Atalanta (sculpture)
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Atalanta (sculpture)
File:Francis Derwent Wood - Atalanta.jpg, Marble sculpture, 1909, Manchester Art Gallery File:Sculpture Of Atlanta-Chelsea.JPG, Bronze sculpture, 1929, Chelsea Embankment Gardens ''Atalanta'' is a statue by the British sculptor Francis Derwent Wood. It shows a naked woman standing in a contrapposto position, glancing to her left, with her left hand by her side and right hand raised to her shoulder. The subject is Atalanta, a virgin huntress from Greek mythology; she may be preparing for the foot race she used as an obstacle to prevent suitors securing a marriage. There are three main versions: a plaster version exhibited at the Royal Academy in 1907; a marble version high exhibited at the academy in 1909 and presented to Manchester Art Gallery by the National Art Collections Fund in 1919; and a bronze casting which was erected by friends of the sculptor from Chelsea Arts Club at Chelsea Embankment Gardens, to the west side of Albert Bridge, in 1929, three years after Wood's ...
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Francis Derwent Wood
Francis Derwent Wood (15 October 1871– 19 February 1926) was a British sculptor. Biography Early life Wood was born at Keswick in Cumbria and studied in Germany and returned to London in 1887 to work under Édouard Lantéri and Sir Thomas Brock; he taught at the Glasgow School of Art from 1897 through to 1905. He produced a good deal of architectural sculpture typical of the time, including four large roof figures for the Kelvingrove Art Gallery and Museum in Glasgow, the British Linen Bank also in Glasgow, and the Britannic House in London for architect Sir Edwin Lutyens. Freestanding sculptures by him may also be seen in various galleries, such as his 1907 ''Atalanta'' (Manchester Art Gallery, with a bronze cast of it now in Chelsea Embankment Gardens), World War One As he was too old (at 41) to enlist in the Army at the onset of World War I, Wood volunteered in the hospital wards and his exposure to the gruesome injuries inflicted by the new war's weapons eventually le ...
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1907 Sculptures
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ...
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Sculptures Of Women In London
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.
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