Attaingnant
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Attaingnant
Pierre Attaingnant (or Attaignant) (c. 1494 – late 1551 or 1552) was a French music publisher, active in Paris. Life Attaingnant is considered to be first large-scale publisher of single-impression movable type for music-printing, thus making it possible to print faster and cheaper than predecessors such as Ottaviano Petrucci. Attaingnant is often credited with being the first to develop this technique; however, theoric assert exists to suggest that John Rastell, an English printer in London, was the first to use single-impression printing in 1520. Unfortunately, none of his scores were ever found.King, A. 1971. The Significance of John Rastell in Early Music Printing. ''The Library'' 26(3). Attaingnant published over 1500 chansons by many different composers, including Paris composers Claudin de Sermisy, Pierre Sandrin and Pierre Certon, and most prominently Clément Janequin with five books of chansons by Josquin Desprez . Attaingnant acquired royal privileges for his music b ...
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Clément Janequin
Clément Janequin (c. 1485 – 1558) was a French composer of the Renaissance. He was one of the most famous composers of popular chansons of the entire Renaissance, and along with Claudin de Sermisy, was hugely influential in the development of the Parisian chanson, especially the programmatic type. The wide spread of his fame was made possible by the concurrent development of music printing. Life Janequin was born in Châtellerault, near Poitiers, though no documents survive which establish any details of his early life or training. His career was highly unusual for his time, in that he never had a regular position with a cathedral or an aristocratic court. Instead he held a series of minor positions, often with important patronage. In 1505 he was employed as a clerk in Bordeaux, to Lancelot du Fau, who eventually became Bishop of Luçon; he retained this position until du Fau's death in 1523, at which time he took a position with the Bishop of Bordeaux. Around this time ...
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Tablature
Tablature (or tabulature, or tab for short) is a form of musical notation indicating instrument fingering rather than musical pitches. Tablature is common for fretted stringed instruments such as the guitar, lute or vihuela, as well as many free reed aerophones such as the harmonica. Tablature was common during the Renaissance and Baroque eras, and is commonly used today in notating many forms of music. Three types of organ tablature were used in Europe: German, Spanish and Italian. To distinguish standard musical notation from tablature, the former is usually called " staff notation" or just "notation". Etymology The word ''tablature'' originates from the Latin word ''tabulatura''. ''Tabula'' is a table or slate, in Latin. To tabulate something means to put it into a table or chart. Origin The first known occurrence in Europe is around 1300, and was first used for notating music for the organ. Concepts While standard notation represents the rhythm and duration of each ...
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Lute
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can sho ...
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Chansons
A (, , french: chanson française, link=no, ; ) is generally any lyric-driven French song, though it most often refers to the secular polyphonic French songs of late medieval and Renaissance music. The genre had origins in the monophonic songs of troubadours and trouvères, though the only polyphonic precedents were 16 works by Adam de la Halle and one by Jehan de Lescurel. Not until the '' ars nova'' composer Guillaume de Machaut did any composer write a significant number of polyphonic chansons. A broad term, the word "chanson" literally means "song" in French and can thus less commonly refers to a variety of (usually secular) French genres throughout history. This includes the songs of chansonnier, ''chanson de geste'' and Grand chant; court songs of the late Renaissance and early Baroque music periods, ''air de cour''; popular songs from the 17th to 19th century, ''bergerette'', ''brunette'', ''chanson pour boire'', ''pastourelle'', and vaudeville; art song of the roman ...
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Cogli La Prima Mela
''Cogli la prima mela'' is an album of the Italian singer-songwriter Angelo Branduardi. It was released in 1979 by Polydor. The title track is a re-imagining of a medieval Hungarian melody, entitled "U naseho Barty". Also the music of "Donna ti voglio cantare" is based on a medieval melody by Pierre Attaingnant, entitled "Tourdion", which Branduardi himself recorded for his later album '' Futuro antico II''. The lyrics to "La raccolta" ("The harvesting") are taken from a poem by Sappho, while the music is from the Romanian folk ballad "M-am suit in dealul clujului". Finally, the song "Ninna nanna" is the Italian version of "Mary Hamilton", an English traditional song also recorded by Joan Baez Joan Chandos Baez (; born January 9, 1941) is an American singer, songwriter, musician, and activist. Her contemporary folk music often includes songs of protest and social justice. Baez has performed publicly for over 60 years, releasing more .... Track listing #"Cogli la prima m ...
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Shadow Of The Moon
''Shadow of the Moon'' is the debut studio album by the group Blackmore's Night, released June 2, 1997. It stayed on the German charts for 17 weeks. It received a gold certification in Japan for 100,000 albums shipped to stores. Track listing Bonus track Personnel * Ritchie Blackmore – electric guitars, acoustic guitars, bass, mandolin, drum, tambourine * Candice Night – lead vocals, backing vocals * Pat Regan – keyboards * Gerald Flashman – recorders, trumpet, French horns * Tom Brown – cello * Lady Green – viola, violin The violin, sometimes known as a '' fiddle'', is a wooden chordophone ( string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument ( soprano) in the family in regu ...s ; Guest appearances * Ian Anderson – flute on "Play, Minstrel, Play" * Scott Hazell – backing vocals on "Play, Minstrel, Play" Charts performance Notes External links Lyrics ...
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Power Of The Dragonflame
''Power of the Dragonflame'' is the fifth studio album released by Rhapsody. It was released on 23 April 2002 by Limb Music. It is the last chapter in the Emerald Sword Saga. In 2017, '' Loudwire'' ranked it as the 9th best power metal album of all time. Track listing Personnel Rhapsody * Fabio Lione – vocals *Luca Turilli – lead and rhythm guitars *Alex Staropoli – keyboards, orchestral arrangements Additional personnel * Herbie Langhans, Cinzia Rizzo, Robert Hunecke-Rizzo, Oliver Hartmann, Miro – choir *Miro – production *Bridget Fogle, Previn Moore – church choir *Bridget Fogle – female baroque voice *Manuel Staropoli – baroque recorders *Dana Lurie – lead violin *Jay Lansford – narration *Sascha Paeth – bass guitar, classical guitar (track 11), production Production may refer to: Economics and business * Production (economics) * Production, the act of manufacturing goods * Production, in the outline of industrial organization, the act of mak ...
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Blackmore's Night
Blackmore's Night is a British-American neo-medieval folk rock band formed in 1997, consisting mainly of Ritchie Blackmore (acoustic guitar, hurdy gurdy, mandola, mandolin, nyckelharpe, and electric guitar) and Candice Night (lead vocals, lyricist, and woodwinds). Their lineup has seen many changes over the years; Blackmore and Night have been the only two constant members. They have released eleven studio albums. Their early releases were mostly acoustic and imitated early music, but eventually Blackmore's Night started using more electric guitars and other modern instruments, as well as performing folk-rearranged cover versions of pop and rock songs. History Early Candice Night was a Rainbow fan, and first encountered Ritchie Blackmore to ask him for an autograph in 1989, while she was working for a local New York radio station. The two started living together in 1991, and discovered they both had a passionate interest in Renaissance music. During the reformed Rainbow's rec ...
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Rhapsody Of Fire
Rhapsody of Fire (formerly known as Rhapsody) is an Italian symphonic power metal band formed by Luca Turilli and Alex Staropoli, widely seen as a pioneer of the symphonic power metal subgenre. Since forming in 1993 as Thundercross, the band has released twelve studio albums, two live albums, three EPs, and a Live DVD. Rhapsody of Fire is known for its conceptual lyrics that constitute a fantasy story throughout all of their albums from 1997 to 2011. After using the moniker of Rhapsody for nearly ten years, the band changed its name to Rhapsody of Fire in 2006 due to trademark issues. In 2011, following the release of their album ''From Chaos to Eternity'' which concluded The Dark Secret Saga, and after 18 years as co-leader of the band, Turilli left Rhapsody of Fire (on good terms) to form a new Rhapsody band, Luca Turilli's Rhapsody, along with two other members who left with him, Dominique Leurquin, Patrice Guers. They describe their discography as a parallel continuation o ...
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Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ...
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Ensiferum
Ensiferum (Latin: , n adj., meaning "sword bearing") is a Finnish folk metal band from Helsinki. The members of the band label themselves as "melodic folk metal." History Formation, demos and ''Ensiferum'' (1995−2002) ''Ensiferum'' was founded in 1995 by Markus Toivonen (guitar), Sauli Savolainen (bass) and Kimmo Miettinen (drums). In the next year, Jari Mäenpää was taken into the band as singer and second guitar-player. In 1997, the first demo was released, containing three songs. In 1998, Savolainen and Miettinen left the band and were replaced by Jukka-Pekka Miettinen (Kimmo Miettinen's little brother, then 14 years old) and Oliver Fokin. In January 1999, a second demo was recorded, which although it did not produce a recording deal, boosted the band's confidence. In November 1999 a third demo ''Hero in a Dream'' was recorded, and was successful in obtaining a record deal with Spinefarm Records. The logo that appears on all the band's releases was designed for the th ...
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Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ...
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