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Armet
The armet is a type of combat helmet which was developed in the 15th century. It was extensively used in Italy, France, England, the Low Countries and Spain. It was distinguished by being the first helmet of its era to completely enclose the head while being compact and light enough to move with the wearer. Its use was essentially restricted to the fully armoured man-at-arms. Appearance and origins As the armet was fully enclosing, and narrowed to follow the contours of the neck and throat, it had to have a mechanical means of opening and closing to enable it to be worn. The typical armet consisted of four pieces: the skull, the two large hinged cheek-pieces which locked at the front over the chin, and a visor which had a double pivot, one either side of the skull. The cheek-pieces opened laterally by means of horizontal hinges; when closed they overlapped at the chin, fastening by a spring-pin which engaged in a corresponding hole, or by a swivel-hook and pierced staple. A rein ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armet MET DP160171
The armet is a type of combat helmet which was developed in the 15th century. It was extensively used in Italy, France, England, the Low Countries and Spain. It was distinguished by being the first helmet of its era to completely enclose the head while being compact and light enough to move with the wearer. Its use was essentially restricted to the fully armoured man-at-arms. Appearance and origins As the armet was fully enclosing, and narrowed to follow the contours of the neck and throat, it had to have a mechanical means of opening and closing to enable it to be worn. The typical armet consisted of four pieces: the skull, the two large hinged cheek-pieces which locked at the front over the chin, and a visor which had a double pivot, one either side of the skull. The cheek-pieces opened laterally by means of horizontal hinges; when closed they overlapped at the chin, fastening by a spring-pin which engaged in a corresponding hole, or by a swivel-hook and pierced staple. A rein ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Close Helmet
The close helmet or close helm is a type of combat helmet that was worn by knights and other men-at-arms in the Late Medieval and Renaissance eras. It was also used by some heavily armoured, pistol-armed, cuirassiers into the mid-17th century. It is a fully enclosing helmet with a pivoting visor and integral bevor. Characteristics The close helmet was developed from the later versions of the sallet and the superficially similar armet in the late 15th century. In contemporary sources it was sometimes also referred to as an "armet", though modern scholarship draws a clear distinction between the two types. While outwardly very similar to the armet, the close helmet had an entirely different method of opening. Like the armet, the close helmet followed the contours of the head and neck closely, and narrowed at the throat, therefore it required a mechanical method for opening and closing. While an armet opened laterally using two large hinged cheekpieces, a close helmet instead open ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greenwich Armour
Greenwich armour is the plate armour in a distinctively English style produced by the Royal Almain Armoury founded by Henry VIII in 1511 in Greenwich near London, which continued until the English Civil War. The armoury was formed by imported master armourers hired by Henry VIII, initially including some from Italy and Flanders, as well as the Germans who dominated during most of the 16th century. The most notable head armourer of the Greenwich workshop was Jacob Halder, who was master workman of the armoury from 1576 to 1607. This was the peak period of the armoury's production and it coincided with the elaborately gilded and sometimes coloured decorated styles of late Tudor England. As the use of full plate in actual combat had declined by the late 16th century, the Greenwich armours were primarily created not for battle but for the tournament. Jousting was a favourite pastime of Henry VIII (at dire cost to his health), and his daughter Elizabeth I made her Accession Day tilts a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sallet
The sallet (also called ''celata,'' ''salade'' and ''schaller'') was a combat helmet that replaced the bascinet in Italy, western and northern Europe and Hungary during the mid-15th century. In Italy, France and England the armet helmet was also popular, but in Germany the sallet became almost universal. Origins The origin of the sallet seems to have been in Italy, where the term ''celata'' is first recorded in an inventory of the arms and armour of the Gonzaga family dated to 1407. In essence, the earliest sallets were a variant of the bascinet, intended to be worn without an aventail or visor. To protect the face and neck, left exposed by abandonment of the visor and aventail, the rear was curved out into a flange to protect the neck, and the sides of the helmet were drawn forward below the level of the eyes to protect the cheeks. The latter development was most pronounced in the barbute or ''barbuta,'' a variation of the sallet that adopted elements of Classical Corinthian helm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bascinet MET 29
The bascinet – also bassinet, basinet, or bazineto – was a Medieval European open-faced combat helmet. It evolved from a type of iron or steel skullcap, but had a more pointed apex to the skull, and it extended downwards at the rear and sides to afford protection for the neck. A mail curtain (aventail or camail) was usually attached to the lower edge of the helmet to protect the throat, neck and shoulders. A visor (face guard) was often employed from c. 1330 to protect the exposed face. Early in the fifteenth century, the camail began to be replaced by a plate metal gorget, giving rise to the so-called "great bascinet". Early development The first recorded reference to a bascinet, or ''bazineto'', was in the Italian city of Padua in 1281, when it is described as being worn by infantry.Nicolle (1999-journal), p. 583. It is believed that the bascinet evolved from a simple iron skullcap, (''Encyclopædia Britannica'', "Helmet") known as the cervelliere, which was worn wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rondel (armour)
A rondel () is a circular piece of metal used for protection, as part of a harness of plate armour, or attached to a helmet, breastplate, couter or on a gauntlet. Rondels most commonly hang off breastplates and cover the armpit, which is a vulnerable point. They may also have been used to steady the jousting lance. In this instance they are commonly known as besagews. They also appear on the back of a type of late medieval helmet known as the armet. Their purpose for this is unknown, though it has been surmised that they may protect strapping, or just be some sort of added protection. Rondels also appear uncommonly on the metacarpal parts of some historical gauntlet designs, and appear in some period illustrations protecting the side of the head, and the point of the elbow (where a fan may normally be). See also *Besagew—a kind of rondel for armpit protection *Mirror armour Mirror armour (russian: зерцало, , meaning "mirror"; zh, 护心镜, , meaning "protect-hea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bascinet
The bascinet – also bassinet, basinet, or bazineto – was a Medieval European open-faced combat helmet. It evolved from a type of iron or steel skullcap, but had a more pointed apex to the skull, and it extended downwards at the rear and sides to afford protection for the neck. A mail curtain ( aventail or camail) was usually attached to the lower edge of the helmet to protect the throat, neck and shoulders. A visor (face guard) was often employed from c. 1330 to protect the exposed face. Early in the fifteenth century, the camail began to be replaced by a plate metal gorget, giving rise to the so-called "great bascinet". Early development The first recorded reference to a bascinet, or ''bazineto'', was in the Italian city of Padua in 1281, when it is described as being worn by infantry.Nicolle (1999-journal), p. 583. It is believed that the bascinet evolved from a simple iron skullcap, (''Encyclopædia Britannica'', "Helmet") known as the cervelliere, which was worn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Battle Of San Romano
''The Battle of San Romano'' is a set of three paintings by the Florentine painter Paolo Uccello depicting events that took place at the Battle of San Romano between Florentine and Sienese forces in 1432. They are significant as revealing the development of linear perspective in early Italian Renaissance painting, and are unusual as a major secular commission. The paintings are in egg tempera on wooden panels, each over 3 metres long. According to the National Gallery, the panels were commissioned by a member of the Bartolini Salimbeni family in Florence sometime between 1435 and 1460. The paintings were much admired in the 15th century; Lorenzo de' Medici so coveted them that he purchased one and had the remaining two forcibly removed to the Palazzo Medici. They are now divided between three collections, the National Gallery, London, the Galleria degli Uffizi, Florence, and the Musée du Louvre, Paris. Subject The three paintings are: File:San Romano Battle (Paolo Uccello, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Uccello
Paolo Uccello ( , ; 1397 – 10 December 1475), born Paolo di Dono, was an Italian (Florentine) painter and mathematician who was notable for his pioneering work on visual perspective in art. In his book ''Lives of the Most Excellent Painters, Sculptors, and Architects'', Giorgio Vasari wrote that Uccello was obsessed by his interest in perspective and would stay up all night in his study trying to grasp the exact vanishing point. While his contemporaries used perspective to narrate different or succeeding stories, Uccello used perspective to create a feeling of depth in his paintings. His best known works are the three paintings representing the battle of San Romano, which were wrongly entitled the ''Battle of Sant'Egidio of 1416'' for a long period of time. Paolo worked in the Late Gothic tradition, emphasizing colour and pageantry rather than the classical realism that other artists were pioneering. His style is best described as idiosyncratic, and he left no school of fol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Close Helm Armet Open
Close may refer to: Music * ''Close'' (Kim Wilde album), 1988 * ''Close'' (Marvin Sapp album), 2017 * ''Close'' (Sean Bonniwell album), 1969 * "Close" (Sub Focus song), 2014 * "Close" (Nick Jonas song), 2016 * "Close" (Rae Sremmurd song), 2018 * "Close" (Jade Eagleson song), 2020 * "Close (to the Edit)", a 1984 song by Art of Noise * "Close", song by Aaron Lines from ''Living Out Loud'' * "Close", song by Drumsound & Bassline Smith from ''Wall of Sound'' * "Close", song by Rascal Flatts from '' Unstoppable'' * "Close", song by Soul Asylum from ''Candy from a Stranger'' * "Close", song by Westlife from '' Coast to Coast'' * "Close", song by French electronic group Telepopmusik and English vocalist Deborah Anderson, from their album ''Angel Milk'' Other uses * Close (surname) * Cathedral close, the area surrounding a cathedral, typically occupied by buildings associated with it * ''Close'' (2019 film), an action thriller * ''Close'' (2022 film), a Belgian drama film * Close ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bevor
A bevor ( ) or beaver is a piece of plate armour designed to protect the neck, much like a gorget. Etymology The word “bevor” or “beaver” is derived from Old French ''baver'', meaning ‘to dribble’. This is a reference to the effect on the wearer of the armour during battle. Description The bevor was a component of a medieval suit of armour. It was usually a single piece of plate armour protecting the chin and throat and filling the gap between the helmet and breastplate. The bevor could also extend over the knight’s left shoulder doubling the thickness of the armour. The bevor was originally worn in conjunction with a type of helmet known as a sallet. With the close helm and burgonet, developments of the sallet in the late medieval and Renaissance period, the bevor became a hinged plate protecting the lower face and throat. In the 16th century, the bevor developed into the falling buffe. This was a composite piece made up of several lames Lame or LAME may refe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
