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Art Of Revolution
''Art of Revolution'' is an EP by American electronic music artist Bassnectar Lorin Gabriel Ashton, better known under his stage name Bassnectar (born February 16, 1978), is an American DJ and record producer. Biography Ashton grew up in the San Francisco Bay Area and attended Bellarmine College Preparatory. He initiall ..., released in 2009 on Amorphous Music. Track listing References {{Authority control 2009 EPs Bassnectar albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bassnectar
Lorin Gabriel Ashton, better known under his stage name Bassnectar (born February 16, 1978), is an American DJ and record producer. Biography Ashton grew up in the San Francisco Bay Area and attended Bellarmine College Preparatory. He initially identified with visual arts rather than music, creating movies with his dad's camera at the age of ten. When he was 16 years old, he played in a death metal band named Pale Existence, which contributed to his heavy style of music. In the following years, he became increasingly more involved in the scene, promoting shows, distributing food and assistance to concertgoers, buying records and eventually learning to DJ after studying electronic music production. He began creating music in the 1990s, using Opcode Systems Studio Vision Pro. In the mid-1990s, he briefly toured with death metal band Exhumed (band), Exhumed as a bass player. Bassnectar played house parties in the San Francisco Bay Area and began gaining momentum at Burning Man, of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dubstep
Dubstep is a genre of electronic dance music that originated in South London in the early 2000s. The style emerged as a UK garage offshoot that blended 2-step rhythms and sparse dub production, as well as incorporating elements of broken beat, grime, and drum and bass.Reynolds, S.(2012),''Energy Flash: A Journey Through Rave Music and Dance Culture,'' Perseus Books; Reprint edition (5 January 2012), pages 511–516, (). In the United Kingdom, the origins of the genre can be traced back to the growth of the Jamaican sound system party scene in the early 1980s. Dubstep is generally characterised by the use of syncopated rhythmic patterns, prominent basslines, and a dark tone. In 2001, this underground sound and other strains of garage music began to be showcased and promoted at London's night club Plastic People, at the "Forward" night (sometimes stylised as FWD>>), and on the pirate radio station Rinse FM, which went on to be considerably influential to the developme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronica
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that started in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally. History Early 1990s: origins and UK scene The original wide-spread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, although the word "electronica" had already begun to be associated with synthesizer generated music as early as 1983, when a "UK Electronica Festival" was first held. At that time electronica became known as "electronic listening music", also becoming more or less synonymous to ambient techno and intelligent techno, and was considered distinct from other em ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breakbeat
Breakbeat is a broad type of electronic music that tends to use drum breaks sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles (including 2-step, breakstep and dubstep). Etymology The origin of the word "breakbeat" is the fact that the drum loops that were sampled occurred during a "break" in the music - for example the '' Amen break'' (a drum solo from " Amen, Brother" by The Winstons) or the '' Think Break'' (from "Think (About It)" by Lyn Collins). History 1970s—1980s: Classic breaks and hip hop production Beginning in 1973 and continuing through the late 1970s and early 1980s, hip hop turntablists, such as DJ Kool Herc began using several funk breaks in a row, using drum breaks from jazz-funk tracks such as James Brown's "Funky Drummer" and The Winstons' "Amen Brother", to form the rhythmic base for hip hop songs. DJ Kool Herc's breaks st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heads Up (Bassnectar EP)
''Heads Up'' is an EP by American electronic music artist Bassnectar, released November 4, 2008 on Amorphous Music. The title track, "Heads Up", was originally a song to be seen on an upcoming full length titled ''The Other Side'' but never came to fruition, as Cozza Frenzy ''Cozza Frenzy'' is the fifth full-length album by American electronic dance music artist Bassnectar, released on September 29, 2009 from Om Records Om Records is an American record label, established in 1995, which releases electronic musi ... was released shortly after. "Lucy In The Sky With Diamonds Remix" was an exclusive CD only track. Track listing References {{Authority control 2009 albums Bassnectar albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cozza Frenzy
''Cozza Frenzy'' is the fifth full-length album by American electronic dance music artist Bassnectar, released on September 29, 2009 from Om Records Om Records is an American record label, established in 1995, which releases electronic music, dance music and hip hop. The label was founded in San Francisco in 1995 by Chris Smith. Om Records releases both artist albums and compilations, incl ... after 3 years of production. The album of 15 songs contains collaborations with artists including Fever Ray, Zumbi of Zion I, Mr. Projectile, and Capital J. Track listing Charts References *https://itunes.apple.com/us/album/cozza-frenzy/id330205026 *http://www.jambase.com/Articles/19601/Bassnectar-Cozza-Frenzy-Album-and-Support-Tour {{Authority control 2009 albums Bassnectar albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2009 EPs
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
