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Ars Moriende
Ars Moriende is an album by bass guitarist Jonas Hellborg, released in 1994 through Day Eight Music. Performed together with percussionist and overtone singer Glen Velez, the recording is a journey into a state of meditation on the subject of life and death. The three relatively long pieces tell a story that's in turn relaxing and impetuous, and simultaneously modern and ancient, familiar and exotic sounding. "As always, Hellborg amazes with his skill and emotiveness." (Walter Kolosky for Jazz.com) The album was awarded a Swedish Grammy for the best instrumental album of the year 1995. Album theme This music was written in a period when Hellborg was exploring the reality of Death, its symbolic meanings and its significance in human cultures. To evolve, people often have to die under a certain aspect, to put an end to an identity within, in order to continue with a new life chapter. The piece "Regicide" is inspired by the ritual, common in some ancient cultures, of killing their k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jonas Hellborg
Jonas Hellborg (born 7 June 1958) is a Swedish bass guitarist. He has collaborated with John McLaughlin, Ustad Sultan Khan, Fazal Qureshi, Bill Laswell, Shawn Lane, Jens Johansson, Anders Johansson, Ginger Baker, Michael Shrieve, V. Selvaganesh, Jeff Sipe, Mattias IA Eklundh, Public Image Ltd, and Buckethead. Recording career Hellborg began his music career in 1976 in Sweden touring with local rock acts. He was spotted by percussionist Reebop Kwaku Baah in a small club in Stockholm 1979 and he moved to London for a year to work with Reebop on different projects. He played the Montreux Jazz festival in Switzerland in 1981 and met Michael Brecker who introduced him to John McLaughlin, Billy Cobham and other fusion stars. He was asked to join McLaughlin's reformed Mahavishnu Orchestra in 1983. He stayed with McLaughlin until 1988, touring and recording with Mahavishnu Orchestra. He also did several duet tours with McLaughlin during this time. In 1986 and 1987 he toured with a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fusion (music)
A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from ''musical form'' and musical style, although in practice these terms are sometimes used interchangeably. Music can be divided into genres in varying ways, such as popular music and art music, or religious music and secular music. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. Definitions In 1965, Douglass M. Green distinguishes between genre and form in his book ''Form in Tonal Music''. He lists madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance period. To further clarify the meaning of ''genre'', Green writes "Beethoven's Op. 61" and "Mendelssohn's Op. 64 ". He explains that both are identical in genre and are violin concertos that have different form. However, Mozart's Rondo for Piano, K. 51 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acoustic Music
Acoustic music is music that solely or primarily uses instruments that produce sound through acoustic means, as opposed to electric or electronic means. While all music was once acoustic, the retronym "acoustic music" appeared after the advent of electric instruments, such as the electric guitar, electric violin, electric organ and synthesizer. Acoustic string instrumentations had long been a subset of popular music, particularly in folk. It stood in contrast to various other types of music in various eras, including big band music in the pre-rock era, and electric music in the rock era. Music reviewer Craig Conley suggests, "When music is labeled acoustic, unplugged, or unwired, the assumption seems to be that other types of music are ''cluttered'' by technology and overproduction and therefore aren't as ''pure''." Types of acoustic instruments Acoustic instruments can be split into six groups: string instruments, wind instruments, percussion, other instruments, en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glen Velez
Glen Velez (born 1949) is a four-time Grammy winning American percussionist, vocalist, and composer, specializing in frame drums from around the world. He is largely responsible for the increasing popularity of frame drums in the United States and around the world. Velez is married to Loire. Biography Of Mexican American ancestry, Velez was born in Dallas and grew up in Texas but moved to New York City in 1967. He began by playing jazz on the drums but soon gravitated to hand drums from around the world (frame drums in particular), seeking out teachers from many different musical traditions. Among the many instruments Velez favors are the Irish bodhrán, the Brazilian pandeiro, the Arabic riq, the North African bendir, and the Azerbaijani ghaval. Although these instruments are similar in construction, they have their own playing techniques. Velez has studied each instrument traditionally, but he has also developed his own cross-cultural musical vocabulary, mixing and adapting tec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ovation
The ovation ( la, ovatio from ''ovare'': to rejoice) was a form of the Roman triumph. Ovations were granted when war was not declared between enemies on the level of nations or states; when an enemy was considered basely inferior (e.g., slaves, pirates); or when the general conflict was resolved with little or no danger to the army itself. The Ovation could also be given rather than a triumph when there were extenuating circumstances, such as when Marcus Marcellus was given an ovation in lieu of a triumph as his army remained in Sicily and therefore was unable to cross the pomerium. The general celebrating the ovation did not enter the city on a '' biga'', a chariot pulled by two white horses, as generals celebrating triumphs did, but instead rode on horseback in the toga praetexta of a magistrate. The honoured general also wore a wreath of myrtle (sacred to Venus) upon his brow, rather than the triumphal wreath of laurel. The Roman Senate did not precede the general, nor did ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Roman Bass
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abraham Wechter
Abraham Wechter is an American luthier who has been making custom guitars since the 1970s. He is known for building 6- and 12-string acoustic guitars and acoustic bass guitars. He was a student of luthier Richard Schneider, and for ten years he worked for the guitar company Gibson. After leaving Gibson, he started Wechter Guitars in Paw Paw, Michigan. In 2008 he moved his shop to Fort Wayne, Indiana. Wechter builds many guitars with his Pathmaker design, an acoustic guitar with a double cutaway. Some of his guitars have drone strings and scalloped fingerboards. In 1976, he collaborated with jazz guitarist John McLaughlin to create the Shakti guitar, which was used by McLaughlin in his band Shakti. The Shakti guitar is a customized Gibson J-200 with drone strings transversely across the soundhole. He also made him a guitar with scalloped fingerboards. In 2013, Wechter Guitars closed and, according to his web site, Abraham Wechter moved his shop to Guangzhou, China, where he cont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aram Of The Two Rivers
Aram of the Two Rivers is an album by bass guitarist Jonas Hellborg that was released in 1999 by Bardo Records. It was recorded live in Syria in 1996 at two venues: the Al Azam Palace in Damascus and one of the oldest caravanserais in Aleppo. Composed of six improvised suites, the album is a fusion of jazz and Arabic music, melding Hellborg's polyrhythms and Middle Eastern modal harmonic structures with authentic sounds of ethnic instruments played by local musicians. Darbukas (Tarek Malas and Mahfouz Al Hosaini) and riqq (Nabil Khaiat) are assisting Hellborg's acoustic bass in its rhythmic and melodic drive, joined by ney player Mased Sri al Den on the first three tracks and violinist Hadi Backdonas on the last three. The result is a collection of intriguing, though pleasantly accessible, silence-breathing arrangements with virtuous melodic exchanges, unison played ideas and haunting (at times even dance-like) rhythms. Instruments Jonas Hellborg plays here an acoustic bass, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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