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Art Historical Photo Archives
Art historical photo archives (or photo archives) are collections of reproductions of works of art that document paintings, drawings, prints, sculpture, architecture and sometimes installation photos. They are essential resource tools for the study of art history. Image collections deepen understanding of specific objects of art and the careers of individual artists as they also provide the means for a comparative approach to the study of artists’ works, national schools and period styles. The documentation that accompanies the images can also reveal patterns of art collecting, art market fluctuations and the changeable nature of public opinion. Photo archives build their collections and gather documentation for the works of art they record through purchases, gifts and photography campaigns. Information about ownership, condition, attribution, and subject identification is recorded at the time of acquisition and is frequently updated. History The founders of important art his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Hamann
Heinrich Richard Hamann (29 May 1879, in Seehausen – 9 January 1961, in Immenstadt im Allgäu) was a German art historian. He attended the Kloster Unser Lieben Frauen in Magdeburg, and later studied Germanistics, art history and philosophy at the University of Berlin. In 1902 he received his promotion with the dissertation-thesis ''Das Symbol'' as a student of Wilhelm Dilthey. In 1911 he obtained his habilitation at Berlin, and subsequently became a professor of art history at Posen Academy. In 1913 he relocated to the University of Marburg, where he founded the Bildarchiv Foto Marburg (photo archives). From 1947 to 1957 he served as a guest professor at the University of Berlin. Since 2009 the "Richard-Hamann-Preis für Kunstgeschichte" has been awarded for outstanding scientific achievements in the history of art or the promotion of art history research. Selected works * ''Rembrandts Radirungen'' (1906) – Rembrandt's etchings. * ''Der Impressionismus in Leben und ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villa I Tatti
Villa I Tatti, The Harvard Center for Italian Renaissance Studies is a center for advanced research in the humanities located in Florence, Italy, and belongs to Harvard University. It houses a collection of Italian primitives, and of Chinese and Islamic art, as well as a research library of 140,000 volumes and a collection of 250,000 photographs. It is the site of Italian and English gardens. Villa I Tatti is located on an estate of olive groves, vineyards, and gardens on the border of Florence, Fiesole and Settignano. While guided tours of the gardens are offered, Villa I Tatti itself is not generally open to the public. History For almost sixty years Villa I Tatti was the home of Bernard Berenson (1865–1959), the connoisseur whose attributions of early Italian Renaissance painting guided scholarship and collecting in this field for the first half of the twentieth century. The property originated as a seventeenth-century farmhouse given to the expatriate English aristocrat J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art History
Art history is the study of aesthetic objects and visual expression in historical and stylistic context. Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes related to an ever-evolving definition of art. Art history encompasses the study of objects created by different cultures around the world and throughout history that convey meaning, importance or serve usefulness primarily through visual representations. As a discipline, art history is distinguished from art criticism, which is concerned with establishing a relative artistic value upon individual works with respect to others of comparable style or sanctioning an entire style or movement; and art theory or "philosophy of art", which is concerned with the fundamental nature of art. One branch of this area of study is aesthetics, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deutscher Kunstverlag
The Deutscher Kunstverlag (DKV) is an educational publishing house with offices in Berlin and Munich. The publisher specializes in books about art, cultural history, architecture, and historic preservation. History Deutscher Kunstverlag was founded in 1921 in Berlin. Founders were the publishing companies Insel Verlag, E. A. Seemann, Deutsche Verlags-Anstalt, Julius Hoffmann, G. Grote, Julius Bard, and Walter de Gruyter, as well as the bank . Some book series appeared already in 1925, which to this day still partially determine the publishing profile. In addition to scientific publications, the Deutscher Kunstverlag publishes art books and exhibition catalogs. After the Second World War, the publisher moved its headquarters to Munich. Since the 1990s, the owners have frequently changed. In early 2007, Gabriele Miller purchased the Deutscher Kunstverlag and was the sole shareholder. The head office of the publishing house was then moved back to Berlin. In October 2010, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florence Declaration
The Florence Declaration – Recommendations for the Preservation of Analogue Photo Archives is an initiative of the Photo Library of the Kunsthistorisches Institut in Florenz. Background With this Declaration, published in German, English, Italian, French and Polish, the aim of the Kunsthistorisches Institut is to foster understanding of the fundamental importance of analogue photos and photo archives for the future of the arts, humanities and social sciences. The ''Florence Declaration'' was presented on 31 October 2009 in the framework of the International Conference “Photo Archives and the Photographic Memory of Art History – Part II” (Kunsthistorisches Institut in Florenz, 29–31 October 2009). Since then the Declaration has received the backing and been subscribed by numerous international scholars. Content of the Declaration Against the background of the ongoing debate on the complete digitization of photo archives and the frequent demands thus being made for th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miklos Boskovits
Miklós Boskovits (1935 – 2011) was a Hungarian art historian who specialized in Italian renaissance art (and earlier). Boskovits was born in Budapest. He wrote the Italian art catalogs for the Gemäldegalerie in Berlin (written between 1977 and 1980, published in 1988) and the Thyssen-Bornemisza collection (1990) before being asked to write the catalog of the Italian art collection for the National Gallery of Art. on NGA website Boskovits died in Florence
Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany Regions of Italy, region ...
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Richard Offner
Richard Offner (June 30, 1889 – August 26, 1965) was an Austrian-American art historian dedicated to the study of Florentine paintings from the Renaissance. Biography Offner was born in Vienna, Austria, on June 30, 1889. In 1891, his family emigrated to New York City. He pursued his undergraduate degree at Harvard University from 1909 to 1912, continuing as a Fellow at the American Academy in Rome from 1912 to 1914. In 1914, he submitted his dissertation in art history under Max Dvořák at the University of Vienna. He was granted his Doctorate, however, his dissertation is now lost. In 1915, Offner accepted a position as an instructor of art history at the University of Chicago. In 1920, he moved to Harvard as a Sachs Fellow. Offner then joined New York University as an assistant professor in 1923, advancing to full professorship in 1927. He remained at NYU for the remainder of his career, serving as head of the fine arts department from 1930 to 1933, and as an emeritus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frick Art Reference Library Photoarchive
The Frick Art Reference Library Photoarchive is a study collection of more than one million photographic reproductions of works of art from the fourth to the mid-twentieth century by over 40,000 artists trained in the Western tradition located in the Frick Art Reference Library on the Upper East Side of Manhattan. It was founded in 1920 by Helen Clay Frick, the daughter of industrialist Henry Clay Frick, to facilitate object-oriented research. The documentation it offers records the essential elements of the biography of the work of art: the artist, title, present owner, as well as historical information such as changes of attribution, ownership and condition, all of which are essential for the study of the history of art. History Until the 1920s, reproductions were only rarely included in art historical texts. The Frick's Photoarchive was established to complement this growing body of literature. Although many scholars had personal image libraries, the Frick Art Reference Library ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Witt Library
The Courtauld Institute of Art (), commonly referred to as The Courtauld, is a self-governing college of the University of London specialising in the study of the history of art and conservation. It is among the most prestigious specialist colleges for the study of the history of art in the world and is known for the disproportionate number of directors of major museums drawn from its small body of alumni. The art collection is known particularly for its French Impressionist and Post-Impressionist paintings and is housed in the Courtauld Gallery. The Courtauld is based in Somerset House, in the Strand in London. In 2019, The Courtauld's teaching and research activities temporarily relocated to Vernon Square, London, while its Somerset House site underwent a major regeneration project. History The Courtauld was founded in 1932 through the philanthropic efforts of the industrialist and art collector Samuel Courtauld, the diplomat and collector Lord Lee of Fareham, and the art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aby Warburg
Aby Moritz Warburg, better known as Aby Warburg, (June 13, 1866 – October 26, 1929) was a German art historian and cultural theorist who founded the Kulturwissenschaftliche Bibliothek Warburg (Library for Cultural Studies), a private library, which was later moved to the Warburg Institute, London. At the heart of his research was the legacy of the classical world, and the transmission of classical representation, in the most varied areas of Western culture through to the Renaissance. Warburg described himself as: "''Amburghese di cuore, ebreo di sangue, d'anima Fiorentino''" ('Hamburger at heart, Jew by blood, Florentine in spirit'). Life Aby Warburg was born in Hamburg into the wealthy Warburg family of German Jewish bankers. His ancestors had come to Germany from Italy in the 17th century and settled in the town of Warburg in Westphalia, taking on the town's name as their family name. In the 18th century the Warburgs moved to Altona near Hamburg. Two brothers Warburg foun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warburg Institute
The Warburg Institute is a research institution associated with the University of London in central London, England. A member of the School of Advanced Study, its focus is the study of cultural history and the role of images in culture – cross-disciplinary and global. It is concerned with the histories of art and science, and their relationship with superstition, magic, and popular beliefs. The researches of the Warburg Institute are historical, philological and anthropological. It is dedicated to the study of the survival and transmission of cultural forms – whether in literature, art, music or science – across borders and from the earliest times to the present including especially the study of the influence of classical antiquity on all aspects of European civilisation. Based originally in Hamburg, Germany, in 1933 the collection was moved to London, where it became incorporated into the University of London in 1944. History Hamburg The institute was formed in Hamburg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
