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Art Nouveau Posters And Graphic Arts
Art Nouveau posters and graphic arts flourished and became an important vehicle of the style, thanks to the new technologies of color lithography and color printing, which allowed the creation of and distribution of the style to a vast audience in Europe, the United States and beyond. Art was no longer confined to art galleries, but could be seen on walls and illustrated magazines. The Art Nouveau posters and illustrations almost always feature women, representing glamor, beauty and modernity. Images of men are extremely rare. Posters and illustrations are highly stylized. approaching two dimensions, and frequently are filled with flowers and other vegetal decoration. The major artists who created work in this domain included Aubrey Beardsley in Britain, The Czech Alphonse Mucha and Eugène Grasset, Jules Chéret, Georges de Feure and the painter Henri de Toulouse-Lautrec in France, Koloman Moser in Vienna, and Will H. Bradley in the United States. Art Nouveau poster designers, e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alphonse Mucha
Alfons Maria Mucha (; 24 July 1860 – 14 July 1939), known internationally as Alphonse Mucha, was a Czech painter, illustrator and graphic artist, living in Paris during the Art Nouveau period, best known for his distinctly stylized and decorative theatrical posters, particularly those of Sarah Bernhardt. He produced illustrations, advertisements, decorative panels, as well as designs, which became among the best-known images of the period. In the second part of his career, at the age of 57, he returned to his homeland and devoted himself to a series of twenty monumental canvases known as ''The Slav Epic'', depicting the history of all the Slavic peoples of the world, which he painted between 1912 and 1926. In 1928, on the 10th anniversary of the Czechoslovak declaration of independence, independence of Czechoslovakia, he presented the series to the Czech nation. He considered it his most important work. Early life Mucha was born on 24 July 1860 in the small town of Ivančice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Morte D'Arthur
' (originally written as '; inaccurate Middle French for "The Death of Arthur") is a 15th-century Middle English prose reworking by Sir Thomas Malory of tales about the legendary King Arthur, Guinevere, Lancelot, Merlin and the Knights of the Round Table, along with their respective folklore. In order to tell a "complete" story of Arthur from his conception to his death, Malory compiled, rearranged, interpreted and modified material from various French and English sources. Today, this is one of the best-known works of Arthurian literature. Many authors since the 19th-century revival of the legend have used Malory as their principal source. Apparently written in prison at the end of the medieval English era, ''Le Morte d'Arthur'' was completed by Malory around 1470 and was first published in a printed edition in 1485 by William Caxton. Until the discovery of the Winchester Manuscript in 1934, the 1485 edition was considered the earliest known text of ''Le Morte d'Arthur'' and that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loie Fuller
Loie Fuller (born Marie Louise Fuller; January 15, 1862 – January 1, 1928), also known as Louie Fuller and Loïe Fuller, was an American actress and dancer who was a pioneer of both modern dance and theatrical lighting techniques. Career Born Marie Louise Fuller in the Chicago suburb of Fullersburg, Illinois, now Hinsdale, Illinois, Fuller began her theatrical career as a professional child actress and later choreographed and performed dances in burlesque (as a skirt dancer), vaudeville, and circus shows. Her debut took place when she was four years. An early free dance practitioner, Fuller developed her own natural movement and improvisation techniques. In multiple shows she experimented with a long skirt, choreographing its movements and playing with the ways it could reflect light. By 1891, Fuller combined her choreography with silk costumes illuminated by multi-coloured lighting of her own design, and created the ''Serpentine Dance''. After much difficulty finding someone ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divan Japonais (lithograph)
''Divan Japonais'' is a lithograph poster by French artist Henri de Toulouse-Lautrec. It was created to advertise a ''café-chantant'' that was at the time known as Divan Japonais. The poster depicts three persons from the Montmartre of Toulouse-Lautrec's time. Dancer Jane Avril is in the audience. Beside her is writer Édouard Dujardin. They are watching a performance by Yvette Guilbert Yvette Guilbert (; born Emma Laure Esther Guilbert, 20 January 1865 – 3 February 1944) was a French cabaret singer and actress of the '' Belle Époque''. Biography Born in Paris into a poor family as Emma Laure Esther Guilbert, Guilbert b .... Though her face is not included in the poster, she is recognizable by her tall, thin frame and long black gloves. References {{Henri de Toulouse-Lautrec Paintings by Henri de Toulouse-Lautrec Lithographs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Offenbach
Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ''The Tales of Hoffmann''. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. ''The Tales of Hoffmann'' remains part of the standard opera repertory. Born in Cologne, the son of a synagogue cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire but found academic study unfulfilling and left after a year. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose comic pieces for the musical the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orpheus In The Underworld
''Orpheus in the Underworld'' and ''Orpheus in Hell'' are English names for (), a comic opera with music by Jacques Offenbach and words by Hector Crémieux and Ludovic Halévy. It was first performed as a two-act " opéra bouffon" at the Théâtre des Bouffes-Parisiens, Paris, on 21 October 1858, and was extensively revised and expanded in a four-act " opéra féerie" version, presented at the Théâtre de la Gaîté, Paris, on 7 February 1874. The opera is a lampoon of the ancient legend of Orpheus and Eurydice. In this version Orpheus is not the son of Apollo but a rustic violin teacher. He is glad to be rid of his wife, Eurydice, when she is abducted by the god of the underworld, Pluto. Orpheus has to be bullied by Public Opinion into trying to rescue Eurydice. The reprehensible conduct of the gods of Olympus in the opera was widely seen as a veiled satire of the court and government of Napoleon III, Emperor of the French. Some critics expressed outrage at the librettists' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
École Nationale Supérieure Des Arts Décoratifs
The École nationale supérieure des Arts Décoratifs (ÉnsAD, also known as Arts Decos', École des Arts Décoratifs) is a public grande école of art and design of PSL Research University. The school is located in the Rue d'Ulm in Paris. Profile The ''École nationale supérieure des arts décoratifs'' played a major role in the development of the Art Deco design movement in the 1920s and in the creation of new design concepts. The School has an international reputation for its teaching in the fields of animation, photography, scenography, industrial design, communication design, interactive design, video, interior design, fashion, textile and engraving. History The E.N.S.A.D. has its roots in the '' École royale gratuite de dessin'' (Royal Free School of Design) founded in 1766 by Jean-Jacques Bachelier, confirmed in 1767 by letters patent from Louis XV of France. Its founder's aim was to develop crafts relating to the arts in order to improve the quality of manufactured good ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Studio (magazine)
''The Studio: An Illustrated Magazine of Fine and Applied Art'' was an illustrated fine arts and decorative arts magazine published in London from 1893 until 1964. The founder and first editor was Charles Holme. The magazine exerted a major influence on the development of the Art Nouveau and Arts and Crafts movements. It was absorbed into ''Studio International'' magazine in 1964. History ''The Studio'' was founded by Charles Holme in 1893. Holme was in the wool and silk trades, had travelled extensively in Europe and had visited Japan and the United States with Lasenby Liberty and his wife Emma. During his travels he had formed: He retired from trade in order to start ''The Studio''. He had hoped to engage Lewis Hind as the editor of the new venture, but Hind went instead to William Waldorf Astor's ''Pall Mall Budget''. He suggested Joseph Gleeson White as an alternative. Gleeson White edited ''The Studio'' from the first issue in April 1893. In 1895 Holme took over as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Peacock Skirt
''The Peacock Skirt'' is an 1893 illustration by Aubrey Beardsley. His original pen and ink drawing was reproduced as a woodblock print in the first English edition of Oscar Wilde's one-act play '' Salome'' in 1894. The original drawing was bequeathed by Grenville Lindall Winthrop to the Fogg Art Museum at Harvard University in 1943. Background Wilde's one-act play '' Salome'' was originally written in French in 1891, while he was living in Paris. Performance of the play was prohibited in England, ostensibly on account of it depicting biblical characters. The play inspired Beardsley to make an illustration, ''J'ai baisé ta bouche, Iokanaan'' ("I have kissed your mouth, Jokanaan"), which was printed with eight other drawings in an article, "A New Illustrator: Aubrey Beardsley", by Joseph Pennell in the first issue of the artistic journal '' The Studio'' in April 1893. Wilde wrote to Beardsley, recognising him as a "kindred spirit" and enclosing a copy of ''Salome'', and co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Mackmurdo
Arthur Heygate Mackmurdo (12 December 1851 – 15 March 1942) was a progressive English architect and designer, who influenced the Arts and Crafts Movement, notably through the Century Guild of Artists, which he set up in partnership with Herbert Horne in 1882. He was the pioneer of the Modern Style (British Art Nouveau style) and in turn global Art Nouveau movement. Early life Mackmurdo was the son of a wealthy chemical manufacturer. He was educated at Felsted School, and was first trained under the architect T. Chatfield Clarke, from whom he claimed to have learnt nothing. Then, in 1869, he became an assistant to the Gothic Revival architect James Brooks. In 1873, he visited John Ruskin's School of Drawing, and accompanied Ruskin to Italy in 1874. He stayed on to study in Florence for a while; despite the influence of Ruskin, the Italian architecture he was most impressed by was that of the Renaissance. Career In 1874 he opened his own architectural practice at 28 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rubaiyat Of Omar Khayam
''Rubáiyát of Omar Khayyám'' is the title that Edward FitzGerald gave to his 1859 translation from Persian to English of a selection of quatrains (') attributed to Omar Khayyam (1048–1131), dubbed "the Astronomer-Poet of Persia". Although commercially unsuccessful at first, FitzGerald's work was popularised from 1861 onward by Whitley Stokes, and the work came to be greatly admired by the Pre-Raphaelites in England. FitzGerald had a third edition printed in 1872, which increased interest in the work in the United States. By the 1880s, the book was extremely popular throughout the English-speaking world, to the extent that numerous "Omar Khayyam clubs" were formed and there was a " cult of the Rubaiyat". FitzGerald's work has been published in several hundred editions and has inspired similar translation efforts in English, Hindi and in many other languages. Sources The authenticity of the poetry attributed to Omar Khayyam is highly uncertain. Khayyam was famous duri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Morris
William Morris (24 March 1834 – 3 October 1896) was a British textile designer, poet, artist, novelist, architectural conservationist, printer, translator and socialist activist associated with the British Arts and Crafts Movement. He was a major contributor to the revival of traditional British textile arts and methods of production. His literary contributions helped to establish the modern fantasy genre, while he helped win acceptance of socialism in ''fin de siècle'' Great Britain. Morris was born in Walthamstow, Essex, to a wealthy middle-class family. He came under the strong influence of medievalism while studying Classics at Oxford University, there joining the Birmingham Set. After university, he married Jane Burden, and developed close friendships with Pre-Raphaelite artists Edward Burne-Jones and Dante Gabriel Rossetti and with Neo-Gothic architect Philip Webb. Webb and Morris designed Red House in Kent where Morris lived from 1859 to 1865, before moving t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
