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Artcraft (typeface)
Artcraft is an Old Style typeface engraved in 1912 by Robert Wiebking for ''Wiebking, Hardinge & Company'' which ran the Advance Type Foundry. It was originally called ''Craftsman,'' then ''Art-Craft,'' before finally becoming ''Artcraft.'' After Advance was sold to the Western Type Foundry in 1914, Wiebking added ''Artcraft Bold'' and ''Artcraft Italic.'' After Western was sold to Barnhart Brothers & Spindler (a subsidiary of American Type Founders) the face was sold by both BB&S and ATF. ''Artcraft'' is typical of the turn-of-the-century's Chicago School of Hand Lettering: a decorative serif design intended for advertisement text more than book body setting. Other types based upon advertising and hand-lettering were developed around the same time, such as Frederic Goudy's ''Pabst'' (1902) and ''Powell'' (1903), as well as Oz Cooper's ''Packard'' (1913). The face retained a wide popularity for more than two decades. Wiebking, whose reputation was based upon his collabor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German, ) or "Gothic", and serif typefaces as "roman". Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with inscriptional lettering—words carved into stone in Roman antiquity. The explanation proposed by Father Edward Catich in his 1968 book ''The Origin of the Serif'' is now broadly but not universally accepted: the Roman letter outlines were first painted onto stone, and the stone carvers followed the brush marks, which flared at stroke ends and corners, creating serifs. Another theory is that serifs were devised to neate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cold Type
Phototypesetting is a method of setting type. It uses photography to make columns of type on a scroll of photographic paper. It has been made obsolete by the popularity of the personal computer and desktop publishing (digital typesetting). The first phototypesetters quickly project light through a film negative of an individual character in a font, then through a lens that magnifies or reduces the size of the character onto photographic paper or film, which is collected on a spool in a light-proof canister. The paper or film is then fed into a processor, a machine that pulls the paper or film strip through two or three baths of chemicals, from which it emerges ready for paste-up or film make-up. Later phototypesetting machines used other methods, such as displaying a digitised character on a CRT screen. Phototypesetting offered numerous advantages over metal type, including the lack of need to keep heavy metal type and matrices in stock, the ability to use a much wider range o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Typefaces
Digital usually refers to something using discrete digits, often binary digits. Technology and computing Hardware *Digital electronics, electronic circuits which operate using digital signals **Digital camera, which captures and stores digital images ***Digital versus film photography **Digital computer, a computer that handles information represented by discrete values **Digital recording, information recorded using a digital signal Socioeconomic phenomena *Digital culture, the anthropological dimension of the digital social changes * Digital divide, a form of economic and social inequality in access to or use of information and communication technologies * Digital economy, an economy based on computing and telecommunications resources Other uses in technology and computing *Digital data, discrete data, usually represented using binary numbers *Digital marketing, search engine & social media presence booster, usually represented using online visibility. *Digital media, media s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Letterpress Typefaces
Letterpress printing is a technique of relief printing. Using a printing press, the process allows many copies to be produced by repeated direct impression of an inked, raised surface against sheets or a continuous roll of paper. A worker composes and locks movable type into the "bed" or "chase" of a press, inks it, and presses paper against it to transfer the ink from the type, which creates an impression on the paper. In practice, letterpress also includes other forms of relief printing with printing presses, such as wood engravings, photo-etched zinc "cuts" (plates), and linoleum blocks, which can be used alongside metal type, or wood type in a single operation, as well as stereotypes and electrotypes of type and blocks. With certain letterpress units, it is also possible to join movable type with slugs cast using hot metal typesetting. In theory, anything that is "type high" and so forms a layer exactly 0.918 in. thick between the bed and the paper can be printed using l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serif Typefaces
This is a list of typefaces, which are separated into groups by distinct artistic differences. The list includes typefaces that have articles or that are referenced. Superfamilies that fall under more than one category have an asterisk (*) after their name. Serif * Adobe Jenson *Albertus * Aldus *Alexandria * Algerian * Amelia (Designed in 1963 by Stan Davis) * American Typewriter * Antiqua *Arno* * Aster *Aurora ** News 706 *Baskerville *Bell (Didone classification serif type designed by Richard Austin, 1788) * Belwe Roman *Bembo * Bernhard Modern *Bodoni **Bauer Bodoni * Bitstream Charter * Bookman * Bulmer * Caledonia * Calisto MT * Cambria * Capitals * Cartier *Caslon ** Wyld * Caslon Antique / Fifteenth Century * Centaur * Century type family * Charis SIL * Cheltenham * Clearface *Cochin *Computer Modern *Concrete Roman * Constantia * Copperplate Gothic * DejaVu Serif * Didot *Droid Serif * Emerson * Fairfield * Fat face *FF Scala * Fixedsys * Footlight * Friz Quadrata * Gar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Identifont
The Identifont web site is an online directory of typefaces, with main function a tool to help identify a font from a sample. It has been described as the largest Internet directory of typefaces. Identifont may be used to find a font similar to a given one. It also allows potential purchasers to make comparisons of typeface specifications. Identifont has an index of years from 1470 to 2017 and describes the most popular font of each year. History The site was launched in 2000, and was designed by David Johnson-Davies based on AI techniques. Research on its application by graphic design students was published in 2006. Identification technique The site enables the user to identify typefaces by walking through a series of questions. The principle of identification is to use distinctive features of given letters, and the site returns the designer and manufacturer of the font, as well as the name. Technically it is an application of the Common Lisp Hypermedia Server. The service i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ascender Corporation
Ascender Corporation was a digital typeface foundry and software development company located in the Chicago suburb of Elk Grove Village, Illinois in the United States. It was founded in 2004 by a team of software developers, typographers, and font-industry veterans who had previously been involved in developing fonts used widely in computers, inkjet printers, phones, and other digital technology devices. On December 8, 2010, Ascender Corp. was acquired by Monotype Imaging. Currently Ascender Corporation markets both directly to consumers with font packs and individual fonts, and to original equipment manufacturers and software developers with custom font-design and implementation services. A portion of the company’s work since its founding has been in extending font glyphs for international use and in the process of “hinting,” whereby characters are optimized for screen viewing. Subsidiaries *Webtype.com: It is a joint venture by The Font Bureau, Inc. and Ascender Corporat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
URW++
URW Type Foundry GmbH (formerly URW++ Design & Development GmbH) is a type foundry based in Hamburg, Germany. The foundry has its own library with more than 500 font families. The company specializes in customized corporate typefaces and the development of non-Latin fonts. It has been owned by Monotype Imaging since May 2020. History URW was founded in 1971 by Gerhard Rubow and Jürgen Weber as a management consultancy, Rubow Weber GmbH. Soon, Peter Karow joined as a third partner and later the company was renamed URW Software & Type GmbH (short: URW, which stands for ''Unternehmensberatung Rubow Weber''). In the following years, products were developed in the graphics industry: typesetting and layout programs for publishers for the use of Digiset, and software for the Chromacom image processing system developed by Hell Verein Kiel. In 1983, URW developed a system for cutting different lettering and figures into colored, self-adhesive foils for outdoor advertising. In 1975 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Font Company
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stephenson Blake
Stephenson Blake is an engineering company based in Sheffield, England. The company was active from the early 19th century as a type founder, remaining until the 1990s as the last active type foundry in Britain, since when it has diversified into specialist engineering. The type foundry began operations in July 1818 by silversmith and mechanic William Garnett and toolmaker John Stephenson, financially supported by James Blake. That November, news came that the breakaway Caslon foundry (formed when William Caslon III left the original firm and acquired Joseph Jackson's foundry in 1792§ ( Caslon foundry 1716; 1764; etc. §) was put up for sale by William Caslon IV. In 1819 the deal was concluded and Blake, Garnett & Co. were suddenly in charge of one of England's most prestigious typefoundries. In 1829 Garnett left to become a farmer. The company was renamed Blake & Stephenson in 1830, but Blake died soon after. It became Stephenson, Blake & Co. in 1841-1905. John Stephenson die ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antiqua (typeface Class)
Antiqua () is a style of typeface used to mimic styles of handwriting or calligraphy common during the 15th and 16th centuries. Letters are designed to flow and strokes connect together in a continuous fashion; in this way it is often contrasted with Fraktur-style typefaces where the individual strokes are broken apart. The two typefaces were used alongside each other in the germanophone world, with the Antiqua–Fraktur dispute often dividing along ideological or political lines. After the mid-20th century, Fraktur fell out of favor and Antiqua-based typefaces became the official standard. History Antiqua typefaces are typefaces designed between 1470 and 1600 AD, specifically those by Nicolas Jenson and the Aldine roman commissioned by Aldus Manutius and cut by Francesco Griffo. The letterforms were based on a synthesis of Roman inscriptional capitals and Carolingian writing. Florentine poet Petrarch was one of the few medieval authors to have touched on the handwriti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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