Apurva Avsar
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Apurva Avsar
''Apurva Avsar'' is a 2007 biographical play about an Indian Jain philosopher and mystic Shrimad Rajchandra directed by Manoj Shah. The play is co-written by Shah and Raju Dave. Background Manoj Shah contributed significantly in the development of Jain performing arts. He directed several plays on Jain personalities including: ''Apurva Khela'' based on Anandghan, ''Veerayan'' based on Mahavira, ''Bhavaprapanch'' based on Siddharishi Gani, ''Siddhahem'' based on Hemachandra, ''Vastupal Tejpal'' based on two brothers Vastupal and Tejpal, and ''Jiyo Jee Bhar Ke''. ''Apurva Avsar'' is second in these series of plays. The title of play comes from Rajchandra's poem "Apurva Avsar Aevo Kyare Aavshe". The play premiered on 28 February 2007 at Prithvi Theatre, Mumbai. The play narrates Rajchandra's life story from his childhood in a small remote village of Gujarat to his eventual renunciation of all worldly pleasures, and shows how Jainism contributed in the development of the Indian her ...
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Manoj Shah
Manoj Sakarchand Shah (born 5 February 1955) is an Indian theatre director, actor and producer known for his works in the Gujarati theatre. He has directed over 90 plays, such as one-man plays and biographical plays, in different genres . He is known primarily for his quirky biographical plays which include: ''Hu Chandrakant Bakshi'' based on the writer of the same name, ''Mohan No Masalo'' based on Mahatma Gandhi, ''Apurva Avsar'' based on Jain mystic Shrimad Rajchandra, ''Mareez'' based on poet Mareez, '' Jal Jal Mare Patang'' based on writer-philosopher Manilal Dwivedi, '' Karl Marx in Kalbadevi'' based on German philosopher Karl Marx, and '' Dr. Anandibai Joshi: Like, Comment, Share'' based on Anandi Gopal Joshi, India's first female doctor. He produces plays under his theatre company Ideas Unlimited. His play ''Mohan No Masalo'' was included in the ''Limca Book of Records'' for its performances in three languages (English, Hindi and Gujarati) in a single day. His biographic ...
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Dhwanil Parekh
Dhwanil Ravindrabhai Parekh (b. 28 October 1976 ) is a Gujarati language poet, critic and playwright from Gujarat, India. His significant works include ''Dariyo Bhalene Maane'' (2008; Ghazal anthology), ''Antim Yuddha'' (2009; drama) and ''Sanket'' (2011; critical works). He won Yuva Puraskar of Sahitya Akademi, New Delhi for his work ''Antim Yuddha'' in 2011. He is also a recipient of Yuva Gaurav Puraskar of 2008 instituted by Gujarat Sahitya Akademi. Early life Parekh was born in Surat, Gujarat. His parents are Pushpa and Ravindra Parekh, Ravindra (a poet and writer). He completed his primary education in Surat. He completed his Std. 10 in 1992 from Kadiwala High School, Surat and Std. 12 in 1994 from Proprietary English School, Surat. He got his Bachelor of Arts in 1997 from J.Z. Shah Arts and H.P. Desai Commerce College, Amroli and Master of Arts in 1999 from M.T.B. Arts College, Surat in Gujarati literature. In 2005, he earned a Ph.D. for his research ''Natakma Myth : Bha ...
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Biographical Plays About Religious Leaders
A biography, or simply bio, is a detailed description of a person's life. It involves more than just the basic facts like education, work, relationships, and death; it portrays a person's experience of these life events. Unlike a profile or curriculum vitae ( résumé), a biography presents a subject's life story, highlighting various aspects of their life, including intimate details of experience, and may include an analysis of the subject's personality. Biographical works are usually non-fiction, but fiction can also be used to portray a person's life. One in-depth form of biographical coverage is called legacy writing. Works in diverse media, from literature to film, form the genre known as biography. An authorized biography is written with the permission, cooperation, and at times, participation of a subject or a subject's heirs. An autobiography is written by the person themselves, sometimes with the assistance of a collaborator or ghostwriter. History At first, bio ...
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Plays Set In India
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * Play (2005 film), ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan (filmmaker), David Kaplan * Play (2011 film), ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * Rush (2012 film), ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * The Play (film), ''The Play'' (film), a 2013 Bengali film Literature and pu ...
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Plays Set In The 19th Century
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Times' ...
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Gujarati-language Plays
Gujarati (; gu, ગુજરાતી, Gujarātī, translit-std=ISO, label=Gujarati script, ) is an Indo-Aryan language native to the Indian state of Gujarat and spoken predominantly by the Gujarati people. Gujarati is descended from Old Gujarati (). In India, it is one of the 22 scheduled languages of the Union. It is also the official language in the state of Gujarat, as well as an official language in the union territory of Dadra and Nagar Haveli and Daman and Diu. As of 2011, Gujarati is the 6th most widely spoken language in India by number of native speakers, spoken by 55.5 million speakers which amounts to about 4.5% of the total Indian population. It is the 26th most widely spoken language in the world by number of native speakers as of 2007.Mikael Parkvall, "Världens 100 största språk 2007" (The World's 100 Largest Languages in 2007), in ''Nationalencyklopedin''. Asterisks mark th2010 estimatesfor the top dozen languages. Outside of Gujarat, Gujarati is ...
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Biographical Plays About Philosophers
A biography, or simply bio, is a detailed description of a person's life. It involves more than just the basic facts like education, work, relationships, and death; it portrays a person's experience of these life events. Unlike a profile or curriculum vitae ( résumé), a biography presents a subject's life story, highlighting various aspects of their life, including intimate details of experience, and may include an analysis of the subject's personality. Biographical works are usually non-fiction, but fiction can also be used to portray a person's life. One in-depth form of biographical coverage is called legacy writing. Works in diverse media, from literature to film, form the genre known as biography. An authorized biography is written with the permission, cooperation, and at times, participation of a subject or a subject's heirs. An autobiography is written by the person themselves, sometimes with the assistance of a collaborator or ghostwriter. History At first, bio ...
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Biographical Plays About Writers
A biography, or simply bio, is a detailed description of a person's life. It involves more than just the basic facts like education, work, relationships, and death; it portrays a person's experience of these life events. Unlike a profile or curriculum vitae (résumé), a biography presents a subject's life story, highlighting various aspects of their life, including intimate details of experience, and may include an analysis of the subject's personality. Biographical works are usually non-fiction, but fiction can also be used to portray a person's life. One in-depth form of biographical coverage is called legacy writing. Works in diverse media, from literature to film, form the genre known as biography. An authorized biography is written with the permission, cooperation, and at times, participation of a subject or a subject's heirs. An autobiography is written by the person themselves, sometimes with the assistance of a collaborator or ghostwriter. History At first, biogra ...
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2007 Plays
7 (seven) is the natural number following 6 and preceding 8. It is the only prime number preceding a cube. As an early prime number in the series of positive integers, the number seven has greatly symbolic associations in religion, mythology, superstition and philosophy. The seven Classical planets resulted in seven being the number of days in a week. It is often considered lucky in Western culture and is often seen as highly symbolic. Unlike Western culture, in Vietnamese culture, the number seven is sometimes considered unlucky. It is the first natural number whose pronunciation contains more than one syllable. Evolution of the Arabic digit In the beginning, Indians wrote 7 more or less in one stroke as a curve that looks like an uppercase vertically inverted. The western Ghubar Arabs' main contribution was to make the longer line diagonal rather than straight, though they showed some tendencies to making the digit more rectilinear. The eastern Arabs developed the digit fr ...
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Mahatma Na Mahatma
Mahatma (English pronunciation: , sa, महात्मा, translit=mahātmā) is an honorific used in India. The term is commonly used for Mohandas Karamchand Gandhi, who is often referred to simply as "Mahatma Gandhi". Albeit less frequently, this epithet has also been used with regard to such people as Basava (1131–1167), Swami Shraddhanand (1856–1926), Lalon Shah (1772–1890), Ayyankali (1863–1941), and Jyotirao Phule (1827–1890). The term ''mahātmā'' has also been historically used for a class of religious scholars in Jainism; for the selected religious leaders in Theosophy; and for local religious teachers in the Divine Light Mission church. Etymology The term ''Mahatma'' derives from the Sanskrit terms महा (mahā), meaning "great" and आत्मा (ātmā), meaning "soul". In Theosophy The word, used in a technical sense, was popularized in theosophical literature in the late 19th century, when Helena Blavatsky, one of the founders of th ...
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Mahatma Gandhi
Mohandas Karamchand Gandhi (; ; 2 October 1869 – 30 January 1948), popularly known as Mahatma Gandhi, was an Indian lawyer, anti-colonial nationalist Quote: "... marks Gandhi as a hybrid cosmopolitan figure who transformed ... anti-colonial nationalist politics in the twentieth-century in ways that neither indigenous nor westernized Indian nationalists could." and political ethicist Quote: "Gandhi staked his reputation as an original political thinker on this specific issue. Hitherto, violence had been used in the name of political rights, such as in street riots, regicide, or armed revolutions. Gandhi believes there is a better way of securing political rights, that of nonviolence, and that this new way marks an advance in political ethics." who employed nonviolent resistance to lead the successful campaign for India's independence from British rule, and to later inspire movements for civil rights and freedom across the world. The honorific ''Mahātmā'' (Sanskrit ...
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Moksa
''Moksha'' (; sa, मोक्ष, '), also called ''vimoksha'', ''vimukti'' and ''mukti'', is a term in Hinduism, Buddhism, Jainism and Sikhism for various forms of emancipation, enlightenment, liberation, and release. In its soteriological and eschatological senses, it refers to freedom from ''saṃsāra'', the cycle of death and rebirth. In its epistemological and psychological senses, ''moksha'' is freedom from ignorance: self-realization, self-actualization and self-knowledge. In Hindu traditions, ''moksha'' is a central concept and the utmost aim of human life; the other three aims being ''dharma'' (virtuous, proper, moral life), ''artha'' (material prosperity, income security, means of life), and ''kama'' (pleasure, sensuality, emotional fulfillment). Together, these four concepts are called Puruṣārtha in Hinduism. In some schools of Indian religions, ''moksha'' is considered equivalent to and used interchangeably with other terms such as ''vimoksha'', ''vimukti'' ...
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