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At Basin Street East (Lambert, Hendricks
At Basin Street East may refer to: * ''At Basin Street East'' (Billy Eckstine and Quincy Jones album), 1961 * ''Live at Basin Street East'', a 1964 album by Ray Bryant * ''Recorded "Live" at Basin Street East ''Recorded "Live" at Basin Street East'' is an album by the jazz vocalese group Lambert, Hendricks & Bavan recorded at the New York City nightclub Basin Street East. The album features the group who had re-formed in 1963 featuring Dave Lambert ...
'', a 1963 album by Lambert, Hendricks & Bavan {{disambiguation ...
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At Basin Street East (Billy Eckstine And Quincy Jones Album)
At Basin Street East is a 1961 live album by Billy Eckstine, accompanied by a big band arranged and conducted by Quincy Jones. It was originally released on October 1, 1961, on the EmArcy label, but reissued in 1990 by Polygram. The album was recorded at the Basin Street East nightclub in New York City. Track listing # "Alright, Okay, You Win" (Sidney Wyche, Mayme Watts) # Medley: "I'm Falling for You"/"Fool That I Am"/" Everything I Have Is Yours" ( Burton Lane, George Sanders, Jr., Clarence Williams, Floyd Hunt, Harold Adamson) # " In the Still of the Night" ( Cole Porter) # Duke Ellington medley: "Don't Get Around Much Anymore"/"I'm Just a Lucky So-and-So" ( Irving Mills, Duke Ellington, Mitchell Parish, Bob Russell, Juan Tizol, Mack David) # "Work Song" (Nat Adderley, Oscar Brown, Jr.) # " Ma (She's Making Eyes at Me)" (Con Conrad, Sidney Clare) Personnel * Billy Eckstine - vocals * Quincy Jones - bandleader References External links * Allmusic review ...
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Live At Basin Street East
''Live at Basin Street East'' is a live album by pianist Ray Bryant recorded at Basin Street East and released on Sue Records in 1964.Enciclopedia del Jazz Ray Bryant discography
accessed April 26, 2017


Reception

The review stated "This LP concentrates primarily on standards, although one pop song of the period (Bob Dylan's "Blowin' in the Wind") is thrown in, along with a pair of Bryant's originals. The piano is in decent shape, though Bryant is fairly conservative in his approach to most of the tunes, resulting in a somewhat uninspired treatment of "C Jam Blues" and a funky but lackluster "Love for Sale." ... The audience, for the most part, see ...
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