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Ariel Bybee
Ariel Bybee (January 9, 1943 – March 20, 2018) was a mezzo-soprano who has had a distinguished career as a soloist, voice teacher and university opera director. According to ''Opera News'' (June 2000), she was "a prominent mezzo at the Metropolitan Opera for eighteen seasons." She sang over 460 performances at the Metropolitan Opera. Bybee received a bachelor's degree from Brigham Young University in 1965. She later took advanced musical studies in New York where one of her voice teachers was Cornelius L. Reid. Bybee was an alumna of the Music Academy of the West where she attended in 1969. Bybee was a member of The Church of Jesus Christ of Latter-day Saints and has soloed with the Tabernacle Choir. At the 2001 dedication of the Winter Quarters, Nebraska Temple Bybee sang a solo. Performance history Bybee sang at the Met in every season from 1977-95. She first earned accolades at the Met for her performance as Jenny the whore in ''Rise and Fall of the City of Mahagonny ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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The Consul
''The Consul'' is an opera in three acts with music and libretto by Gian Carlo Menotti, his first full-length opera. Performance history Its first performance was on March 1, 1950 at the Schubert Theatre in Philadelphia with Patricia Neway as the lead heroine Magda Sorel, Gloria Lane as the secretary of the consulate, Marie Powers as the mother, and Andrew McKinley as the magician Nika Magadoff. The opera opened two weeks later at the Ethel Barrymore Theatre in New York City where it enjoyed a run of nearly eight months. Neway (alternating with Yul Brynner's sister, Vera Brynner) also led the Broadway cast, this time with Rosemary Kuhlmann as the secretary of the consulate. Neway, Kuhlmann, and Powers also performed these roles in the UK at the Cambridge Theatre in February 1951, with Norman Kelley playing the role of the magician Nika. For the opera's La Scala debut in January 1951, Powers and McKinley reprised their roles, and Clara Petrella portrayed Magda. Zechariah Chafee ...
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Tanglewood Music Festival
The Tanglewood Music Festival is a music festival held every summer on the Tanglewood estate in Stockbridge and Lenox in the Berkshire Hills in western Massachusetts. The festival consists of a series of concerts, including symphonic music, chamber music, choral music, musical theater, contemporary music, jazz, and pop music. The Boston Symphony Orchestra is in residence at the festival, but many of the concerts are put on by other groups. It is one of the premier music festivals in the United States and one of the top in the world.Anthony Tommasini: "Review: Tanglewood Orchestra Celebrating Its 75th"
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Coronation Of Poppea
''L'incoronazione di Poppea'' ( SV 308, ''The Coronation of Poppaea'') is an Italian opera by Claudio Monteverdi. It was Monteverdi's last opera, with a libretto by Giovanni Francesco Busenello, and was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1643 carnival season. One of the first operas to use historical events and people, it describes how Poppaea, mistress of the Roman emperor Nero, is able to achieve her ambition and be crowned empress. The opera was revived in Naples in 1651, but was then neglected until the rediscovery of the score in 1888, after which it became the subject of scholarly attention in the late 19th and early 20th centuries. Since the 1960s, the opera has been performed and recorded many times. The original manuscript of the score does not exist; two surviving copies from the 1650s show significant differences from each other, and each differs to some extent from the libretto. How much of the music is actually Monteverdi's, and ...
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La Favorita
''La favorite'' (''The Favourite'', sometimes referred to by its Italian title: ''La favorita'') is a grand opera in four acts by Gaetano Donizetti to a French-language libretto by Alphonse Royer and Gustave Vaëz, based on the play ''Le comte de Comminges'' by Baculard d'Arnaud with additions by Eugène Scribe based on the story of Leonora de Guzman. The opera concerns the romantic struggles of the King of Castile, Alfonso XI, and his mistress, the "favourite" Leonora, against the backdrop of the political wiles of receding Moorish Spain and the life of the Catholic Church. It premiered on 2 December 1840 at the Académie Royale de Musique (Salle Le Peletier) in Paris. Background Originally, Donizetti had been composing an opera by the name of ''Le Duc d'Albe'' as his second work for the Opéra in Paris. However, the director, Léon Pillet, objected to an opera without a prominent role for his mistress, mezzo-soprano Rosine Stoltz. Donizetti therefore abandoned ''Le Duc d' ...
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La Bohème
''La bohème'' (; ) is an opera in four acts,Puccini called the divisions ''quadri'', ''tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on ''Scènes de la vie de bohème'' (1851) by Henri Murger. The story is set in Paris around 1830 and shows the Bohemian lifestyle (known in French as "") of a poor seamstress and her artist friends. The world premiere of ''La bohème'' was in Turin on 1 February 1896 at the Teatro Regio, conducted by the 28-year-old Arturo Toscanini. Since then, ''La bohème'' has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide. In 1946, fifty years after the opera's premiere, Toscanini conducted a commemorative performance of it on radio with the NBC Symphony Orchestra. A recording of the performance was later released by RCA Victor on vinyl record, tape and compact disc. ...
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Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the Carmen (novella), novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical Western canon, canon; the "Habanera (aria), Habanera" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of th ...
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San Francisco Opera
San Francisco Opera (SFO) is an American opera company founded in 1923 by Gaetano Merola (1881–1953) based in San Francisco, California. History Gaetano Merola (1923–1953) Merola's road to prominence in the Bay Area began in 1906 when he first visited the city. In 1909, he returned as the conductor of the International Opera Company of Montreal, one of the many visiting troupes that frequented the bustling city. Continued visits for the next decade convinced him that a San Francisco company was viable. In 1921, Merola returned to live in the city under the patronage of Mrs. Oliver Stine. During this time, Merola conceived of branching away from the area's reliance on visiting troupes for entertainment that had been common place since the Gold Rush era. By the fall, he was planning his first season, and the very next year, Merola organized a trial season at Stanford University. The first performance occurred in the Stanford Cardinal's football stadium on June 3rd, 1922 wi ...
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Kurt Herbert Adler
Kurt Herbert Adler (2 April 1905 – 9 February 1988) was an Austrian-born American conductor and opera house director. Biography Adler was born in Vienna, Austria, to a Jewish family; his mother, Ida Bauer, was one of the first patients of Sigmund Freud. His work in the field of music led him to become the assistant to Arturo Toscanini at the Salzburg Festival in 1936 and he also worked in Italy. Following the Nazi occupation of Austria in 1938, as a Jew he was forced to leave and went to the Chicago City Opera Company as assistant chorus director where he worked for five years. Gaetano Merola, then General Director of the San Francisco Opera, heard of him and, over the telephone, invited him to the San Francisco Opera in 1943 as chorus director. In the following ten years, he took on more and more administrative details as Merola's health and energy diminished. While Adler was not the Board's natural choice to replace Merola at the time of his death in 1953, after three m ...
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Maurice Abravanel
Maurice Abravanel (January 6, 1903 – September 22, 1993) was an American classical music conductor. He is remembered as the conductor of the Utah Symphony Orchestra for over 30 years. Life Abravanel was born in Salonika, Rumelia Eyalet, Ottoman Empire (modern Thessaloniki, Greece). He came from an illustrious Sephardic Jewish family, which was expelled from Spain in 1492 (see Isaac Abrabanel). Abravanel's ancestors settled in Salonika in 1517, and his parents were both born there. In 1909, the Abravanel family moved to Lausanne, Switzerland, where his father, Edouard de Abravanel, was a successful pharmacist. For several years, the Abravanels lived in the same house as Ernest Ansermet, the conductor of the Orchestre de la Suisse Romande. The young Abravanel played four-hand piano arrangements with Ansermet, began to compose, and met composers such as Darius Milhaud and Igor Stravinsky. He was passionate about music and knew he wanted a career as a musician. He became the piani ...
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Carnegie Hall
Carnegie Hall ( ) is a concert venue in Midtown Manhattan in New York City. It is at 881 Seventh Avenue (Manhattan), Seventh Avenue, occupying the east side of Seventh Avenue between West 56th Street (Manhattan), 56th and 57th Street (Manhattan), 57th Streets. Designed by architect William Burnet Tuthill and built by philanthropist Andrew Carnegie, it is one of the most prestigious venues in the world for both classical music and popular music. Carnegie Hall has its own artistic programming, development, and marketing departments and presents about 250 performances each season. It is also rented out to performing groups. Carnegie Hall has 3,671 seats, divided among three auditoriums. The largest one is the Stern Auditorium, a five-story auditorium with 2,804 seats. Also part of the complex are the 599-seat Zankel Hall on Seventh Avenue, as well as the 268-seat Joan and Sanford I. Weill Recital Hall on 57th Street. Besides the auditoriums, Carnegie Hall contains offices on its t ...
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Elektra (opera)
''Elektra'', Opus number, Op. 58, is a one-act opera by Richard Strauss, to a German-language libretto by Hugo von Hofmannsthal, which he adapted from his 1903 drama ''Elektra''. The opera was the first of many collaborations between Strauss and Hofmannsthal. It was first performed at the Semperoper, Königliches Opernhaus in Dresden on 25 January 1909. It was dedicated to his friends Natalie and Willy Levin. History While based on ancient Greek mythology and Sophocles' tragedy ''Electra (Sophocles play), Electra'', the opera is highly Modernism, modernist and Expressionist music, expressionist in style. Hofmannsthal's and Strauss's adaptation of the story focuses tightly on Electra, Elektra, thoroughly developing her character by single-mindedly expressing her emotions and psychology as she meets with other characters, mostly one at a time. (The order of these conversations closely follows Sophocles' play.) The other characters are Clytemnestra, Klytaemnestra, her mother and o ...
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