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Armada Portrait
The ''Armada Portrait'' of Elizabeth I of England is the name of any of three surviving versions of an allegorical panel painting depicting the Tudor queen surrounded by symbols of royal majesty against a backdrop representing the defeat of the Spanish Armada in 1588. Iconography The combination of a life-sized portrait of Elizabeth I with a landscape format is "quite unprecedented in her portraiture",Strong 1987, ''Gloriana'', p. 130–133 although allegorical portraits in this format, such as the ''Family of Henry VIII: An Allegory of the Tudor Succession'', a 1572 portrait attributed to Lucas de Heere pre-date the ''Armada Portrait''. English art in this period was isolated from trends in Catholic Italy, and owed more to Flemish manuscript illumination and heraldic representation than to Renaissance ideas of unity in time and space in art. The 'Armada Portrait' is no exception: the chair to the right is viewed from two different angles, as are the tables on the left, and th ...
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George Gower
George Gower (c.1540–1596) was an English portrait painter who became Serjeant Painter to Queen Elizabeth I in 1581. Biography Very little is known about his early life except that he was a grandson of Sir John Gower of Stittenham, North Yorkshire. Hearn, Karen, ed. ''Dynasties: Painting in Tudor and Jacobean England 1530-1630'', p. 107 His earliest documented works are the two 1573 companion portraits of Sir Thomas Kytson and his wife Lady Kytson, now in the Tate Gallery in London. Gower painted a self-portrait in 1579 (right) that shows his coat of arms and his artist's tools of his trade. An allegorical device shows a balance with an artist's dividers outweighing the family coat of arms, "a startling claim in England where a painter was still viewed as little more than an artisan." Gower is also famous for painting the Plimpton "Sieve" Portrait of Queen Elizabeth in 1579, now at the Folger Shakespeare Library. The sieve that Elizabeth carries signifies the Roman ve ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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Roy Strong
Sir Roy Colin Strong, (born 23 August 1935) is an English art historian, museum curator, writer, broadcaster and landscape designer. He has served as director of both the National Portrait Gallery and the Victoria and Albert Museum in London. Strong was knighted in 1982. Early years Roy Colin Strong was born at Winchmore Hill, London Borough of Enfield (then in Middlesex), the third son of hat manufacturer's commercial traveller George Edward Clement Strong, and Mabel Ada Strong (''née'' Smart). He was raised in "an Enfield terrace sans books, with linoleum 'in shades of unutterable green'", and attended nearby Edmonton County School, a grammar school in Edmonton. Strong graduated with a first class honours degree in history from Queen Mary College, University of London. He then earned his PhD from the Warburg Institute and became a research fellow at the Institute of Historical Research. His passionate interest in the portraiture of Queen Elizabeth I was sidelined "while he ...
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Pillars Of Hercules
The Pillars of Hercules ( la, Columnae Herculis, grc, Ἡράκλειαι Στῆλαι, , ar, أعمدة هرقل, Aʿmidat Hiraql, es, Columnas de Hércules) was the phrase that was applied in Antiquity to the promontories that flank the entrance to the Strait of Gibraltar. The northern Pillar, Calpe Mons, is the Rock of Gibraltar. A corresponding North African peak not being predominant, the identity of the southern Pillar, Abila Mons, has been disputed throughout history, with the two most likely candidates being Monte Hacho in Ceuta and Jebel Musa in Morocco. History According to Greek mythology adopted by the Etruscans and Romans, when Hercules had to perform twelve labours, one of them (the tenth) was to fetch the Cattle of Geryon of the far West and bring them to Eurystheus; this marked the westward extent of his travels. A lost passage of Pindar quoted by Strabo was the earliest traceable reference in this context: "the pillars which Pindar calls the 'gates of ...
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Philip II Of Spain
Philip II) in Spain, while in Portugal and his Italian kingdoms he ruled as Philip I ( pt, Filipe I). (21 May 152713 September 1598), also known as Philip the Prudent ( es, Felipe el Prudente), was King of Spain from 1556, King of Portugal from 1580, and King of Naples and Sicily from 1554 until his death in 1598. He was '' jure uxoris'' King of England and Ireland from his marriage to Queen Mary I in 1554 until her death in 1558. He was also Duke of Milan from 1540. From 1555, he was Lord of the Seventeen Provinces of the Netherlands. The son of Emperor Charles V and Isabella of Portugal, Philip inherited his father's Spanish Empire in 1556 and succeeded to the Portuguese throne in 1580 following a dynastic crisis. The Spanish conquests of the Inca Empire and of the Philippines, named in his honor by Ruy López de Villalobos, were completed during his reign. Under Philip II, Spain reached the height of its influence and power, sometimes called the Spanish Golden Age, and r ...
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Holy Roman Emperor, Charles V
Charles V, french: Charles Quint, it, Carlo V, nl, Karel V, ca, Carles V, la, Carolus V (24 February 1500 – 21 September 1558) was Holy Roman Emperor and Archduke of Austria from 1519 to 1556, King of Spain ( Castile and Aragon) from 1516 to 1556, and Lord of the Netherlands as titular Duke of Burgundy from 1506 to 1555. He was heir to and then head of the rising House of Habsburg during the first half of the 16th century, his dominions in Europe included the Holy Roman Empire, extending from Germany to northern Italy with direct rule over the Austrian hereditary lands and the Burgundian Low Countries, and Spain with its southern Italian possessions of Naples, Sicily, and Sardinia. He oversaw both the continuation of the long-lasting Spanish colonization of the Americas and the short-lived German colonization of the Americas. The personal union of the European and American territories of Charles V was the first collection of realms labelled "the empire on which the ...
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Personal Device
A heraldic badge, emblem, impresa, device, or personal device worn as a badge indicates allegiance to, or the property of, an individual, family or corporate body. Medieval forms are usually called a livery badge, and also a cognizance. They are para-heraldic, not necessarily using elements from the coat of arms of the person or family they represent, though many do, often taking the crest or supporters. Their use is more flexible than that of arms proper. Badges worn on clothing were common in the late Middle Ages, particularly in England. They could be made of base metal, cloth or other materials and worn on the clothing of the followers of the person in question; grander forms would be worn by important persons, with the Dunstable Swan Jewel in enamelled gold a rare survivor. Livery collars were also given to important persons, often with the badge as a pendant. The badge would also be embroidered or appliqued on standards, horse trappings, livery uniforms, and other belongi ...
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New World
The term ''New World'' is often used to mean the majority of Earth's Western Hemisphere, specifically the Americas."America." ''The Oxford Companion to the English Language'' (). McArthur, Tom, ed., 1992. New York: Oxford University Press, p. 33: "[16c: from the feminine of ''Americus'', the Latinized first name of the explorer Amerigo Vespucci (1454–1512). The name ''America'' first appeared on a map in 1507 by the German cartographer Martin Waldseemüller, referring to the area now called Brazil]. Since the 16c, a name of the western hemisphere, often in the plural ''Americas'' and more or less synonymous with ''the New World''. Since the 18c, a name of the United States of America. The second sense is now primary in English: ... However, the term is open to uncertainties: ..." The term gained prominence in the early 16th century, during Europe's Age of Discovery, shortly after the Italian explorer Amerigo Vespucci concluded that America (now often called ''the Am ...
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Tudor Crown
The Tudor Crown, also known as Henry VIII's Crown, was the imperial and state crown of English monarchs from around the time of Henry VIII until it was destroyed during the Civil War in 1649. It was described by the art historian Sir Roy Strong as "a masterpiece of early Tudor jeweller's art", and its form has been compared to the crown of the Holy Roman Empire. Description Its date of manufacture is unknown, but Henry VII or his son and successor Henry VIII probably commissioned the crown, first documented in writing in a 1521 inventory of Henry VIII's jewels, naming the crown as "the king's crown of gold". More elaborate than its medieval predecessor, it originally had two arches, five crosses pattée and five fleurs-de-lis, and was decorated with emeralds, sapphires, rubies, pearls, diamonds and, at one time, the Black Prince's Ruby (a large spinel). In the centre petals of the fleurs-de-lis were gold and enamel figurines of the Virgin Mary, St George and three image ...
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Marcus Gheeraerts The Younger
Marcus Gheeraerts (also written as Gerards or Geerards; 1561/62 – 19 January 1636) was a Flemish artist working at the Tudor court, described as "the most important artist of quality to work in England in large-scale between Eworth and van Dyck"Strong 1969, p. 22 He was brought to England as a child by his father Marcus Gheeraerts the Elder, also a painter. He became a fashionable portraitist in the last decade of the reign of Elizabeth I under the patronage of her champion and pageant-master Sir Henry Lee. He introduced a new aesthetic in English court painting that captured the essence of a sitter through close observation. He became a favorite portraitist of James I's queen Anne of Denmark, but fell out of fashion in the late 1610s. Family Marcus Gheeraerts the Younger (sometimes known as Mark Garrard) was born in Bruges, the son of the artist Marcus Gheeraerts the Elder and his wife Johanna. Hardly anything is known of the paintings of the elder Gheeraerts, although ...
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