Arthur Köpcke
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Arthur Köpcke
Arthur Köpcke (Born 1928 in Hamburg - Died 1977 in Copenhagen) (aka Arthur Køpcke), was a German-born artist known for his contributions to the first generation of Fluxus. Köpcke’s work includes paintings, scrolls, literary works, objects, collages, assemblies and Fluxus boxes. In 1962 he participated in the ''Festival of Misfits'' in London and organized the Fluxus Festival ''Festum Fluxorum'' in the Nicolai Church in Copenhagen. Up until the mid-60s, Köpcke participated in most of the main Fluxus festivals in Europe (Paris, Düsseldorf, Amsterdam, Scheveningen, Aachen etc.).
Arthur Köpcke page at Ocula He settled in Copenhagen at the end of 1957 where he founded Gallery Köpcke, with his Danish wife, Aase ("Tut"). The gallery became a contact point for the international avant-garde movements of

Fluxus
Fluxus was an international, interdisciplinary community of artists, composers, designers and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product. Fluxus is known for experimental contributions to different artistic media and disciplines and for generating new art forms. These art forms include intermedia, a term coined by Fluxus artist Dick Higgins; conceptual art, first developed by Henry Flynt, an artist contentiously associated with Fluxus; and video art, first pioneered by Nam June Paik and Wolf Vostell. Dutch gallerist and art critic describes Fluxus as "the most radical and experimental art movement of the sixties".. 1979. ''Fluxus, the Most Radical and Experimental Art Movement of the Sixties'' Amsterdam: Editions Galerie A. They produced performance "events", which included enactments of scores, "Neo-Dada" noise music, and time-based works, as well as concrete poetry, visual art, ...
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