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Artemisia (Cimarosa)
''Artemisia'' is the last opera of Domenico Cimarosa. The libretto, in three acts, is by Count Giovanni Battista Colloredo. Cimarosa died on 11 January 1801 before writing the music to Act III; the first performance, given at the Teatro La Fenice in Venice on 17 January 1801, also included interpolations by other hands in the first two acts.Rossi (1993), p. 153 In the opera, Artemisia, Queen of Caria, the widow of Mausolus Mausolus ( grc, Μαύσωλος or , xcr, 𐊠𐊸𐊫𐊦 ''Mauśoλ'') was a ruler of Caria (377–353 BCE) and a satrap of the Achaemenid Empire. He enjoyed the status of king or dynast by virtue of the powerful position created by h ..., has to deal with a variety of unwanted suitors. The opera is not to be confused with Cimarosa's earlier opera (1797), ''Artemisia, Regina di Caria (Artemisa, Queen of Caria''), which has a similar storyline, but is set to a different libretto.Rossi (1999), p. 154. References ;Notes ;Sources * Rossi, Nick and T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Cimarosa
Domenico Cimarosa (; 17 December 1749 – 11 January 1801) was an Italian composer of the Neapolitan school and of the Classical period. He wrote more than eighty operas, the best known of which is ''Il matrimonio segreto'' (1792); most of his operas are comedies. He also wrote instrumental works and church music. Cimarosa was principally based in Naples, but spent some of his career in various other parts of Italy, composing for the opera houses of Rome, Venice, Florence and elsewhere. He was engaged by Catherine II of Russia as her court composer and conductor between 1787 and 1791. In his later years, returning to Naples, he backed the losing side in the struggle to overthrow the monarchy there, and was imprisoned and then exiled. He died in Venice at the age of 51. Life and career Early years Cimarosa was born in Aversa, a town near Naples. His family name was Cimmarosa, which is how he is recorded on his baptismal record. He appears to have been an only child. His fath ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro La Fenice
Teatro La Fenice (, "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre" and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which the works of several of the four major bel canto era composers – Rossini, Bellini, Donizetti, Verdi – were performed. Its name reflects its role in permitting an opera company to "rise from the ashes" despite losing the use of three theatres to fire, the first in 1774 after the city's leading house was destroyed and rebuilt but not opened until 1792; the second fire came in 1836, but rebuilding was completed within a year. However, the third fire was the result of arson. It destroyed the house in 1996 leaving only the exterior walls, but it was rebuilt and re-opened in November 2004. In order to celebrate this event the tradition of the Venice New Year's Concert started. Histor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artemisia II Of Caria
Artemisia II of Caria (Ancient Greek, Greek: Ἀρτεμισία; died 350 BC) was a naval strategist, commander and Sibling marriage#Sibling marriage and incest, the sister (and later spouse) and the successor of Mausolus, ruler of Caria. Mausolus was a satrap of the Achaemenid Empire, yet enjoyed the status of king or dynast of the Hecatomnid dynasty. After the death of her brother/husband, Artemisia reigned for two years, from 353 to 351 BCE. Her ascension to the throne prompted a revolt in some of the island and coastal cities under her command due to their objection to a female ruler. Her administration was conducted on the same principles as that of her husband; in particular, she supported the Oligarchy, oligarchical party on the island of Rhodes. Because of Artemisia's grief for her brother-husband, and the extravagant and bizarre forms it took, she became to later ages "a lasting example of chaste widowhood and of the purest and rarest kind of love", in the words of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caria
Caria (; from Greek: Καρία, ''Karia''; tr, Karya) was a region of western Anatolia extending along the coast from mid-Ionia (Mycale) south to Lycia and east to Phrygia. The Ionians, Ionian and Dorians, Dorian Greeks colonized the west of it and joined the Carian population in forming Greek-dominated states there. Carians were described by Herodotus as being of Minoan civilization, Minoan descent,''The Histories'', Book I Section 171. while he reports that the Carians themselves maintained that they were Anatolian mainlanders intensely engaged in seafaring and were akin to the Mysians and the Lydians. The Carians spoke Carian language, Carian, a native Anatolian language closely related to Luwian language, Luwian. Also closely associated with the Carians were the Leleges, which could be an earlier name for Carians. Municipalities of Caria Cramer's detailed catalog of Carian towns in classical Greece is based entirely on ancient sources. The multiple names of towns and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mausolus
Mausolus ( grc, Μαύσωλος or , xcr, 𐊠𐊸𐊫𐊦 ''Mauśoλ'') was a ruler of Caria (377–353 BCE) and a satrap of the Achaemenid Empire. He enjoyed the status of king or dynast by virtue of the powerful position created by his father Hecatomnus ( xcr, 𐊴𐊭𐊪𐊳𐊫 ), who had succeeded the assassinated Persian Satrap Tissaphernes as the first satrap of Caria and founded the hereditary Hecatomnid dynasty. Alongside Caria, Mausolus also ruled Lycia and parts of Ionia and the Dodecanese islands. He is best known for the monumental shrine, the Mausoleum at Halicarnassus, erected and named for him by order of his widow (who was also his sister) Artemisia. Name Mausolus' name is only known directly in Greek ( grc, Μαύσωλος or ). It is clearly of Carian origin, though, and would have been written as *𐊪𐊠𐊲𐊸𐊫𐊦 (''*Mauśoλ'') or similar. This is a compound name perhaps meaning "much blessed". The first part, ''*Ma-'', may mean "much ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1801 Operas
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album '' Burnout'' * "I'm Eighteen", by Alice Cooper commonly r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian-language Operas
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy) – Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Seria
''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770. The term itself was rarely used at the time and only attained common usage once ''opera seria'' was becoming unfashionable and beginning to be viewed as something of a historical genre. The popular rival to ''opera seria'' was ''opera buffa,'' the 'comic' opera that took its cue from the improvisatory commedia dell'arte. Italian ''opera seria'' (invariably to Italian libretti) was produced not only in Italy but almost throughout Europe, and beyond (see Opera in Latin America, Opera in Cuba e. g.). Among the main centres in Europe were the court operas based in Warsaw (since 1628), Munich (founded in 1653), London (established in 1662), Vienna (firmly established 1709; first operatic representation: ''Il pomo d'oro'', 1668), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Domenico Cimarosa
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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