Mr. Augustus Snodgrass – another companion and friend; an amiable poet. *Clive Swift as Mr. Tracy Tupman – another friend; a very flirtatious man *Phil Daniels as Sam Weller – Mr. Pickwick's valet *Howard Lang as Tony Weller – Sam's father; does not really know if his name is written as Veller or Weller *Patrick Malahide as Mr. Alfred Jingle – a strolling player, and a charlatan * Colin Douglas as Mr. Wardle – friend of Pickwick's, a widower with t ...
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Alan Parnaby (actor)
Alan Parnaby is a British television and film actor whose career has spanned four decades and who perhaps is best known for playing William Russell in the period drama ''Flambards'' (1979). Parnaby's television roles include ''Jackanory Playhouse'' (1979), William Russell in ''Flambards'' (1979), Tim in the episode 'Mary's Wife' in the series ''BBC2 Playhouse'' (1980), Wilfrid Corder in ''Hannah'' (1980), Mr Flax in ''Pinkerton's Progress'' (1983), Johnnie Purvis in ''Juliet Bravo'' (1984), Mr Augustus Snodgrass in ''The Pickwick Papers'' (1985), Defence lawyer in ''Them and Us'' (1985), DC Price in '' The Chief'' (1991), Satoh in ''A Diplomat in Japan'' (1992), Paul Beaty/Peter Graley in ''The Bill'' (1994-1996), First Soldier in ''David'' (1997), Prison Governor in '' NCS: Manhunt'' (2002), Colin Draper in '' Heartbeat'' (2002), Geoff Hoon in ''Justifying War: Scenes from the Hutton Enquiry'' (2004), Mr. Boykin/Ricky Carson in ''Casualty'' (1986-2004), Nick Bell/PC Terry Sanders ...
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Pickwick (1969 Film)
''Pickwick'' is a British television musical made by the BBC in 1969 and based on the 1963 stage musical '' Pickwick'', which in turn was based on the 1837 novel ''The Pickwick Papers'' written by Charles Dickens. It stars Harry Secombe as Samuel Pickwick and Roy Castle as Sam Weller. This television production was based on the stage musical '' Pickwick'' which had been a commercial success. It was adapted for the screen by James Gilbert and Jimmy Grafton. The musical had been produced by Bernard Delfont and had premiered in the West End in 1963, again with Harry Secombe in the lead role and with choreography by Gillian Lynne. Running at 90 minutes and made in colour, the TV musical again had lyrics by Leslie Bricusse and a score by Cyril Ornadel.''Pickwick''
on the

Julian Orchard
Julian Dean Chavasse Orchard (3 March 1930, in Wheatley, Oxfordshire – 21 June 1979, in Westminster, London)GRO Register of Deaths: JUN 1979 15 1935 WESTMINSTER – Julian Dean C. Orchard, DoB = 3 March 1930 was an English comedy actor. He appeared in four ''Carry On'' films: ''Don't Lose Your Head'' (1966), ''Follow That Camel'' (1967), ''Carry On Doctor'' (1967), and ''Carry On Henry'' (1971). Career Orchard was educated at Shrewsbury School and the Guildhall School of Music and Drama. He appeared as the flamboyant Duke of Montague, a cousin of Prince Edward, in the ''Cinderella'' film, ''The Slipper and the Rose'' (1976). He had a regular slot on Spike Milligan's ''The World of Beachcomber'', a TV version of the "Beachcomber" pieces by J. B. Morton, appearing as the poet Roland Milk. His customary role was that of a gangling and effete – and sometimes effeminate – dandy. He played Snodgrass in the TV musical '' Pickwick'' for the BBC in 1969, and appeared in several ...
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British Film Institute
The British Film Institute (BFI) is a film and television charitable organisation which promotes and preserves film-making and television in the United Kingdom. The BFI uses funds provided by the National Lottery to encourage film production, distribution, and education. It is sponsored by the Department for Digital, Culture, Media and Sport, and partially funded under the British Film Institute Act 1949. Purpose It was established in 1933 to encourage the development of the arts of film, television and the moving image throughout the United Kingdom, to promote their use as a record of contemporary life and manners, to promote education about film, television and the moving image generally, and their impact on society, to promote access to and appreciation of the widest possible range of British and world cinema and to establish, care for and develop collections reflecting the moving image history and heritage of the United Kingdom. BFI activities Archive The BFI maint ...
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