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Art In Paris
For centuries, Paris has attracted artists from around the world, arriving in the city to educate themselves and to seek inspiration from its artistic resources and galleries. As a result, Paris has received a reputation as the "City of Art". Home to some of the world's most famous museums and galleries, including the Louvre and the Musée d'Orsay, the city today remains home to a thriving community of artists. Paris is recognized globally for its public landmarks and masterpieces of architecture including the Arc de Triomphe and a symbol of France, the Eiffel Tower. History Prior to the 12th century, Paris was not yet famed for its art. Italian artists were a profound influence on the development of art in Paris in the 16th and 17th centuries, particularly in sculpture and reliefs. Painting and sculpture became the pride of the French monarchy and the French royals commissioned many Parisian artists to adorn their palaces during the French Baroque and Classicism era. Sculptors su ...
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The Thinker
''The Thinker'' (french: Le Penseur) is a bronze sculpture by Auguste Rodin François Auguste René Rodin (12 November 184017 November 1917) was a French sculptor, generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a uniqu ..., usually placed on a stone pedestal. The work depicts a Heroic nudity, nude male figure of heroic size sitting on a rock. He is seen leaning over, his right elbow placed on his left thigh, holding the weight of his chin on the back of his right hand. The pose is one of deep thought and contemplation, and the statue is often used as an image to represent philosophy. Rodin conceived the figure as part of his work ''The Gates of Hell'' commissioned in 1880, but the first of the familiar monumental bronze castings was made in 1904, and is now exhibited at the Musée Rodin, in Paris. There are also 27 other known full-sized Casting, castings, in which the figu ...
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Impressionism
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical review published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogo ...
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Académie De La Palette
''Académie de La Palette'', also called ''Académie La Palette'' and ''La Palette'', (English: ''Palette Academy''), was a private art school in Paris, France, active between 1888 and 1925, aimed at promoting'' 'conciliation entre la liberté et le respect de la tradition'.'' Early on the ''Académie de La Palette'' developed a reputation as a progressive art school. In 1902, with Jacques-Émile Blanche as director of the academy, the concept had been 'any attempt at ''imitation'' are now abandoned' oute tentative d'imitation étant désormais abandonnée From 1912, when the Cubists Henri Le Fauconnier and Jean Metzinger took over the direction of the school, the role of the ''Académie de La Palette'' as the nexus for the avant-garde at the forefront of the Parisian art scene was secured. History From 1900 to 1914 many academies were formed in Paris under the direction of well-known established artists, such as the Académie Matisse, Académie Alexander Archipenko, Académi ...
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Académie Vassilieff
Mariya Ivanovna Vassiliéva (Russian: Мария Ивановна Васильева), (12 February 1884 – 14 May 1957), better known as Marie Vassilieff, was a Russian-born painter active in Paris. She moved to Paris at the age of twenty-three and became an integral part of the artistic community on its left bank called, Montparnasse. She was born in Smolensk, Russia to a prosperous family who encouraged her to study medicine. Her natural instincts, however, were for the arts and, in 1903 she switched to the study of art at the Academy in St. Petersburg. 1905 she visited the artistic capital of the world, Paris, France. Two years later, she moved to Paris, taking a job as a correspondent for several Russian newspapers while studying painting under Henri Matisse and attending classes at the École nationale supérieure des Beaux-Arts. In 1908 she founded the Académie Russe (Russian Academy), which was renamed the following year as, the Académie Vassilieff. In 1912 she ...
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Jean Metzinger, Le Goûter, Tea Time, 1911, 75
Jean may refer to: People * Jean (female given name) * Jean (male given name) * Jean (surname) Fictional characters * Jean Grey, a Marvel Comics character * Jean Valjean, fictional character in novel ''Les Misérables'' and its adaptations * Jean Pierre Polnareff, a fictional character from ''JoJo's Bizarre Adventure'' Places * Jean, Nevada, USA; a town * Jean, Oregon, USA Entertainment * Jean (dog), a female collie in silent films * "Jean" (song) (1969), by Rod McKuen, also recorded by Oliver * ''Jean Seberg'' (musical), a 1983 musical by Marvin Hamlisch Other uses * JEAN (programming language) * USS ''Jean'' (ID-1308), American cargo ship c. 1918 * Sternwheeler Jean, a 1938 paddleboat of the Willamette River See also *Jehan * * Gene (other) * Jeanne (other) * Jehanne (other) * Jeans (other) * John (other) John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testa ...
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Société Des Artistes Indépendants
The Société des Artistes Indépendants (''Society of Independent Artists'') or Salon des Indépendants was formed in Paris on 29 July 1884. The association began with the organization of massive exhibitions in Paris, choosing the slogan "''sans jury ni récompense''" ("without jury nor reward"). Albert Dubois-Pillet, Odilon Redon, Georges Seurat and Paul Signac were among its founders. For the following three decades their annual exhibitions set the trends in art of the early 20th century, along with the Salon d'Automne. This is where artworks were often first displayed and widely discussed. World War I brought a closure to the salon, though the ''Artistes Indépendants'' remained active. Since 1920, the headquarters has been located in the vast basements of the Grand Palais (next door to the ''Société des Artistes Français'', the ''Société Nationale des Beaux-Arts'', the Société du Salon d'Automne, and others). History The Salon des Indépendants (Salon des Artistes I ...
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Salon D'Automne
The Salon d'Automne (; en, Autumn Salon), or Société du Salon d'automne, is an art exhibition held annually in Paris, France. Since 2011, it is held on the Champs-Élysées, between the Grand Palais and the Petit Palais, in mid-October. The first Salon d'Automne was created in 1903 by Frantz Jourdain, with Hector Guimard, George Desvallières, Eugène Carrière, Félix Vallotton, Édouard Vuillard, Eugène Chigot and Maison Jansen.Salon d'automne; Société du Salon d'automne
Catalogue des ouvrages de peinture, sculpture, dessin, gravure, architecture et art décoratif. Exposés au Petit Palais des Champs-Élysées, 1903
Perceived as a reaction against the conservative policies of the official Paris Salon ...
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Abstract Art
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time. Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings. Abstraction indicates a departure from reality in depiction of imagery in art. This departure ...
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Art Deco
Art Deco, short for the French ''Arts Décoratifs'', and sometimes just called Deco, is a style of visual arts, architecture, and product design, that first appeared in France in the 1910s (just before World War I), and flourished in the United States and Europe during the 1920s and 1930s. Through styling and design of the exterior and interior of anything from large structures to small objects, including how people look (clothing, fashion and jewelry), Art Deco has influenced bridges, buildings (from skyscrapers to cinemas), ships, ocean liners, trains, cars, trucks, buses, furniture, and everyday objects like radios and vacuum cleaners. It got its name after the 1925 Exposition internationale des arts décoratifs et industriels modernes (International Exhibition of Modern Decorative and Industrial Arts) held in Paris. Art Deco combined modern styles with fine craftsmanship and rich materials. During its heyday, it represented luxury, glamour, exuberance, and faith in socia ...
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Cubism
Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. In Cubist artwork, objects are analyzed, broken up and reassembled in an abstracted form—instead of depicting objects from a single viewpoint, the artist depicts the subject from a multitude of viewpoints to represent the subject in a greater context. Cubism has been considered the most influential art movement of the 20th century. The term is broadly used in association with a wide variety of art produced in Paris (Montmartre and Montparnasse) or near Paris ( Puteaux) during the 1910s and throughout the 1920s. The movement was pioneered by Pablo Picasso and Georges Braque, and joined by Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, Juan Gris, and Fernand Léger. One primary influence that led to Cubism was the representation of three-dimensional form in the late works of Pau ...
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Fauvism
Fauvism /ˈfoʊvɪzm̩/ is the style of ''les Fauves'' (French language, French for "the wild beasts"), a group of early 20th-century modern artists whose works emphasized painterly qualities and strong colour over the Representation (arts), representational or Realism (visual arts), realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions.John Elderfield, The ''"Wild Beasts" Fauvism and Its Affinities,'' 1976, Museum of Modern Art, p.13, The leaders of the movement were André Derain, Maurice de Vlaminck, and Henri Matisse. Artists and style Besides Matisse and Derain, other artists included Robert Deborne, Albert Marquet, Charles Camoin, Louis Valtat, Jean Puy, Maurice de Vlaminck, Henri Manguin, Raoul Dufy, Othon Friesz, Georges Rouault, Jean Metzinger, Kees van Dongen and Georges Braque (subsequently Picasso's partner in Cubism). Th ...
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Divisionism
Divisionism, also called chromoluminarism, was the characteristic style in Neo-Impressionist painting defined by the separation of colors into individual dots or patches which interacted optically..Homer, William I. ''Seurat and the Science of Painting.'' Cambridge, MA: The MIT Press, 1964. By requiring the viewer to combine the colors optically instead of physically mixing pigments, Divisionists believed they were achieving the maximum luminosity scientifically possible. Georges Seurat founded the style around 1884 as chromoluminarism, drawing from his understanding of the scientific theories of Michel Eugène Chevreul, Ogden Rood and Charles Blanc, among others. Divisionism developed along with another style, Pointillism, which is defined specifically by the use of dots of paint and does not necessarily focus on the separation of colors.Ratliff, Floyd. ''Paul Signac and Color in Neo-Impressionism.'' New York: Rockefeller UP, 1992. . Theoretical foundations and development ...
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