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Asaf Zeynally
Asaf Zeynalabdin oglu Zeynally ( az, Asəf Zeynallı), also spelled Zeynalli (5 April 1909, Derbent – 27 October 1932, Baku), was an Azerbaijani composer. Early life Asaf Zeynally was the third child of the gardener Zeynalabdin and his wife Asband. He grew up in a house located next to Derbent's famous historical Naryn-Kala sight. Asaf Zeynally's father died shortly after his birth, and his mother Asband, a weaver, became the family's breadwinner. She was also an amateur musician and singer, and played the accordion contributing to her younger son's growing passion for music. In 1916, 7-year old Zeynally started attending the Derbent Realschule, a local primary school, where he became a member of the school choir and was taught to play the clarinet often participating in public performances of an amateur brass band outside school. In 1920, the family moved to Baku, Azerbaijan, where Zeynally continued his education at a military school, at which in addition he learned to play ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Azerbaijan State Conservatoire
The Hajibeyov Baku Academy of Music (Azeri: ''Hacıbəyov adına Bakı Musiqi Akademiyası'') is a music school in Baku, Azerbaijan. It was established in 1920 in Baku and was previously known as the Hajibeyov Azerbaijan State Conservatoire. History In 1920, Azerbaijani composer Uzeyir Hajibeyov began a movement aimed at propagating classical music among the people. His report presented at the Azerbaijani People's Commissariat of Education (early Soviet analogue of a Ministry of Education) offering the establishment of a high-level music education institution resulted in the approval of his proposal. Thus, the Azerbaijan State Conservatoire was founded on 25 May 1920. Hajibeyov became one of its first instructors. In the 1920s, he established the Oriental Department, where Azeri folk music was taught both traditionally (orally) and by European methods, i.e., using notes. Along with composer Muslim Magomayev, he developed the textbook ''Azeri Folk Songs'' published in 1927. In 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asaf Zeynally Music School In Baku
The Baku Musical College (now the Azerbaijan National Conservatory Music College) is a state college of professional secondary education in Baku and one of the leading secondary musical schools of Azerbaijan. General information Baku Musical College is a four-year special secondary school. About 1,400 students study and 400 pedagogues teach there. More than 8,000 musical personnel studied in this college since its foundation. Nazim Kazimov, "Honored Art Worker of Azerbaijan" is a chairman of the college. History In 1885, Antonina Yermolayeva, alumni of the Moscow Conservatory, opened a private music school with the support of her sisters Yelizaveta and Yevgeniya. Antonina Yermolayeva became director of the school. Musical classes under the Baku department of the "Musical Union of Russia" were opened on the basis of this school in 1901. Antonina Yermolayeva was in charge of them too. Education in these classes were professional. In 1916, musical courses were transformed into a musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movement (music), movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), Brass instrument, brass, Woodwind instrument, woodwind, and Percussion instrument, percussion Musical instrument, instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a Full score, musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Ludwig van Beethoven, Beethoven's Symphony No. 9 (Bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Petersburg
Saint Petersburg ( rus, links=no, Санкт-Петербург, a=Ru-Sankt Peterburg Leningrad Petrograd Piter.ogg, r=Sankt-Peterburg, p=ˈsankt pʲɪtʲɪrˈburk), formerly known as Petrograd (1914–1924) and later Leningrad (1924–1991), is the second-largest city in Russia. It is situated on the Neva River, at the head of the Gulf of Finland on the Baltic Sea, with a population of roughly 5.4 million residents. Saint Petersburg is the fourth-most populous city in Europe after Istanbul, Moscow and London, the most populous city on the Baltic Sea, and the world's northernmost city of more than 1 million residents. As Russia's Imperial capital, and a historically strategic port, it is governed as a federal city. The city was founded by Tsar Peter the Great on 27 May 1703 on the site of a captured Swedish fortress, and was named after apostle Saint Peter. In Russia, Saint Petersburg is historically and culturally associated with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonic Orchestra
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suite (music)
A suite, in Western classical music and jazz, is an ordered set of instrumental or orchestral/ concert band pieces. It originated in the late 14th century as a pairing of dance tunes and grew in scope to comprise up to five dances, sometimes with a prelude, by the early 17th century. The separate movements were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the Turkish fasıl and the Arab nuubaat. In the Baroque era, the suite was an important musical form, also known as ''Suite de danses'', ''Ordre'' (the term favored by François Couperin), ''Partita'', or ''Ouverture'' (after the theatrical " overture" which often included a series of dances) as with the orchestral suites of Christoph Graupner, Telemann and J.S. Bach. During the 18th century, the suite fell out of favour as a cyclical form, giving way to the symphony, sonata and concerto. It was revived in the later 19th century, but in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romantic Music
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism—the intellectual, artistic and literary movement that became prominent in Western culture from approximately 1798 until 1837. Romantic composers sought to create music that was individualistic, emotional, dramatic and often programmatic; reflecting broader trends within the movements of Romantic literature, poetry, art, and philosophy. Romantic music was often ostensibly inspired by (or else sought to evoke) non-musical stimuli, such as nature, literature, poetry, super-natural elements or the fine arts. It included features such as increased chromaticism and moved away from traditional forms. Background The Romantic movement was an artistic, literary, and intellectual movement that originated in the second half of the 18th century in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tofig Guliyev
Tofig Alakbar oglu Guliyev ( az, Tofiq Ələkbər oğlu Quliyev, tr, Tevfik Elekber oğlu Guliyev; 7 November 1917, Baku – 4 October 2000, Baku) was a Soviet and Azerbaijani composer, pianist, and conductor. Biography Tofig Guliyev was born in Baku, in the family of salary worker. He became a student of the Azerbaijan State Conservatoire when he was 12 years old due to his musical talent. But in 1934, he became a student of Baku Conservatoire, where he studied in two faculties - fortepiano (in professor I.S.Aysberg’s class) and composer (in professor S. G. Strasser’s class). In the conservatoire young Tofig Guliyev familiarized with works of great classics of the past – Bach, Beethoven, Tchaikovsky, Schubert and other composers. The brilliant talent of Tofig Guliyev drew music communities’ attention to him and soon, in 1936, Azerbaijan’s National Committee of Education sent Tofig Guliyev to Moscow State Conservatory named after Tchaikovsky on Uzeyir Hajibeyov’s advice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jovdat Hajiyev
Ahmad Jovdat Ismayil oglu Hajiyev (June 18, 1917 - January 18, 2002) was one of the major Azerbaijani composers of the Soviet period. He is remembered for his monumental orchestral works, having been the first Azerbaijani to compose a symphony (1936). He studied under Azerbaijan's Founder of Composed Music, Uzeyir Hajibeyov''Uzeyir Hajibeyov and his role in the development of musical life of Azerbaijan'', Matthew O'brien, Soviet Music and Society Under Lenin and Stalin: The Baton and Sickle, ed. Neil Edmunds, (Routledge Curzon, 2004), 217. and under Russian composer Dmitri Shostakovich. Early life Hajiyev was born in Shaki (then Nukha), a town in the foothills of the Caucasus Mountains in northwestern Azerbaijan. From an early age, he was deeply influenced by the traditional music of folk songs, ashug music (folk minstrel) and mugham (modal music). In 1924, his family moved to Baku. In 1935, he enrolled in the theoretical composition faculty at Baku Conservatory, studying und ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gara Garayev
Gara Abulfaz oghlu Garayev ( az, Qara Əbülfəz oğlu Qarayev, russian: Кара́ Абульфа́зович Кара́ев (Kara Abulfazovich Karayev), February 5, 1918 – May 13, 1982), also spelled as Qara Qarayev or Kara Karayev, was a prominent Soviet Union, Soviet Azerbaijani people, Azerbaijani composer. Garayev wrote nearly 110 musical pieces,Azad Sharifov"Remembering Gara Garayev: A Legend in His Own Time - 80th Jubilee" in Azerbaijan International, Vol. 6:3 (Autumn 1998), pp. 24-32 including ballets, operas, Symphony, symphonic and chamber music, chamber pieces, Solo (music), solos for piano, cantatas, songs, and March (music), marches, and rose to prominence not only in Azerbaijan SSR, but also in the rest of the Soviet Union and worldwide. Early life Garayev was born into a family of pediatricians, which was famous in Baku. His mother, Sona Akhundova-Garayeva, Sona, was among the first graduates of the Baku-based school of the Russian Empire, Russian Music Society. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tar (lute)
The tar (from fa, تار, lit=string) is a long-necked, waisted lute family instrument, used by many cultures and countries including Iran, Azerbaijan, Uzbekistan, Armenia, Georgia, Tajikistan (Iranian Plateau), Turkey, and others near the Caucasus and Central Asia regions.tar (musical instrument) Encyclopædia Britannica . Retrieved on 2013-01-01. The older and more complete name of the tār is ''čāhārtār'' or ''čārtār'', meaning in "four string", (''čāhār'' frequently being shorted to ''čār''). This is in accordance with a practice common in Persian-speaking areas of distinguishing lutes on the basis of the number of strings origi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
