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Art Loss Register
Art Loss Register (ALR) is the world's largest database of stolen art. A computerized international database that captures information about lost and stolen art, antiques, and collectibles, the ALR is a London-based, independent, for-profit corporate offspring of the New York-based, nonprofit International Foundation for Art Research (IFAR). The range of functions served by ALR has grown as the number of its listed items has increased. The database is used by collectors, the art trade, insurers, and law enforcement agencies worldwide. In 1991, IFAR helped create the Art Loss Register (ALR) as a commercial enterprise to expand and market the database. IFAR managed ALR's U.S. operations through 1997. In 1998 the ALR assumed full responsibility for the IFAR database, although IFAR retains ownership. In 1992, the database comprised only 20,000 items, but it grew in size nearly tenfold during its first decade. History The first steps toward ALR began with the establishment of IFAR in N ...
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Art Theft
Art theft, sometimes called artnapping, is the stealing of paintings, sculptures, or other forms of visual art from galleries, museums or other public and private locations. Stolen art is often resold or used by criminals as collateral to secure loans. Only a small percentage of stolen art is recovered—an estimated 10%. Many nations operate police squads to investigate art theft and illegal trade in stolen art and antiquities. Some famous art theft cases include the robbery of the ''Mona Lisa'' from the Louvre in 1911 by employee Vincenzo Peruggia. Another was theft of ''The Scream'', stolen from the Munch Museum in 2004, but recovered in 2006. The largest-value art theft occurred at the Isabella Stewart Gardner Museum in Boston, when 13 works, worth a combined $500 million were stolen in 1990. The case remains unsolved. Individual theft Many thieves are motivated by the fact that valuable art pieces are worth millions of dollars and weigh only a few kilograms at most. ...
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Alfred Sisley
Alfred Sisley (; ; 30 October 1839 – 29 January 1899) was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedication to painting landscape ''en plein air'' (i.e., outdoors). He deviated into figure painting only rarely and, unlike Renoir and Pissarro, he found that Impressionism fulfilled his artistic needs. Among his important works are a series of paintings of the River Thames, mostly around Hampton Court, executed in 1874, and landscapes depicting places in or near Moret-sur-Loing. The notable paintings of the Seine and its bridges in the former suburbs of Paris are like many of his landscapes, characterised by tranquillity, in pale shades of green, pink, purple, dusty blue and cream. Over the years Sisley's power of expression and colour intensity increased. Richard Shone: ''Sisley.'' London: Phaidon Press 1999. Biography Sisley was born in Par ...
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Art Crime
Art crime may refer to: * Art theft * Art forgery * Vandalism of art Vandalism of art is intentional damage of an artwork. The object, usually exhibited in public, becomes damaged as a result of the act, and remains in place right after the act. This may distinguish it from art destruction and iconoclasm, wh ... {{disambiguation Art crime ...
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Arts Organizations Established In 1991
The arts are a very wide range of human practices of creative expression, storytelling and cultural participation. They encompass multiple diverse and plural modes of thinking, doing and being, in an extremely broad range of media. Both highly dynamic and a characteristically constant feature of human life, they have developed into innovative, stylized and sometimes intricate forms. This is often achieved through sustained and deliberate study, training and/or theorizing within a particular tradition, across generations and even between civilizations. The arts are a vehicle through which human beings cultivate distinct social, cultural and individual identities, while transmitting values, impressions, judgments, ideas, visions, spiritual meanings, patterns of life and experiences across time and space. Prominent examples of the arts include: * visual arts (including architecture, ceramics, drawing, filmmaking, painting, photography, and sculpting), * literary arts (includin ...
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Vintage Books
Vintage Books is a trade paperback publishing imprint of Penguin Random House originally established by Alfred A. Knopf in 1954. The company was purchased by Random House in April 1960, and a British division was set up in 1990. After Random House merged with Bantam Doubleday Dell, Doubleday's Anchor Books trade paperback line was added to the same division as Vintage. Following Random House's merger with Penguin, Vintage was transferred to Penguin UK. In addition to publishing classic and contemporary works in paperback under the Vintage brand, the imprint also oversees the sub-imprints Bodley Head, Jonathan Cape, Chatto and Windus, Harvill Secker, Hogarth Press, Square Peg, and Yellow Jersey. Vintage began publishing some titles in the mass-market paperback format in 2003. Notable authors * William Faulkner * Vladimir Nabokov * Cormac McCarthy * Albert Camus * Ralph Ellison * Dashiell Hammett * William Styron * Philip Roth * Toni Morrison * Dave Eggers * Robert Caro * Har ...
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Basic Books
Basic Books is a book publisher founded in 1950 and located in New York, now an imprint of Hachette Book Group. It publishes books in the fields of psychology, philosophy, economics, science, politics, sociology, current affairs, and history. History Basic Books originated as a small Greenwich Village-based book club marketed to psychoanalysts. Arthur Rosenthal took over the book club in 1950, and under his ownership it soon began producing original books, mostly in the behavioral sciences. Early successes included Ernest Jones's ''The Life and Work of Sigmund Freud'', as well as works by Claude Lévi-Strauss, Jean Piaget and Erik Erikson. Irving Kristol joined Basic Books in 1960, and helped Basic to expand into the social sciences. Harper & Row purchased the company in 1969. In 1997, HarperCollins announced that it would merge Basic Books into its trade publishing program, effectively closing the imprint and ending its publishing of serious academic books. That same year, Bas ...
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Koordinierungsstelle Für Kulturgutverluste
The Koordinierungsstelle für Kulturgutverluste (English: "Coordination Center for Lost Cultural Assets"), also known as the ''Koordinierungsstelle Magdeburg'' (English: "Magdeburg Coordination Center"), is an institution of the German federal and state governments at the Saxony-Anhalt Ministry of Culture and is the central German institution for the documentation of lost and found cultural assets looted by the Nazis. Established in 2001, the Koordinierungsstelle's ''Lost Art Database'' documents and publishes lost and found reports by institutions and private individuals. It operates on a cooperative basis with the international Art Loss Register. History The Koordinierungsstelle was first established in 1994 in Bremen as an institution for the German states to document the institutional losses of cultural goods during the Second World War. The center thereby took over an operation that was carried out by German Ministry of the Interior since the 1950s. Originally they dealt wi ...
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Musée Des Beaux-Arts D'Orléans
The Musée des beaux-arts d'Orléans is a museum in the city of Orléans in the Loiret department and the Centre-Val de Loire region in France. Founded in 1797, it is one of France's oldest provincial museums. Its collections cover European arts from the 15th to 20th century. The museum owns circa 2,000 paintings (with paintings by Correggio, Annibale Carracci, Guido Reni, Sebastiano Ricci, Diego Velázquez, Anthony van Dyck, Antoine Watteau, François Boucher, Hubert Robert, Eugène Delacroix ('' Head of a Woman''), Gustave Courbet, Paul Gauguin and Pablo Picasso), 700 sculptures (Baccio Bandinelli, Auguste Rodin), more than 1,200 pieces of decorative arts, 10,000 drawings, 50,000 prints and the second largest collection of pastels in France after that of the Louvre. History The museum was founded during the French Revolution by the initiative of Jean Bardin, director of the school of drawing of the city and of Aignan-Thomas Desfriches, in 1797. The museum was installed in the ...
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Edgar Degas
Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, prints and drawings. Degas is especially identified with the subject of dance; more than half of his works depict dancers. Although Degas is regarded as one of the founders of Impressionism, he rejected the term, preferring to be called a realist,Gordon and Forge 1988, p. 31 and did not paint outdoors as many Impressionists did. Degas was a superb draftsman, and particularly masterly in depicting movement, as can be seen in his rendition of dancers and bathing female nudes. In addition to ballet dancers and bathing women, Degas painted racehorses and racing jockeys, as well as portraits. His portraits are notable for their psychological complexity and their portrayal of human isolation. At the beginning of his career, Degas wanted to be a history painter, a calling f ...
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International Foundation For Art Research
The International Foundation for Art Research (IFAR) is a non-profit organization which was established to channel and coordinate scholarly and technical information about works of art. IFAR provides an administrative and legal framework within which experts can express their objective opinions. This data is made available to individuals, associations and government agencies. * IFAR functions as a step towards more regularized attribution protocols in which the question is not the importance of the attribution but the correctness of it.Glueck, Grace''New York Times.'' May 8, 1970. * IFAR is actively involved in the legal, ethical, and educational issues surrounding the ownership and theft of art.IFAR About IFAR, Art Theft Database/ref> History IFAR was initially conceived in New York in 1969; its first president was Houston industrialist John de Ménil. Founding members of the privately funded foundation were: * Harry Bober, New York University, Institute of Fine Arts * Jose Lo ...
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Rembrandt
Rembrandt Harmenszoon van Rijn (, ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.Gombrich, p. 420. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological themes and animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), whilst antithetical to the Baroque style that dominated Europe, was prolific and innovative. This era gave rise to important new genres. Like many artists of the Dutch Golden Age, such a ...
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The Concert (Vermeer)
''The Concert'' (Dutch: ''Het concert'') ( 1664) is a painting by the Dutch artist Johannes Vermeer depicting a man and two women performing music. It was stolen on March 18, 1990 from the Isabella Stewart Gardner Museum in Boston and remains missing. Experts believe it may be the most valuable stolen object in the world; as of 2015, it was valued at US$250 million. History Although ''The Concert'' has been dated stylistically to the mid-1660s, it is first documented only in 1780. It was acquired by Isabella Stewart Gardner in an 1892 auction in Paris for $5,000 and subsequently displayed in the Isabella Stewart Gardner Museum. On the night of March 18, 1990, thieves disguised as policemen stole 13 works from the museum, including ''The Concert''. To this day the painting has not resurfaced; it is thought to be the most valuable work currently unrecovered, with a value estimated at US$250 million. Description The picture measures 28.5 by 25.5 inches (72.5 by 64.7 centimetres) ...
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