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Audio Sponge
''Audio Sponge'' is the debut album by the electronica duo Sketch Show. Track listing Notes * Mastered at Sterling Sound, NYC. * "Gokigen Ikaga 1・2・3" is similar to the Blondie song "Rapture". It was originally released on Snakeman Show's self-titled album (being broadcast during their radio show), titled , with the performer credited as (Snakeman Show on vocals, with Hosono on instruments). Personnel *Haruomi Hosono & Yukihiro Takahashi - Arranging, Mixing, Production *Ryuichi Sakamoto - Keyboards, Clavinet, Sampler *Yasuo Kimoto - Mixing, Production *Goh Hotoda, Yoshifumi Lio - Mixing *Towa Tei, Tadashi Matsuda - Mixing, Post Production *Tom Coyne - Mastering *Yuka Honda - Mastering Coordination *Hachiro Sugiyama - Art Direction, Photography *Tom Yoda - Coordination *Atsushi Matsui - Assistance *Yuichi Ishikura - Artists and repertoire Artists and repertoire (colloquially abbreviated to A&R) is the division of a record label or music publishing company that is respon ...
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Sketch Show (band)
''Sketch Show'' is a Japanese Duet, duo formed in 2002 by two of the three former members of Yellow Magic Orchestra, Haruomi Hosono and Yukihiro Takahashi. In some live shows, Ryuichi Sakamoto has joined in band performances. "Similar to Yellow Magic Orchestra, Sketch Show's sound relies heavily on cutting-edge technology (synthesizers the first time, computers this time), but what sets the duo apart from thousands of other knob-twiddlers is the sense of songcraft and pop sensibility that they have consistently displayed over their careers. Both men sing and play traditional instruments [...]. While not genre-specific, Sketch Show's music is loosely categorized as electronica. The band released its debut album, ''Audio Sponge'', in 2002, shortly after a well-received appearance at Takkyu Ishino's massive rave event, WIRE02. In addition to Hosono and Takahashi, the record featured collaborations with former YMO member Ryuichi Sakamoto and Towa Tei. Shows following the release of ...
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Max Steiner
Maximilian Raoul Steiner (May 10, 1888 – December 28, 1971) was an Austrian composer and conductor who emigrated to America and went on to become one of Hollywood's greatest musical composers. Steiner was a child prodigy who conducted his first operetta when he was twelve and became a full-time professional, proficient at composing, arranging, and conducting, by the time he was fifteen. Threatened with internment in Germany during World War I, he fled to England, then Broadway, and in 1929, he moved to Hollywood, where he became one of the first composers to write music scores for films. He is often referred to as "the father of film music", as Steiner played a major part in creating the tradition of writing music for films, along with composers Dimitri Tiomkin, Franz Waxman, Erich Wolfgang Korngold, Alfred Newman, Bernard Herrmann, and Miklós Rózsa. Steiner composed over 300 film scores with RKO Pictures and Warner Bros., and was nominated for 24 Academy Awards, win ...
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Artists And Repertoire
Artists and repertoire (colloquially abbreviated to A&R) is the division of a record label or music publishing company that is responsible for talent scouting and overseeing the artistic development of recording artists (singers, instrumentalists, bands, and so on) and songwriters. It also acts as a liaison between artists and the record label or publishing company; every activity involving artists to the point of album release is generally considered under the purview, and responsibility, of A&R. Responsibilities Finding talent The A&R division of a record label is responsible for finding new recording artists and bringing those artists to the record company. A&R staff may go to hear emerging bands play at nightclubs and festivals to scout for talent. Personnel in the A&R division are expected to understand the current tastes of the market and to be able to find artists that will be commercially successful. For this reason, A&R people are often young and many are musicians, mus ...
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Yuka Honda
Yuka Honda is a Japanese-American musician who resides in New York City. She is a multi-instrumentalist (mainly piano, synthesizer, sampler and other keyboards), composer, record producer, and co-founder of the band Cibo Matto. Throughout her career, she has collaborated with a diverse array of musicians, including Petra Haden, Sean Lennon, Mike Watt, Nels Cline, Tricky, Harper Simon, Beastie Boys, Los Lobos, Brooklyn Funk Essentials, Mitchell Froom, Medeski Martin & Wood, Marc Ribot, Yoshimi P-We, Arto Lindsay, Edie Brickell, Vincent Gallo, Luscious Jackson, Dave Douglas, Bernie Worrell, and Caetano Veloso. Biography Honda was born in Tokyo, Japan and spent a few years of her childhood in Germany and Denmark. She went to school in Aix-en-Provence, France then moved to New York City in November 1986. She had some classical training in her childhood but never thought that she would become a musician. When she came to New York, she was writing for a Japanese food magazine. In ...
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Towa Tei
is a Japanese artist, record producer, and DJ. Born in Yokohama, Japan, Towa debuted as a member of Deee-Lite, from the US label Elektra Records in 1990 and shot to fame via their international hit single, "Groove Is In the Heart". He made his solo debut with the album ''Future Listening!'' in 1994. He has since relocated back from New York to rural Nagano prefecture in Japan. Towa's second studio album, ''Sound Museum'' (1997), became his highest charting effort at number 17 on the ''Oricon'' charts. Its single, "GBI (German Bold Italic)" featuring Kylie Minogue and Haruomi Hosono, reached number 50 and 63 in Australia and the United Kingdom, respectively. He saw continued success with 1999's ''Last Century Modern'' as its fourth single, " Let Me Know" featuring Chara, became one of his best known songs. His concept party, "Hotel H", started in 2009 as a social spot for music industry people in Tokyo. Biography Towa is a third-generation Korean-Japanese. Towa began making ...
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Sampler (musical Instrument)
A sampler is an electronic or digital musical instrument which uses sound recordings (or " samples") of real instrument sounds (e.g., a piano, violin, trumpet, or other synthesizer), excerpts from recorded songs (e.g., a five-second bass guitar riff from a funk song) or found sounds (e.g., sirens and ocean waves). The samples are loaded or recorded by the user or by a manufacturer. These sounds are then played back by means of the sampler program itself, a MIDI keyboard, sequencer or another triggering device (e.g., electronic drums) to perform or compose music. Because these samples are usually stored in digital memory, the information can be quickly accessed. A single sample may often be pitch-shifted to different pitches to produce musical scales and chords. Often samplers offer filters, effects units, modulation via low frequency oscillation and other synthesizer-like processes that allow the original sound to be modified in many different ways. Most samplers have Mult ...
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Clavinet
The Clavinet is an electrically amplified clavichord invented by Ernst Zacharias and manufactured by the Hohner company of Trossingen, West Germany, from 1964 to 1982. The instrument produces sounds by a rubber pad striking a point on a tensioned string, and was designed to resemble the Renaissance-era clavichord. Although originally intended for home use, the Clavinet became popular on stage, and could be used to create electric guitar sounds on a keyboard. It is strongly associated with Stevie Wonder, who used the instrument extensively, particularly on his 1972 hit "Superstition", and was regularly featured in rock, funk and reggae music throughout the 1960s and 1970s. Modern digital keyboards can emulate the Clavinet sound, but there is also a grass-roots industry of repairers who continue to maintain the instrument. Description The Clavinet is an electromechanical instrument that is usually used in conjunction with a keyboard amplifier. Most models have 60 keys ranging ...
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Keyboard Instrument
A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings. Today, the term ''keyboard'' often refers to keyboard-style synthesizers. Under the fingers of a sensitive performer, the keyboard may also be used to control dynamics, phrasing, shading, articulation, and other elements of expression—depending on the design and inherent capabilities of the instrument. Another important use of the word ''keyboard'' is in historical musicology, where it means an instrument whose identity cannot be firmly established. Particularly in the 18th century, the harpsichord, the clavichord, and the early ...
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Rapture (Blondie Song)
"Rapture" is a song by American rock band Blondie from their fifth studio album ''Autoamerican'' (1980). Written by band members Debbie Harry and Chris Stein, and produced by Mike Chapman, the song was released as the second and final single from ''Autoamerican'' on January 12, 1981, by Chrysalis Records. Musically, "Rapture" is a combination of new wave, disco and hip hop with a rap section forming an extended coda. "Rapture" was another commercial success for the band, shipping one million copies in the United States, where it was certified Gold by the Recording Industry Association of America (RIAA) and spent two weeks at number one on the ''Billboard'' Hot 100, their fourth and last single to reach the top ten. It was the first number-one single in the United States to feature rap vocals. The single also peaked at number three in Canada, and number five in Australia and the United Kingdom. Background Singer Debbie Harry and guitarist Chris Stein were friends with Brookl ...
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Blondie (band)
Blondie is an American Rock music, rock band co-founded by singer Debbie Harry and guitarist Chris Stein. The band was a pioneer in the American New wave music, new wave scene of the mid-1970s in New York. Their first two albums contained strong elements of Punk rock, punk and new wave, and although highly successful in the UK and Australia, Blondie was regarded as an underground music, underground band in the U.S. until the release of ''Parallel Lines'' in 1978. Over the next five years, the band achieved several hit singles including "Heart of Glass (song), Heart of Glass," "Call Me (Blondie song), Call Me," "Atomic (song), Atomic," "The Tide Is High," and "Rapture (Blondie song), Rapture". The band became noted for its eclectic mix of musical styles, also incorporating elements of disco, pop music, pop, reggae, and early hip hop music, rap music. Blondie disbanded after the release of its sixth studio album, ''The Hunter (Blondie album), The Hunter'', in 1982. Debbie Harry con ...
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Sterling Sound
George Marino (April 15, 1947 – June 4, 2012) was an American mastering engineer known for working on albums by rock bands starting in the late 1960s. Biography Marino was born on April 15, 1947, in the New York City borough The Bronx. He attended Christopher Columbus High School there and learned to play the saxophone and bass fiddle in the high school band and was classically trained on guitar. Marino broke into the music business as a guitarist playing rock and roll in local New York City bands such as The Chancellors and The New Sounds Ltd. until most of the band members were drafted into the service for the war in Vietnam. In 1967, Marino landed his first job in the industry as a librarian and assistant at Capitol Studios. Soon after, he apprenticed in the mastering department alongside of Joe Lansky, cutting rock, pop, jazz and classical albums. There, in 1968, he met his future wife, Rose Gross, whom he married in 1973. Gross became Clive Davis' assistant in 1974, a f ...
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Theme From A Summer Place
"Theme from ''A Summer Place''" is a song with lyrics by Mack Discant and music by Max Steiner, written for the 1959 film '' A Summer Place'', which starred Sandra Dee and Troy Donahue. It was recorded for the film as an instrumental by Hugo Winterhalter. Originally known as the "Molly and Johnny Theme", this lush extended cue, as orchestrated by Murray Cutter, is not the main title theme of the film, but an oft-heard secondary love theme for the characters played by Dee and Donahue. Following its introduction in the film by the Warner Bros. studio orchestra, the theme was recorded by many artists in both instrumental and vocal versions, and has also appeared in a number of subsequent films and television programs. The best-known version of the theme is an instrumental version by Percy Faith and his Orchestra that was a Number One hit for nine weeks on the ''Billboard'' Hot 100 chart in 1960. Percy Faith version Percy Faith recorded the most popular version of the theme, ...
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