Apollo And Daphne (Bernini)
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Apollo And Daphne (Bernini)
''Apollo and Daphne'' is a life-sized Baroque marble sculpture by Italian artist Gian Lorenzo Bernini, executed between 1622 and 1625. Housed in the Galleria Borghese in Rome, the work depicts the climax of the story of Apollo and Daphne (Phoebus and Daphne) in Ovid's ''Metamorphoses''. History The sculpture was the last of a number of artworks commissioned by Cardinal Scipione Borghese, early in Bernini's career. ''Apollo and Daphne'' was commissioned after Borghese had given an earlier work of his patronage, Bernini's The Rape of Proserpina, to Cardinal Ludovico Ludovisi. Much of the early work was done in 1622–23, but a pause, possibly to work on Bernini's sculpture of ''David'', interrupted its completion, and Bernini did not finish the work until 1625.Pinton, p. 18 The sculpture itself was not moved to the Cardinal's Villa Borghese until September 1625. Bernini did not execute the sculpture by himself; he had help from a member of his workshop, Giuliano Finelli, who un ...
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Gian Lorenzo Bernini
Gian Lorenzo (or Gianlorenzo) Bernini (, , ; Italian Giovanni Lorenzo; 7 December 159828 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter (mostly small canvases in oil) and a man of the theater: he wrote, directed and acted in plays (mostly Carnival satires), for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches. As an architect and city planner, he designed secular buildings, churches, chapels, and publi ...
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Ludovico Ludovisi
Ludovico Ludovisi (22 or 27 October 1595 – 18 November 1632) was an Italian Cardinal (Catholic Church), cardinal and statesman of the Roman Catholic Church. He was an art connoisseur who formed a famous collection of antiquities, housed at the Villa Ludovisi in Rome. Biography Ludovico Ludovisi was born in Bologna, then part of the Papal States, the son of Orazio Ludovisi and Lavinia Albergati. Following in the footsteps of his uncle Alessandro Ludovisi, he was trained at the Jesuit Collegio Germanico of Rome, and went on to the University of Bologna, where he received his doctorate in canon law on 25 February 1615. When Alessandro Ludovisi was acclaimed pope, taking the name Pope Gregory XV, Gregory XV, Ludovico was made cardinal the day after his coronation, though he was only 25. The following month he was made archbishop of Bologna though he remained in Rome. His uncle had great faith in his judgement and energy and was in need of a strong and able assistant to help gov ...
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Marble Sculptures In Italy
Marble is a metamorphic rock composed of recrystallized carbonate minerals, most commonly calcite or dolomite. Marble is typically not foliated (layered), although there are exceptions. In geology, the term ''marble'' refers to metamorphosed limestone, but its use in stonemasonry more broadly encompasses unmetamorphosed limestone. Marble is commonly used for sculpture and as a building material. Etymology The word "marble" derives from the Ancient Greek (), from (), "crystalline rock, shining stone", perhaps from the verb (), "to flash, sparkle, gleam"; R. S. P. Beekes has suggested that a "Pre-Greek origin is probable". This stem is also the ancestor of the English word "marmoreal," meaning "marble-like." While the English term "marble" resembles the French , most other European languages (with words like "marmoreal") more closely resemble the original Ancient Greek. Physical origins Marble is a rock resulting from metamorphism of sedimentary carbonate rocks, most ...
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Bernini Sculptures In The Borghese Collection
Gian Lorenzo (or Gianlorenzo) Bernini (, , ; Italian Giovanni Lorenzo; 7 December 159828 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter (mostly small canvases in oil) and a man of the theater: he wrote, directed and acted in plays (mostly Carnival satires), for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches. As an architect and city planner, he designed secular buildings, churches, chapels, and publi ...
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1620s Sculptures
Sixteen or 16 may refer to: *16 (number), the natural number following 15 and preceding 17 *one of the years 16 BC, AD 16, 1916, 2016 Films * '' Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music *The Sixteen, an English choir *16 (band), a sludge metal band * Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"16", by Craig David from ''Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16", by ...
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List Of Works By Gian Lorenzo Bernini
The following is a list of works of sculpture, architecture, and painting by the Italian Baroque artist Gian Lorenzo Bernini Gian Lorenzo (or Gianlorenzo) Bernini (, , ; Italian Giovanni Lorenzo; 7 December 159828 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his .... The numbering follows Rudolph Wittkower's Catalogue, published in 1966 in ''Gian Lorenzo Bernini: The Sculptor of the Roman Baroque''. Works Notes References * * * * * * * * Further reading * * * * External links Web Gallery of ArtMap Showing the Location of Bernini's Works in Rome {{DEFAULTSORT:List Of Works By Gian Lorenzo Bernini Bernini Bernini Works by Gian Lorenzo Bernini Lists of sculptures ...
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Nymph
A nymph ( grc, νύμφη, nýmphē, el, script=Latn, nímfi, label=Modern Greek; , ) in ancient Greek folklore is a minor female nature deity. Different from Greek goddesses, nymphs are generally regarded as personifications of nature, are typically tied to a specific place or landform, and are usually depicted as maidens. They were not necessarily immortal, but lived much longer than human beings. They are often divided into various broad subgroups, such as the Meliae (ash tree nymphs), the Dryads (oak tree nymphs), the Naiads (freshwater nymphs), the Nereids (sea nymphs), and the Oreads (mountain nymphs). Nymphs are often featured in classic works of art, literature, mythology, and fiction. Since the Middle Ages, nymphs have been sometimes popularly associated or even confused with fairies. Etymology The Greek word has the primary meaning of "young woman; bride, young wife" but is not usually associated with deities in particular. Yet the etymology of the noun remains ...
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Peneus
In Greek mythology, Peneus (; Ancient Greek: Πηνειός) was a Thessalian river god, one of the three thousand Rivers (Potamoi), a child of Oceanus and Tethys. Family The nymph Creusa bore him one son, Hypseus, who was King of the Lapiths, and three daughters, Menippe (mother of Phrastor by Pelasgus), Daphne and Stilbe.Diodorus Siculus, 4.69.1 Some sources state that he was the father of Cyrene, alternately known as his granddaughter through Hypseus. Daphne, in an Arcadian version of the myth, was instead the daughter of the river god Ladon. Peneus also had a son Atrax with Bura, and Andreus with an unknown consort. Tricce (or Tricca), eponym of the city Tricca, was mentioned as his daughter. In later accounts, Peneus was credited to be the father of Chrysogenia who consorted with Zeus and became the mother of Thissaeus.Pseudo-Clement, '' Recognitions'' 10.21-23 Meanwhile, his daughter Astabe coupled with Hermes and became the parents of Astacus, father of Iocles, ...
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Cupid
In classical mythology, Cupid (Latin Cupīdō , meaning "passionate desire") is the god of desire, lust, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus (mythology), Venus and the god of war Mars (mythology), Mars. He is also known in Latin as ' ("Love"). His interpretatio graeca, Greek counterpart is Eros.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. Although Eros is generally portrayed as a slender winged youth in Classical Greece, Classical ancient Greek art, Greek art, during the Hellenistic period, he was increasingly portrayed as a chubby boy. During this time, his iconography acquired the bow and arrow that represent his source of power: a person, or even a deity, who is shot by Cupid's arrow is filled with uncontrollable desire. In myths, Cupid is a minor character who serves mostly to set the plot in motion. He is a main character only in the tale of Cupid and Psyche, when wounded by hi ...
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Pope Urban VIII
Pope Urban VIII ( la, Urbanus VIII; it, Urbano VIII; baptised 5 April 1568 – 29 July 1644), born Maffeo Vincenzo Barberini, was head of the Catholic Church and ruler of the Papal States from 6 August 1623 to his death in July 1644. As pope, he expanded the papal territory by force of arms and advantageous politicking, and was also a prominent patron of the arts and a reformer of Church missions. However, the massive debts incurred during his pontificate greatly weakened his successors, who were unable to maintain the papacy's longstanding political and military influence in Europe. He was also an opponent of Copernicanism and involved in the Galileo affair. He is the last pope to date to take the pontifical name "Urban". Biography Early life He was born Maffeo Vincenzo Barberini in April 1568 to Antonio Barberini, a Florentine nobleman, and Camilla Barbadoro. He was born at Barberino Val d'Elsa in "Tafania" house. His father died when he was only three years old and hi ...
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Cartouche
In Egyptian hieroglyphs, a cartouche is an oval with a line at one end tangent to it, indicating that the text enclosed is a royal name. The first examples of the cartouche are associated with pharaohs at the end of the Third Dynasty, but the feature did not come into common use until the beginning of the Fourth Dynasty under Pharaoh Sneferu. While the cartouche is usually vertical with a horizontal line, if it makes the name fit better it can be horizontal, with a vertical line at the end (in the direction of reading). The ancient Egyptian word for cartouche was , and the cartouche was essentially an expanded shen ring. Demotic script reduced the cartouche to a pair of brackets and a vertical line. Of the five royal titularies it was the ''prenomen'' (the throne name), and the "Son of Ra" titulary (the so-called '' nomen'' name given at birth), which were enclosed by a cartouche. At times amulets took the form of a cartouche displaying the name of a king and placed in tombs. ...
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Giuliano Finelli
Giuliano Finelli (1601–1653) was an Italian Baroque sculptor who emerged from the workshop of Bernini. He was born in Carrara to a family of marble masons in a town associated with mining of the stone, and he initially trained with Michelangelo Naccherino. He was active in Bernini's studio for a few years, but he broke with Bernini in 1629, when he felt slighted by the awarding of the choice commission of a ''Saint Helena'' statue for the crossing of St Peter's to Andrea Bolgi. He is also purported to have also been slighted by failure to be recognized as the detail master behind the ''Apollo and Daphne'' statue of Bernini. For some time, he found occasional work, often with the support of Pietro da Cortona. The difference between the two sculptors, Bernini and Finelli, was slight. Finelli is highly meticulous about carving tiny details, a focus which often seems to drain from the greater emotion of the piece. The prolific Bernini was less conscious of lacy frillery in dress, ...
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