Art Biennials In Africa
   HOME
*





Art Biennials In Africa
The worldwide enthusiasm for art biennials, triennials and other –ennial events rose during the 1990s and is continuing whereas this kind of exhibition format is not a new trend. Indeed, the Venice Biennale was founded in 1895, followed in 1896 by Carnegie International, the Bienal de São Paulo in 1951, Kassel's Documenta in 1955 and the Biennale of Sydney in 1973, just to name the firsts, mostly driven by capitalist-philanthropic spirit. This enthusiasm, which almost no country is exempted from (Dominique Malaquais points out that biennials are the new stadiums countries need to have in order to gain respect on the international arena), is the result of the correlation of three factors in the post-Cold War context that, accordingly to Bruce Ferguson, Reesa Greenberg and Sandy Nairne, can be identified as the worldwide development of the art market, the promotion of the arts as a support of cultural and national identity and the idea that art, seen as a universal language, is a ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Biennale
Biennale (), Italian for "biennial" or "every other year", is any event that happens every two years. It is most commonly used within the art world to describe large-scale international contemporary art exhibitions. As such the term was popularised by Venice Biennale, which was first held in 1895. Since the 1990s, the terms "biennale" and "biennial" have been interchangeably used in a more generic way - to signify a large-scale international survey show of contemporary art that recurs at regular intervals but not necessarily biannual (such as triennials, Documenta, Skulptur Projekte Münster). The phrase has also been used for other artistic events, such as the "Biennale de Paris", "Kochi-Muziris Biennale", Berlinale (for the Berlin International Film Festival) and Viennale (for Vienna's international film festival). Characteristics According to author Federica Martini, what is at stake in contemporary biennales is the diplomatic/international relations potential as well as ur ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  



MORE