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Around Midnight
''Around Midnight'' is an LP album by Julie London, released by Liberty Records under catalog number LRP-3164 as a monophonic recording in 1960, and later in stereo under catalog number LST-7164 the same year. It was released a number of times on CD from 1998. Dick Reynolds did the arrangements and conducted the orchestra. Track listing # " 'Round Midnight" – (Thelonious Monk, Cootie Williams, Bernie Hanighen) – 2:54 # "Lonely Night in Paris" – (Bobby Troup, Bob Alcivar) – 2:12 # "Misty" – (Erroll Garner, Johnny Burke) – 3:11 # " Black Coffee" – (Sonny Burke, Paul Francis Webster) – 2:58 # " Lush Life" – (Billy Strayhorn) – 1:41 # "In the Wee Small Hours of the Morning" – ( David Mann, Bob Hilliard) – 2:49 # "Don't Smoke in Bed" – (Willard Robison) – 2:25 # " You and the Night and the Music" – (Arthur Schwartz, Howard Dietz) – 2:40 # "Something Cool" – ( Billy Barnes) – 4:38 # "How About Me?" – (Irving Berlin) – 4:07 # " But Not for Me" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julie London
Julie London (née Peck; September 26, 1926 – October 18, 2000) was an American singer and actress whose career spanned more than 40 years. A torch singer noted for her sultry, languid contralto vocals, London recorded over thirty albums of pop and jazz standards between 1955 and 1969. Her recording of " Cry Me a River", a track she introduced on her debut album, was inducted into the Grammy Hall of Fame in 2001. In addition to her musical notice, London was nominated for a Golden Globe Award in 1974 for her portrayal of nurse Dixie McCall in the television series ''Emergency!''. Born in Santa Rosa, California, to vaudevillian parents, London was discovered while working as an elevator operator in downtown Los Angeles, and she began her career as an actress. London's 35-year acting career began in film in 1944, and included roles as the female lead in numerous westerns, co-starring with Rock Hudson in '' The Fat Man'' (1951), with Robert Taylor and John Cassavetes in '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erroll Garner
Erroll Louis Garner (June 15, 1921 – January 2, 1977) was an American jazz pianist and composer known for his swing playing and ballads. His instrumental ballad "Misty", his best-known composition, has become a jazz standard. It was first recorded in 1956 with Mitch Miller and his orchestra, and played a prominent part in the motion picture ''Play Misty for Me''. Scott Yanow of Allmusic calls him "one of the most distinctive of all pianists" and a "brilliant virtuoso." He received a star on the Hollywood Walk of Fame at 6363 Hollywood Blvd. His live album ''Concert by the Sea'' first released in 1955, sold over 1 million copies by 1958, and Yanow's opinion on the album is that it "made such a strong impression that Garner was considered immortal from then on." Life and career Garner was born, along with twin brother Ernest in Pittsburgh, Pennsylvania on June 15, 1921, the youngest of six children. He attended George Westinghouse High School (as did fellow pianists Billy Stra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Schwartz
Arthur Schwartz (November 25, 1900 – September 3, 1984) was an American composer and film producer, widely noted for his songwriting collaborations with Howard Dietz. Biography Early life Schwartz was born in Brooklyn, New York City, on November 25, 1900. He taught himself to play the harmonica and piano as a child, and began playing for silent films at age 14. He earned a B.A. in English at New York University and an M.A. in Architecture at Columbia. Forced by his father, an attorney, to study law, Schwartz graduated from NYU Law School with a Doctorate in Jurisprudence and was admitted to the bar in 1924. Career While studying law, he supported himself by teaching English in the New York school system. He also worked on songwriting concurrently with his studies and published his first song ("Baltimore, Md., You're the Only Doctor for Me", with lyrics by Eli Dawson) by 1923. Acquaintances such as Lorenz Hart and George Gershwin encouraged him to stick with composing. He att ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You And The Night And The Music
"You and the Night and the Music" is a popular song composed by Arthur Schwartz with lyrics by Howard Dietz. The song was debuted in the Broadway show ''Revenge with Music''. The show originally opened on November 28, 1934, ran for 22 performances, after which it closed. It then reopened on December 24, 1934, and ran for an additional 135 performances. Authors Caryl Brahms and Ned Sherrin, in their book ''Song by Song: 14 Great Lyric Writers'', say that “...the musical yielded two enduring hits and a profit although it was an artistic failure.” Notable Recordings Popular recordings in 1935 were by Libby Holman and by Leo Reisman (vocal by Phil Dewey). The song has since become an enduring jazz standard with notable recordings by Frank Sinatra, Bill Evans, Chet Baker, Stan Getz, Keith Jarrett, Julie London, Jamie Cullum, and Lennie Niehaus. The song was sampled on The Caretaker’s 1999 album ''Selected Memories from the Haunted Ballroom'' as part of the track “You ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willard Robison
Willard Robison (September 18, 1894 – June 24, 1968) was an American vocalist, pianist, and composer of popular songs, born in Shelbina, Missouri. His songs reflect a rural, melancholy theme steeped in Americana and their warm style has drawn comparison to Hoagy Carmichael. Many of his compositions, notably " A Cottage for Sale", "Round My Old Deserted Farm", "Don't Smoke in Bed", "'Taint So, Honey, 'Taint So" and " Old Folks", have become standards and have been recorded countless times by jazz and pop artists including Peggy Lee, Nina Simone, Nat King Cole, Billy Eckstine, Bing Crosby and Mildred Bailey. "A Cottage for Sale" alone has been recorded over 100 times. Life and career In the early 1920s, Robison led and toured with several territory bands in the Southwest. He met Jack Teagarden in this period, whom he befriended. In the late 1920s, Robison organized the Deep River Orchestra, later hosting a radio show entitled ''The Deep River Hour'' in the early 1930s. Durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don't Smoke In Bed (song)
"Don't Smoke in Bed" is a jazz song originally composed and recorded by Willard Robison and later associated with a recording by Nina Simone released on her 1958 debut album '' Little Girl Blue''. The song had been first recorded by Peggy Lee in 1947 with Dave Barbour and His Orchestra and released on her album ''Rendezvous with Peggy Lee'' (1948)."Rendezvous With Peggy Lee by Peggy Lee" at SecondHandSongs. The liner notes to ''Peggy Lee: The Singles Collection'' suggest that the song was mostly written by Lee & Barbour from a few lines by Robison as they were concerned that Robison would not live long enough to finish the song, and wanted to gift him with a valuable copyright to provide for his daughter after his passing. In the event, Robison lived another 20 years. Other artists who have recorded t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Hilliard
Bob Hilliard (born Hilliard Goldsmith; January 28, 1918 – February 1, 1971) was an American lyricist. He wrote the words for the songs: " Alice in Wonderland", "In the Wee Small Hours of the Morning", " Any Day Now", "Dear Hearts and Gentle People", "Our Day Will Come", " My Little Corner of the World", " Tower of Strength" and " Seven Little Girls (Sitting in the Back Seat)". Career After finishing high school, Hilliard began working as a lyricist in Tin Pan Alley. At the age of 28 he had his first success with "The Coffee Song". During his Broadway years, Hilliard wrote successful scores for both '' Angel in the Wings'' (1947) and ''Hazel Flagg'' (1953). He also worked as lyricist of the film score for '' Alice in Wonderland'' (1951). This included providing the words to the theme song, as well as "I'm Late" and the unused Cheshire Cat song "I'm Odd." The 1954 comedy film ''Living It Up'' included his songs "Money Burns a Hole in My Pocket" and "That's What I Like." Hilli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Mann (songwriter)
David Mann (October 3, 1916 — March 1, 2002), also known as David Freedman, was an American songwriter of popular songs. His best-known songs are "There! I've Said It Again" (1945), popularized first by Vaughn Monroe and later by Bobby Vinton, "No Moon at All" (1947), recorded by Robert Goulet in (1963) and " In the Wee Small Hours of the Morning" (1955), recorded most notably by Frank Sinatra, but covered by many other artists over the decades. Career Mann was able to play the piano by ear, at the age of 4, and by age 13, he was playing around Philadelphia. He attended the Curtis Institute of Music. In late 1939, Mann moved to New York and became a Decca Records session musician. He was in Charley Spivak's orchestra until 1941. During World War II, Mann joined the United States Army. Upon his discharge from the Army in 1945, they had the honor of placing Mann as personal pianist to President Truman. Mann worked on or appeared in the films: ''Twenty Grand'', ''I Dood It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In The Wee Small Hours Of The Morning
"In the Wee Small Hours of the Morning" is a 1955 popular song composed by David Mann, with lyrics by Bob Hilliard. It was introduced as the title track of Frank Sinatra's 1955 album '' In the Wee Small Hours''. Background Mann and Hilliard wrote it during a post-midnight session at Hilliard's New Jersey home. Mann was about to depart for New York, when Hilliard insisted he remain to try some impromptu songwriting. Mann reluctantly agreed and eventually came up with the tune, to which Hilliard quickly wrote a lyric. Recordings *Johnny Mathis, on the album '' Wonderful, Wonderful'' (1957). *Andy Williams, on the album '' Lonely Street'' (1959). *Ella Fitzgerald, on the album ''Ella Fitzgerald Live at Mister Kelly's'' (recorded 1958/rel. 2007). *Julie London, on the albums '' Around Midnight'' (1960), ''The Ultimate Collection'' (2006) *Art Blakey & the Jazz Messengers, on the album ''Caravan'' (1962). *Oscar Peterson, on the album '' The Trio'' - Live from Chicago London Hous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Strayhorn
William Thomas Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include "Take the 'A' Train", "Chelsea Bridge", "A Flower Is a Lovesome Thing", and " Lush Life". Early life Strayhorn was born in Dayton, Ohio, United States. His family soon moved to the Homewood section of Pittsburgh, Pennsylvania. However, his mother's family came from Hillsborough, North Carolina, and she sent him there to protect him from his father's drunken sprees. Strayhorn spent many months of his childhood at his grandparents' house in Hillsborough. In an interview, Strayhorn said that his grandmother was his primary influence during the first ten years of his life. He became interested in music while living with her, playing hymns on her piano, and playing records on her Victrola record player. Return to Pittsburgh and meeting Ellington S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lush Life (jazz Song)
"Lush Life" is a jazz standard that was written by Billy Strayhorn from 1933 to 1936. It was performed publicly for the first time by Strayhorn and vocalist Kay Davis with the Duke Ellington Orchestra at Carnegie Hall on November 13, 1948. Background The lyric describes the author's weariness of the night life after a failed romance, wasting time with "jazz and cocktails" at "come-what-may places" and in the company of girls with "sad and sullen gray faces/with ''distingué'' traces". Strayhorn was a teenager when he wrote most of the song, which was to become his signature composition (along with "Take the 'A' Train"). The song was written in the key of D-flat major. The melody is over relatively complex chord changes, compared with many jazz standards, with chromatic movement and modulations that evoke a dreamlike state and the dissolute spirit characteristic of the "lush life." During a 1949 interview, Strayhorn spoke of the song’s genesis: “’Lush Life’ wasn’t the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Francis Webster
Paul Francis Webster (December 20, 1907 – March 18, 1984) was an American lyricist who won three Academy Awards for Best Original Song, and was nominated sixteen times for the award. Life and career Webster was born in New York City, United States, the son of Myron Lawrence Webster and Blanche Pauline Stonehill Webster. His family was Jewish. His father was born in Augustów, Poland. He attended the Horace Mann School ( Riverdale, Bronx, New York), graduating in 1926, and then went to Cornell University from 1927 to 1928 and New York University from 1928 to 1930, leaving without receiving a degree. He worked on ships throughout Asia and then became a dance instructor at an Arthur Murray studio in New York City. By 1931, however, he turned his career direction to writing song lyrics. His first professional lyric was "Masquerade" (music by John Jacob Loeb) which became a hit in 1932, performed by Paul Whiteman. In 1935, Twentieth Century Fox signed him to a contract to write lyr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
