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Apocalypse Now Redux
''Apocalypse Now Redux'' is a 2001 American extended version of Francis Ford Coppola's epic 1979 war film ''Apocalypse Now''. Coppola, along with editor/longtime collaborator Walter Murch, added 49 minutes of material that had been removed from the initial theatrical release. It is a significant re-edit of the original version. Production Francis Ford Coppola began production on the new cut with working-partner Kim Aubry. Coppola then tried to get Murch, who was reluctant at first. He thought it would be extremely difficult recutting a film that had taken two years to edit originally. He later changed his mind (after working on the reconstruction of Orson Welles' ''Touch of Evil''). Coppola and Murch then examined several of the rough prints and dailies for the film. It was decided early on that the editing of the film would be like editing a new film altogether. One such example was the new French plantation sequence. The scenes were greatly edited to fit into the movie orig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Ford Coppola
Francis Ford Coppola (; ; born April 7, 1939) is an American film director, producer, and screenwriter. He is considered one of the major figures of the New Hollywood filmmaking movement of the 1960s and 1970s. Coppola is the recipient of five Academy Awards, six Golden Globe Awards, two Palmes d'Or, and a British Academy Film Award (BAFTA). After directing ''The Rain People'' in 1969, Coppola co-wrote ''Patton'' (1970), which earned him the Academy Award for Best Original Screenplay along with Edmund H. North. Coppola's reputation as a filmmaker was cemented with the release of ''The Godfather'' (1972), which revolutionized the gangster genre of filmmaking, receiving strong commercial and critical reception. ''The Godfather'' won three Academy Awards: Best Picture, Best Actor, and Best Adapted Screenplay (shared with Mario Puzo). His film ''The Godfather Part II'' (1974) became the first sequel to win the Academy Award for Best Picture. Highly regarded by critics, the film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Marks
Richard Marks (November 10, 1943 – December 31, 2018) was an American film editor with more than 30 editing credits for feature and television films dating from 1972. In an extended, notable collaboration (1983–2010), he edited all of director James L. Brooks' feature films. Marks was Barry Malkin's assistant editor on ''The Rain People'' (1969), which was directed by Francis Ford Coppola early in his career. He then assisted Dede Allen on ''Alice's Restaurant'' (1969) and on ''Little Big Man'' (1970); he co-edited ''Serpico'' (1973) with Allen. Dede Allen was among the most prominent film editors of her generation, and she was known for helping to develop the careers of several younger editors. Roger Crittenden has written that "Perhaps the outstanding graduate of the Dede Allen Academy is Richard Marks." Marks was nominated for many awards including four Academy Awards (Oscars), three ACE Eddie Awards, three BAFTA Awards, and an Emmy. Marks was elected to membership in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
War Film
War film is a film genre concerned with warfare, typically about naval, air, or land battles, with combat scenes central to the drama. It has been strongly associated with the 20th century. The fateful nature of battle scenes means that war films often end with them. Themes explored include combat, survival and escape, camaraderie between soldiers, sacrifice, the futility and inhumanity of battle, the effects of war on society, and the moral and human issues raised by war. War films are often categorized by their milieu, such as the Korean War; the most popular subject is the Second World War. The stories told may be fiction, historical drama, or biographical. Critics have noted similarities between the Western and the war film. Nations such as China, Indonesia, Japan, and Russia have their own traditions of war film, centred on their own revolutionary wars but taking varied forms, from action and historical drama to wartime romance. Subgenres, not necessarily distinct, includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epic Film
Epic films are a style of filmmaking with large-scale, sweeping scope, and spectacle. The usage of the term has shifted over time, sometimes designating a film genre and at other times simply synonymous with big-budget filmmaking. Like epics in the classical literary sense it is often focused on a heroic character. An epic's ambitious nature helps to set it apart from other types of film such as the period piece or adventure film. Epic historical films would usually take a historical or a mythical event and add an extravagant setting and lavish costumes, accompanied by an expansive musical score with an ensemble cast, which would make them among the most expensive of films to produce. The most common subjects of epic films are royalty, and important figures from various periods in world history. Characteristics The term "epic" originally came from the poetic genre exemplified by such works as the ''Epic of Gilgamesh'' and the works of the Trojan War Cycle. In classical litera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Director's Cut
A director's cut is an edited version of a film (or video game, television episode, music video, or commercial) that is supposed to represent the director's own approved edit in contrast to the theatrical release. "Cut" explicitly refers to the process of film and game editing; in preparing a film for release, the director's cut is preceded by the assembly and rough editor's cut and usually followed by the final cut meant for the public film release and video game release. Director's cuts of film are not generally released to the public because on most films the director does not have the final cut privilege. Those with money invested in the film, such as the production companies, distributors, or studios, may make changes intended to make the film more profitable at the box office. This sometimes means a happier ending or less ambiguity, or excluding scenes that would earn a more audience-restricting rating, but more often means that the film is simply shortened to provide more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Box Office Mojo
Box Office Mojo is an American website that tracks box-office revenue in a systematic, algorithmic way. The site was founded in 1998 by Brandon Gray, and was bought in 2008 by IMDb, which itself is owned by Amazon. History Brandon Gray began the site on August 7, 1998, making forecasts of the top-10 highest-grossing films in the United States for the following weekend. To compare his forecasts to the actual results, he started posting the weekend grosses and wrote a regular column with box-office analysis. In 1999, he started to post the Friday daily box-office grosses, sourced from Exhibitor Relations, so that they were publicly available online on Saturdays and posted the Sunday weekend estimates on Sundays. Along with the weekend grosses, he was publishing the daily grosses, release schedules, and other charts, such as all-time charts, international box-office charts, genre charts, and actor and director charts. The site gradually expanded to include weekend charts going b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Ebert
Roger Joseph Ebert (; June 18, 1942 – April 4, 2013) was an American film critic, film historian, journalist, screenwriter, and author. He was a film critic for the ''Chicago Sun-Times'' from 1967 until his death in 2013. In 1975, Ebert became the first film critic to win the Pulitzer Prize for Criticism. Neil Steinberg of the ''Chicago Sun-Times'' said Ebert "was without question the nation's most prominent and influential film critic," and Kenneth Turan of the ''Los Angeles Times'' called him "the best-known film critic in America." Ebert was known for his intimate, Midwestern writing voice and critical views informed by values of populism and humanism. Writing in a prose style intended to be entertaining and direct, he made sophisticated cinematic and analytical ideas more accessible to non-specialist audiences. While a populist, Ebert frequently endorsed foreign and independent films he believed would be appreciated by mainstream viewers, which often resulted in such film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2001 Cannes Film Festival
The 54th Cannes Film Festival started on 14 May and ran until 20 May 2001. Norwegian actress and director Liv Ullmann was the Jury President. The Palme d'Or went to the Italian film ''The Son's Room'' by Nanni Moretti. The festival opened with ''Moulin Rouge!'', directed by Baz Luhrmann and closed with '' Les âmes fortes'', directed by Raúl Ruiz. The Un Certain Regard section opened with '''R Xmas'' directed by Abel Ferrara and closed with ''The Words of My Father'' (''Le parole di mio padre'') directed by Francesca Comencini. Juries Main competition The following people were appointed as the Jury for the feature films of the 2001 Official Selection: * Liv Ullmann, (Norway) Jury President * Mimmo Calopresti (Italy) * Charlotte Gainsbourg (United Kingdom) * Terry Gilliam (United States) * Mathieu Kassovitz (France) * Sandrine Kiberlain (France) * Philippe Labro (France) * Julia Ormond (United Kingdom) * Moufida Tlatli (Tunisia) * Edward Yang (Taiwan) Un Certain Regard T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Screen International
''Screen International'' is a British film magazine covering the international film business. It is published by Media Business Insight, a British B2B media company. The magazine is primarily aimed at those involved in the global film business. The magazine in its current form was founded in 1975, and its website, ''Screendaily.com'', was added in 2001. ''Screen International'' also produces daily publications at film festivals and markets in Berlin, Germany; Cannes, France; Toronto, Ontario, Canada; the American Film Market in Santa Monica, California; and Hong Kong. History ''Screen International'' traces its history back to 1889 with the publication of ''Optical Magic Lantern and Photographic Enlarger''. At the turn of the 20th century, the name changed to ''Cinematographic Journal'' and in 1907 it was renamed '' Kinematograph and Lantern Weekly''. Kinematograph Weekly ''Kinematograph and Lantern Weekly'' contained trade news, advertisements, reviews, exhibition advice, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
StudioCanal
StudioCanal S.A.S. (formerly known as Le Studio Canal+, Canal Plus, Canal+ Distribution, Canal+ D.A., Canal+ Production, and Canal+ Image and also known as StudioCanal International) is a French film production and distribution company that owns the third-largest film library in the world. The company is a unit of the Canal+ Group, owned by Vivendi. Background The company was founded in 1988 by Pierre Lescure as a spin-off of the Canal+ pay-TV network. The original function was to focus on French and European productions, but later made strategic deals with American production companies, such as Carolco Pictures. StudioCanal's most notable productions from its early years include '' Terminator 2: Judgment Day'', '' JFK'', ''Basic Instinct'', ''Cliffhanger'', '' Under Siege'', ''Free Willy'', and the original ''Stargate'' movie. In those days, it was known as either Le Studio Canal+ or simply Canal+. Other films the company financed include '' U-571'', ''Bully'', and '' Bridget ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miramax Films
Miramax, LLC, also known as Miramax Films, is an American film and television production and distribution company founded on December 19, 1979, by brothers Harvey Weinstein, Harvey and Bob Weinstein, and based in Los Angeles, California. It was initially a leading producer and distributor of independent films until it became the first company to be acquired by The Walt Disney Company on June 30, 1993. In 2010, the leadership of Disney saw Miramax to be redundant in their directions and on December 3 sold it to Filmyard Holdings, a joint venture of Colony NorthStar, Tutor-Saliba Corporation and Qatar Investment Authority. On March 2, 2016, the company was in turn sold to the beIN Media Group, who then agreed to sell a 49% stake in the company to ViacomCBS (now Paramount Global) on December 20, 2019. It was completed on April 3, 2020, and its stake in Miramax got placed under the umbrella of its film division, Paramount Pictures. History Independent era (1979–1993) The compa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Zoetrope
American Zoetrope (also known as Omni Zoetrope from 1977 to 1980 and Zoetrope Studios from 1980 until 1990) is a privately run American film production company, centered in San Francisco, California and founded by Francis Ford Coppola and George Lucas. Opened on December 12, 1969, the studio has produced not only the films of Coppola (including ''Apocalypse Now'', '' Bram Stoker's Dracula'' and ''Tetro''), but also George Lucas's pre-''Star Wars'' film (''THX 1138''), as well as many others by ''avant-garde'' directors such as Jean-Luc Godard, Akira Kurosawa, Wim Wenders and Godfrey Reggio. American Zoetrope was an early adopter of digital filmmaking, including some of the earliest uses of HDTV. Four films produced by American Zoetrope are included in the American Film Institute's Top 100 Films. American Zoetrope-produced films have received 15 Academy Awards and 68 nominations. Formation Initially located in a warehouse at 827 Folsom Street on the second floor of The Automa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
