Armande Cassive
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Armande Cassive
Louise-Armandine Duval (24 December 1867 – 8 March 1940), known professionally as Armande Cassive, was a French actress. Life and career Cassive was born in Paris, and made her early career in Ba-Ta-Clan opérette. In 1891 she played the role of Lisette in Hervé's opéra bouffe ''Le Petit Faust'' at the Théâtre de la Porte-Saint-Martin, and was promoted to share the lead role of Marguerite with Jeanne Granier. She moved to the Théâtre de la Gaité, where she replaced Juliette Simon-Girard, in ''Le Voyage de Suzette''. In 1892, she created roles in ''Le Pays de l'Or noir'' (The Land of Black Gold) and ''Le Talisman''. During the rest of decade she starred in opéras comiques and opérettes, and in 1899 was cast in a non-musical play, Georges Feydeau's farce '' La Dame de chez Maxim'' (The Lady from Maxim's) at the Théâtre des Nouveautés in the role of "la môme Crevette" (roughly translated as "the Shrimp kid"), a famous dancer from the Moulin-Rouge. ''Les Annales ...
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Moulin-Rouge
Moulin Rouge (, ; ) is a cabaret in Paris, on Boulevard de Clichy, at Place Blanche, the intersection of, and terminus of Rue Blanche. In 1889, the Moulin Rouge was co-founded by Charles Zidler and Joseph Oller, who also owned the Olympia (Paris), Paris Olympia. The original venue was destroyed by fire in 1915. Moulin Rouge is southwest of Montmartre, in the Paris district of Quartier Pigalle, Pigalle on Boulevard de Clichy in the 18ème arrondissement, Paris, 18th ''arrondissement'', it has a red windmill on its roof. The closest métro station is Blanche (Paris Métro), Blanche. Moulin Rouge is best known as the birthplace of the modern form of the can-can dance. Originally introduced as a seductive dance by the courtesans who operated from the site, the can-can dance revue evolved into a form of entertainment of its own and led to the introduction of cabarets across Europe. Today, the Moulin Rouge is a tourist attraction, offering predominantly musical dance entertainment ...
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French Stage Actresses
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * French ...
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Actresses From Paris
An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), literally "one who answers".''Hypokrites'' (related to our word for hypocrite) also means, less often, "to answer" the tragic chorus. See Weimann (1978, 2); see also Csapo and Slater, who offer translations of classical source material using the term ''hypocrisis'' (acting) (1994, 257, 265–267). The actor's interpretation of a rolethe art of actingpertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role," which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art. Formerly, in ancient Greece and the medieval world, and in England at the time of Willi ...
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1940 Deaths
Year 194 ( CXCIV) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Septimius and Septimius (or, less frequently, year 947 ''Ab urbe condita''). The denomination 194 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Septimius Severus and Decimus Clodius Septimius Albinus Caesar become Roman Consuls. * Battle of Issus: Septimius Severus marches with his army (12 legions) to Cilicia, and defeats Pescennius Niger, Roman governor of Syria. Pescennius retreats to Antioch, and is executed by Severus' troops. * Septimius Severus besieges Byzantium (194–196); the city walls suffer extensive damage. Asia * Battle of Yan Province: Warlords Cao Cao and Lü Bu fight for control over Yan Province; the battle lasts for over 100 ...
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1867 Births
Events January–March * January 1 – The Covington–Cincinnati Suspension Bridge opens between Cincinnati, Ohio, and Covington, Kentucky, in the United States, becoming the longest single-span bridge in the world. It was renamed after its designer, John A. Roebling, in 1983. * January 8 – African-American men are granted the right to vote in the District of Columbia. * January 11 – Benito Juárez becomes Mexican president again. * January 30 – Emperor Kōmei of Japan dies suddenly, age 36, leaving his 14-year-old son to succeed as Emperor Meiji. * January 31 – Maronite nationalist leader Youssef Bey Karam leaves Lebanon aboard a French ship for Algeria. * February 3 – ''Shōgun'' Tokugawa Yoshinobu abdicates, and the late Emperor Kōmei's son, Prince Mutsuhito, becomes Emperor Meiji of Japan in a brief ceremony in Kyoto, ending the Late Tokugawa shogunate. * February 7 – West Virginia University is established in Morgantown, West Virginia. * Febru ...
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Chantecler (play)
''Chantecler'' is a verse play in four acts written by Edmond Rostand. The play is notable in that all the characters are farmyard animals including the main protagonist, a chanticleer, or rooster. The play centers on the theme of idealism and spiritual sincerity, as contrasted with cynicism and artificiality. Much of the play satirizes modernist artistic doctrines from Rostand's romanticist perspective. Conception and productions Rostand was inspired to write the play after exploring the farming countryside around his new home, Villa Arnaga, in the Basque Country of the French Pyrenees, where he had come to live for health reasons after the phenomenal success of ''Cyrano de Bergerac'' and ''L'Aiglon''. Although he began writing the play in 1902, its completion was repeatedly delayed due to Rostand's perfectionism and illnesses. This is Rostand's most personal play, reflecting his deep love for the French countryside and its simple way of life; his disgust at the increasing cynic ...
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Edmond Rostand
Edmond Eugène Alexis Rostand (, , ; 1 April 1868 – 2 December 1918) was a French poet and dramatist. He is associated with neo-romanticism and is known best for his 1897 play ''Cyrano de Bergerac''. Rostand's romantic plays contrasted with the naturalistic theatre popular during the late nineteenth century. Another of Rostand's works, ''Les Romanesques'' (1894), was adapted to the 1960 musical comedy ''The Fantasticks''. Early life Rostand was born in Marseille, France, into a wealthy and cultured Provençal family. His father was an economist, a poet who translated and edited the works of Catullus, and a member of the Marseille Academy and the Institut de France. Rostand studied literature, history, and philosophy at the Collège Stanislas in Paris, France. Career When Rostand was twenty years old, his first play, a one-act comedy, ''Le Gant rouge'', was performed at the Cluny Theatre, 24 August 1888, but it was almost unnoticed.
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Je Ne Trompe Pas Mon Mari!
''Je ne trompe pas mon mari!'' (I don't cheat on my husband!) is a three-act farce by Georges Feydeau and René Peter. It was Feydeau's last full-length play. Opening in Paris in 1914, it ran for 200 performances. The plot revolves round the love life of a well-known painter, with the other characters in various permutations around him. Background and first production By 1914 Feydeau had written, on his own or in collaboration with other playwrights, more than twenty full-length plays, mostly farces (for which he used the alternative French term "vaudevilles"). Several had enjoyed unusually long runs on the Paris stage. What is now one of his most popular plays, ''A Flea in Her Ear, La Puce à l'oreille'' (A Flea in Her Ear), had closed prematurely after 86 performances in 1907, following the sudden death of one of its stars, but its successor, ''Occupe-toi d'Amélie!'' (Look After Amélie), ran for 288 performances the following year – considered an excellent run at the time. ...
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