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Audio Tape Specifications
Since the widespread adoption of reel-to-reel audio tape recording in the 1950s, audio tapes and tape cassettes have been available in many formats. This article describes the length, tape thickness and playing times of some of the most common ones. All tape thicknesses here refer to the total tape thickness unless otherwise specified, including the base, the oxide coating and any back coating. In the United States, tape thickness is often expressed as the thickness of the base alone. However, this varies from manufacturer to manufacturer and also between tape formulations from the same manufacturer. Outside of the US, the overall thickness is more often quoted, and is the more relevant measurement when relating the thickness to the length that can be fit onto a reel or into a cassette. Reel-to-reel ¼" The tape decks of the 1950s were mainly designed to use tape ¼" wide and to accept one of two reel formats: * Ten-and-a-half-inch reels, almost always with metal flanges, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reel-to-reel Audio Tape Recording
Reel-to-reel audio tape recording, also called open-reel recording, is magnetic tape audio recording in which the recording tape is spooled between reels. To prepare for use, the ''supply reel'' (or ''feed reel'') containing the tape is placed on a spindle or hub. The end of the tape is manually pulled from the reel, threaded through mechanical guides and over a tape head assembly, and attached by friction to the hub of the second, initially empty ''takeup reel''. Reel-to-reel systems use tape that is wide, which normally moves at . All standard tape speeds are derived as a binary submultiple of 30 inches per second. Reel-to-reel preceded the development of the compact cassette with tape wide moving at . By writing the same audio signal across more tape, reel-to-reel systems give much greater fidelity at the cost of much larger tapes. In spite of the relative inconvenience and generally more expensive media, reel-to-reel systems developed in the early 1940s remained popular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magnetophon
Magnetophone, or simply Magnetophon, was the brand or model name of the pioneering reel-to-reel tape recorder developed by engineers of the German electronics company AEG in the 1930s, based on the magnetic tape invention by Fritz Pfleumer Fritz Pfleumer (20 March 1881 – 29 August 1945) was a German engineer who invented magnetic tape for recording sound. Biography Fritz was born as the son of Robert and Minna, née Hünich. His father Robert (1848–1934) was born in Greiz, .... AEG created the world's first practical tape recorder, the K1, first demonstrated in Germany in 1935 at the Internationale Funkausstellung Berlin, Berlin Radio Show. A brief history of magnetic tape from the BASF Historian and the founding curator of the Ampex museum. Later models introduced the concept of AC tape bias, which improved the sound quality by largely eliminating background hiss. The resulting reproduction was so great an advance on any existing recording method that even those well ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
HiPac
HiPac (stylized as HIPAC) (pronounced as high-pack), is an audio Reel-to-reel audio tape recording, tape cartridge format, introduced in August 1971 on the Japanese consumer market by Pioneer Corporation, Pioneer and discontinued in 1973 due to lack of demand. In 1972 it only achieved a market share of 3% in equipping new cars. In the mid 1970s, the format was repurposed as a children's educational toy called and was used in the Delay (audio effect)#Tape based, analog tape delay "Melos Echo Chamber". Cartridge HiPac is a successor of the PlayTape cartridge, licensed by Toshiba and had similar dimensions of , which is closer to Compact Cassette than other Endless tape cartridge, cartridges containing Bernard Cousino's endless loop tape. Depending on the tape length, the weight is about and used the wider four-track magnetic tape of the compact cassette with The four audio tracks are separated into two stereo programs. The second program is recorded in the same direction as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sabamobil
Sabamobil was a magnetic tape audio cartridge format made by SABA that came to the market in 1964. It used already-available four-track ¼ inch tape on 3-inch reels (7.62 cm), with two mono channels per side, using a tape speed of 3¾ ips (9.5 cm/s), and was compatible with reel-to-reel audio tape recording except the against remove secured ends of the tape in the reel. The cartridge could be opened without the need of any tools by removing two holding clamps. Tape head and capstan were placed between the reels.TechmoanForgotten Format: The Sabamobil YouTube, 22 June 2017 In the US, the player was offered for (equivalent to $ in ), a cassette was (equivalent to $ in ), and the adapter for installation in car was (equivalent to $ in ). The model TK-R12 also had an builtin medium frequency AM-broadcast receiver and could also be operated portable with five D-type batteries. The drive assembly had no drive belts. It appeared in the following year of the introduction of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elcaset
Elcaset is a short-lived sound reproduction, audio format jointly developed by Sony, Panasonic, and Teac in 1976, building on an idea introduced 20 years earlier in the RCA tape cartridge. In 1976, it was widely felt that the compact cassette was never likely to be capable of the same levels of performance that was available from reel-to-reel systems, yet clearly the cassette had advantages in terms of convenience. The Elcaset system was intended to marry the performance of reel-to-reel with cassette convenience, but be more of a compromise on size between the two than the RCA cassette is. The name "Elcaset" may simply mean L-cassette, or large cassette, since the " tape inside is double the " width found in compact cassettes. They were divided into four tracks. The cassette itself looks similar to a compact cassette, only larger—about twice the size. Like the earlier RCA tape cartridge, it contained tape running at , twice the width and twice the speed of a compact cassette ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RCA Cassette
The RCA tape cartridge is a magnetic tape audio format that was designed to offer stereo quarter-inch reel-to-reel tape recording quality in a convenient format for the consumer market. It was introduced in 1958, following four years of development. This timing coincided with the launch of the stereophonic phonograph record. It was introduced to the market by RCA in 1958. The main advantage of the RCA tape cartridge over reel-to-reel machines is convenience.Stereo Goes Back On Tape Popular Mechanics, September 1960, P. 205 The user is not required to handle unruly tape ends and thread the tape through the machine before use, making the medium of magnetic tape more friendly to casual users. In addition, since the cartridge carries both supply and take-up reels, the cartridge does not have to be rewound before th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
8-track Cartridge
The 8-track tape (formally Stereo 8; commonly called eight-track cartridge, eight-track tape, and eight-track) is a magnetic tape sound recording technology that was popular from the mid-1960s to the early 1980s, when the compact cassette, which pre-dated the 8-track system, surpassed it in popularity for pre-recorded music. The format was most popular in the United States, the United Kingdom, Canada, New Zealand, Australia, Mexico, Spain, France, Germany, Italy, Sweden and Japan. One advantage of the 8-track tape cartridge was that it could play continuously, and did not have to be "flipped over" to play the entire tape. It is now considered to be obsolete, although there are collectors that refurbish these tapes and players as well as some bands that issue these tapes as a novelty(Cheap Trick's "The Latest" in 2009 and Dolly Parton's "A Holly Dolly Christmas" in 2020 with a track that's only available on the 8 track) The Stereo 8 Cartridge was created in 1964 by a consortiu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
NAB Cart
The Fidelipac, commonly known as a "NAB cartridge" or simply "cart", is a magnetic tape sound recording format, used for radio broadcasting for playback of material over the air such as radio commercials, jingles, station identifications, and music. Fidelipac is the official name of this industry standard audio tape cartridge. It was developed in 1954"Eash hand-made his own plastic cartridge for his first working unit and in 1954 began showing his unit to record people" ... "What Eash did in the Fidelipac cartridge - a term invented in 1956 by a Toledo advertising agency - was splice tape together." by inventor George Eash"The almost-square plastic-cased Fidelipac magazines, which come in three different sizes, are produced by the Fidelipac division of SAC tereophonic Automatic Corporation located in Toledo, under the direction of George Eash, inventor of Fidelipac." (although the invention of the Fidelipac cartridge has also been credited to Vern Nolte of the Automatic Tape Com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multitrack Recording
Multitrack recording (MTR), also known as multitracking or tracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete "tracks" on the same reel-to-reel tape was developed. A "track" was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or synchronized. A multitrack recorder allows one or more sound sources to different tracks to be simultaneously recorded, which may subsequently be processed and mixed separately. Take, for example, a band with vocals, guitars, a keyboard, bass, and drums that are to be recorded. The singer's microphone, the output of the guitars and keys, and eac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reel-to-reel
Reel-to-reel audio tape recording, also called open-reel recording, is magnetic tape audio recording in which the recording tape is spooled between reels. To prepare for use, the ''supply reel'' (or ''feed reel'') containing the tape is placed on a spindle or hub. The end of the tape is manually pulled from the reel, threaded through mechanical guides and over a tape head assembly, and attached by friction to the hub of the second, initially empty ''takeup reel''. Reel-to-reel systems use tape that is wide, which normally moves at . All standard tape speeds are derived as a binary submultiple of 30 inches per second. Reel-to-reel preceded the development of the compact cassette with tape wide moving at . By writing the same audio signal across more tape, reel-to-reel systems give much greater fidelity at the cost of much larger tapes. In spite of the relative inconvenience and generally more expensive media, reel-to-reel systems developed in the early 1940s remained popular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reprise Records
Reprise Records is an American record label founded in 1960 by Frank Sinatra. It is owned by Warner Music Group, and operates through Warner Records, one of its flagship labels. Artists currently signed to Reprise Records include Enya, Michael Bublé, Eric Clapton, Stevie Nicks, Neil Young, Deftones, Mastodon (band), Mastodon, Lindsey Buckingham, Josh Groban, Disturbed (band), Disturbed, Idina Menzel, My Chemical Romance, Gerard Way, Green Day, Dwight Yoakam, and Never Shout Never. Company history Beginnings Reprise Records was formed in 1960 by Frank Sinatra in order to allow more artistic freedom for his own recordings. Soon thereafter, he garnered the nickname "The Chairman of the Board". Because of dissatisfaction with Capitol Records, and after trying to buy Norman Granz's Verve Records, the first album Sinatra released on Reprise was ''Ring-a-Ding-Ding!'' As CEO of Reprise, Sinatra recruited several artists for the fledgling label, such as fellow Rat Pack members Dean Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mercury Records
Mercury Records is an American record label owned by Universal Music Group. It had significant success as an independent operation in the 1940s and 1950s. Smash Records and Fontana Records were sub labels of Mercury. In the United States, it is operated through Republic Records; in the United Kingdom and Japan (as Mercury Tokyo in the latter country), it is distributed by EMI Records. Since the separation of Island Records, Motown, Mercury Records, and Def Jam Recordings combining the Island Def Jam Music Group, Mercury Records has been placed under Island Records, although its back catalogue is still owned by the Island Def Jam Music Group (now Island Records). Background Mercury Records was started in Chicago in 1945 and over several decades, saw great success. The success of Mercury has been attributed to the use of alternative marketing techniques to promote records. The conventional method of record promotion used by major labels such as RCA Victor, Decca Records, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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