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Apotheosis Of Palermo
The ''Apotheosis of Palermo'' is a fresco by Vito D'Anna in the Palazzo Isnello, Palermo, Italy, considered one of the most representative works of the Sicilian Baroque painting. It is one of the seven monumental representations of the Genius of Palermo. Description The fresco is an allegory representing the apotheosis of the city of Palermo, personified by the Genius of Palermo, numen protector of the city, surrounded by allegorical figure, as '' Fame'', ''Justice'', ''Abundance'', and others mythological figures. The painting, signed and dated 1760 by Vito D'Anna, is at the noble floor of Palazzo Isnello, on the vault of the bellroom. See also *Rococo References Bibliography *Citti Siracusano, ''La pittura del Settecento in Sicilia''. Rome, De Luca, 1986. *Sergio Troisi, ''Vito D'Anna''. Palermo, «Kalos», issue 4, July/August, 1993. *Rita Cedrini. ''Repertorio delle dimore nobili e notabili nella Sicilia del XVIII secolo''. Palermo, Regione Siciliana BBCCAA, 2003 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vito D'Anna
Vito D'Anna (14 October 1718 – 13 October 1769) was an Italian painter, considered the most prominent painter of Palermitan rococo and one of the most important artists of Sicily. Biography He was the father of Alessandro D'Anna, the brother-in-law of Francesco Sozzi, and the son-in-law of Olivio Sozzi. He studied in Acireale under Pietro Paolo Vasta from 1736 to 1744, when he returned to Palermo. In Acireale, he had painted ''Portrait of the Provost Gambino''. Returning to Palermo, Vito married the daughter of the Catanese painter Olivio Sozzi. Sozzi helped arrange D'Anna to work with the circle of an aged Corrado Giaquinto in Rome. D'Anna frescoed a number of palaces, and the churches of San Sebastiano, San Matteo and del Salvatore in Palermo. Among his works were: his fresco of the ''Madonna dei Raccomandati'' in the church of the same name, his ''Nativity'' in the church della Grotta, ''Self-portrait'' in the Pinacoteca Zelantea. His nephew, Giuseppe Patania, was also a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Justice (virtue)
Justice is one of the four cardinal virtues in classical European philosophy and Roman Catholicism. It is the moderation or mean between selfishness and selflessness – between having more and having less than one's fair share. Justice is closely related, in Christianity, to the practice of Charity (virtue) because it regulates the relationships with others. It is a cardinal virtue, which is to say that it is "pivotal", because it regulates all such relationships, and is sometimes deemed the most important of the cardinal virtues. Early developments According to Aristotle, "Justice consists in a certain equality by which the just and definite claim of another, neither more nor less, is satisfied." This is equal insofar as each one receives what he is entitled to, but may be unequal insofar as different people may have different rights: two children have different rights from a certain adult if that adult is the parent of one of them and not of the other. Aristotle developed t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1760 Paintings
Year 176 ( CLXXVI) was a leap year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Proculus and Aper (or, less frequently, year 929 ''Ab urbe condita''). The denomination 176 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * November 27 – Emperor Marcus Aurelius grants his son Commodus the rank of ''Imperator'', and makes him Supreme Commander of the Roman legions. * December 23 – Marcus Aurelius and Commodus enter Rome after a campaign north of the Alps, and receive a triumph for their victories over the Germanic tribes. * The Equestrian Statue of Marcus Aurelius is made. It is now kept at Museo Capitolini in Rome (approximate date). Births * Fa Zheng, Chinese nobleman and adviser (d. 220) * Liu Bian, Chinese emperor of the Han Dynasty (d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
OPAC
The online public access catalog (OPAC), now frequently synonymous with '' library catalog'', is an online database of materials held by a library or group of libraries. Online catalogs have largely replaced the analog card catalogs previously used in libraries. History Early online Although a handful of experimental systems existed as early as the 1960s, the first large-scale online catalogs were developed at Ohio State University in 1975 and the Dallas Public Library in 1978. These and other early online catalog systems tended to closely reflect the card catalogs that they were intended to replace. Using a dedicated terminal or telnet client, users could search a handful of pre-coordinate indexes and browse the resulting display in much the same way they had previously navigated the card catalog. Throughout the 1980s, the number and sophistication of online catalogs grew. The first commercial systems appeared, and would by the end of the decade largely replace systems bui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sicily
(man) it, Siciliana (woman) , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = Ethnicity , demographics1_footnotes = , demographics1_title1 = Sicilian , demographics1_info1 = 98% , demographics1_title2 = , demographics1_info2 = , demographics1_title3 = , demographics1_info3 = , timezone1 = CET , utc_offset1 = +1 , timezone1_DST = CEST , utc_offset1_DST = +2 , postal_code_type = , postal_code = , area_code_type = ISO 3166 code , area_code = IT-82 , blank_name_sec1 = GDP (nominal) , blank_info_sec1 = €89.2 billion (2018) , blank1_name_sec1 = GDP per capita , blank1_info_sec1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rococo
Rococo (, also ), less commonly Roccoco or Late Baroque, is an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and ''trompe-l'œil'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence the other arts, particularly sculpture, furniture, silverware, glassware, painting, music, and theatre. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to its widespread use in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Nobile
The ''piano nobile'' (Italian for "noble floor" or "noble level", also sometimes referred to by the corresponding French term, ''bel étage'') is the principal floor of a palazzo. This floor contains the main reception and bedrooms of the house. Characteristics The ''piano nobile'' is usually the first storey (in European terminology; second floor in American terms), or sometimes the second storey, containing major rooms, located above the rusticated ground floor containing the minor rooms and service rooms. The reasons for this were so the rooms above the ground floor would have finer views and to avoid the dampness and odours of the street level. This is especially true in Venice, where the ''piano nobile'' of the many '' palazzi'' is especially obvious from the exterior by virtue of its larger windows and balconies, and open loggias. Examples of this are Ca' Foscari, Ca' d'Oro, Ca' Vendramin Calergi, and Palazzo Barbarigo. Larger windows than those on other floors are usu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Greek Mythological Figures
The following is a list of gods, goddesses, and many other divine and semi-divine figures from ancient Greek mythology and ancient Greek religion. Immortals The Greeks created images of their deities for many purposes. A temple would house the statue of a god or goddess, or multiple deities, and might be decorated with relief scenes depicting myths. Divine images were common on coins. Drinking cups and other vessels were painted with scenes from Greek myths. Major gods and goddesses Greek primordial deities Titans and Titanesses The Titan gods and goddesses are depicted in Greek art less commonly than the Olympians. File:Eos Memnon Louvre G115.jpg, Eos (Dawn) and the hero Memnon (490–480 BC) File:Ilion---metopa.jpg, Helios in his four-horse chariot (3rd century BC) File:0029MAN-Themis.jpg, Themis, from the Temple of Nemesis (ca. 300 BC) File:Antakya Arkeoloji Muzesi 02366 nevit.jpg, Oceanus wearing crab-claw horns, with Tethys ( Roman-era mosaic) File:Creation Promethe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abundantia
In ancient Roman religion, Abundantia (), also called Abundita or Copia, was a divine personification of abundance and prosperity. The name Abundantia means plenty or riches. This name is fitting as Abundantia was a goddess of abundance, money-flow, prosperity, fortune, valuables, and success. She would help protect your savings and investments. Abundantia would even assist someone with major purchases. She was among the embodiments of virtues in religious propaganda that cast the emperor as the ensurer of "Golden Age" conditions.J. Rufus Fears, "The Cult of Virtues and Roman Imperial Ideology," ''Aufstieg und Niedergang der römischen Welt'' II.17.2 (1981), p. 812. Abundantia thus figures in art, cult, and literature, but has little mythology as such. She may have survived in some form in Roman Gaul and medieval France. Abundantia would carry a cornucopia that was filled with grain and coins. She would occasionally leave some of her grain or money at someone's house as a gift. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pheme
In Greek mythology, Pheme ( ; Greek: , ''Phēmē''; Roman equivalent: Fama), also known as Ossa in Homeric sources, was the personification of fame and renown, her favour being notability, her wrath being scandalous rumours. She was a daughter either of Gaia or of Elpis (Hope), was described as "she who initiates and furthers communication" and had an altar at Athens. A tremendous gossip, Pheme was said to have pried into the affairs of mortals and gods, then repeated what she learned, starting off at first with just a dull whisper, but repeating it louder each time, until everyone knew. In art, she was usually depicted with wings and a trumpet. In Roman mythology, Fama ("rumor") was described as having multiple tongues, eyes, ears and feathers by Virgil (in ''Aeneid'' IV line 180 and following) and other authors. Virgil wrote that she "had her feet on the ground, and her head in the clouds, making the small seem great and the great seem greater". In Homer Pheme is called Rum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allegorical Figure
Allegorical sculpture are sculptures of personifications of abstract ideas as in allegory. Common in the western world, for example, are statues of Lady Justice representing justice, traditionally holding scales and a sword, and the statues of Prudence, representing Truth by holding a mirror and squeezing a serpent. This approach of using the human form and its posture, gesture, clothing and props to wordlessly convey social values and themes. It may be seen in funerary art as early as 1580. They were used on Renaissance monuments when patron saints became unacceptable. Particularly popular were the four cardinal virtues and the three Christian virtues, but others such as fame, victory, hope and time are also represented. The use of allegorical sculpture was fully developed under the École des Beaux-Arts. It is sometimes associated with Victorian art, and is commonly found in works dating from around 1900. Notable allegorical sculptures *The Four cardinal virtues, by Maximil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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