Astrée (Collasse)
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Astrée (Collasse)
''Astrée'' is an opera by the French composer Pascal Collasse, first performed at the Académie Royale de Musique (the Paris Opéra) on 25 November 1691. It takes the form of a ''tragédie lyrique'' in three acts. The libretto, by Jean de La Fontaine, is based on the romance ''Astrée'' by Honoré d'Urfé Honoré d'Urfé, marquis de Valromey, comte de Châteauneuf (11 February 15681 June 1625) was a French novelist and miscellaneous writer. Life He was born at Marseille, the grandson of Claude d'Urfé, and was educated at the Collège de Tou .... The opera was a failure. Sources Libretto at "Livrets baroques" Félix Clément and Pierre Larousse ''Dictionnaire des Opéras'', Paris, 1881. Operas Tragédies en musique French-language operas 1691 operas Operas by Pascal Collasse {{french-opera-stub ...
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Pascal Collasse
Pascal Collasse (or Colasse) (22 January 1649 (baptised) – 17 July 1709) was a French composer of the Baroque era. Born in Rheims, Collasse became a disciple of Jean-Baptiste Lully during the latter's domination of the French operatic stage. When Lully died in 1687 leaving his tragédie en musique ''Achille et Polyxène'' unfinished, Collasse completed the last four acts of the score. He went on to produce around a dozen operas and ballets, as well as sacred music, including settings of the ''Cantiques spirituels'' of Jean Racine. His plan to establish his own opera house in Lille ended in failure when the theatre burnt down. He dabbled in alchemy with even less success. His musical style is close to that of Lully. Works * ''Achille et Polyxène'', tragédie lyrique, (overture and first act by Jean-Baptiste Lully) 1687 * '' Thétis et Pélée'', tragédie lyrique, 1689 * '' Énée et Lavinie'', tragédie lyrique, 1690 * '' Astrée'', tragédie lyrique, 1691 * ''Le Ballet de ...
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Paris Opera
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ...
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Tragédie En Musique
Tragédie en musique (, ''musical tragedy''), also known as tragédie lyrique (, ''lyric tragedy''), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in this genre are usually based on stories from Classical mythology or the Italian romantic epics of Tasso and Ariosto. The stories may not necessarily have a tragic ending – in fact, most do not – but the works' atmospheres are suffused throughout with an affect of nobility and stateliness. The standard ''tragédie en musique'' has five acts. Earlier works in the genre were preceded by an allegorical prologue and, during the lifetime of Louis XIV, these generally celebrated the king's noble qualities and his prowess in war. Each of the five acts usually follows a basic pattern, opening with an aria in which one of the main characters expresses their feelings, followed by dialogue in recitative interspersed with short arias (''petits airs'' ...
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Jean De La Fontaine
Jean de La Fontaine (, , ; 8 July 162113 April 1695) was a French fabulist and one of the most widely read French poets of the 17th century. He is known above all for his ''Fables'', which provided a model for subsequent fabulists across Europe and numerous alternative versions in France, as well as in French regional languages. After a long period of royal suspicion, he was admitted to the French Academy and his reputation in France has never faded since. Evidence of this is found in the many pictures and statues of the writer, later depictions on medals, coins and postage stamps. Life Early years La Fontaine was born at Château-Thierry in France. His father was Charles de La Fontaine, maître des eaux et forêts – a kind of deputy-ranger – of the Duchy of Château-Thierry; his mother was Françoise Pidoux. Both sides of his family were of the highest provincial middle class; though they were not noble, his father was fairly wealthy. Jean, the eldest child, was educa ...
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Honoré D'Urfé
Honoré d'Urfé, marquis de Valromey, comte de Châteauneuf (11 February 15681 June 1625) was a French novelist and miscellaneous writer. Life He was born at Marseille, the grandson of Claude d'Urfé, and was educated at the Collège de Tournon. A partisan of the League, he was taken prisoner in 1595, and, though soon set free, he was again captured and imprisoned. During his imprisonment he read Ronsard, Petrarch and above all the ''Diana'' of Jorge de Montemayor and Tasso's ''Aminta''. After the defeat of the League in 1594, d'Urfé emigrated to Savoy whose duke was a relative of his mother. Here, he wrote the ''Epîtres morales'' (1598). Honoré's brother Anne, comte d'Urfé, had married in 1571 the beautiful Diane de Châteaumorand, but the marriage was annulled in 1598 by Clement VIII. Anne d'Urfé was ordained to the priesthood in 1603, and died in 1621 dean of Montbrison. Diane had a great fortune, and to avoid the alienation of the money from the D'Urfé family, ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ...
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1691 Operas
Events January–March * January 6 – King William III of England, who rules Scotland and Ireland as well as being the Stadtholder of the Dutch Republic, departs from Margate to tend to the affairs of the Netherlands. * January 14 – A fleet of ships carrying 827 Spanish Navy sailors and marines arrives at Manzanillo Bay on the island of Hispaniola in what is now the Dominican Republic and joins 700 Spanish cavalry, then proceeds westward to invade the French side of the island in what is now Haiti. * January 15 – King Louis XIV of France issues an order specifically prohibiting play of games of chance, specifically naming basset and similar games, on penalty of 1,000 livres for the first offence. * January 23 – Spanish colonial administrator Domingo Terán de los Ríos, most recently the governor of Sonora y Sinaloa on the east side of the Gulf of California, is assigned by the Viceroy of New Spain to administer a new province that governs lands on both sides of the ...
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