Antoon Derkinderen
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Antoon Derkinderen
Antonius Johannes (Antoon) Derkinderen ('s-Hertogenbosch, 20 December 1859 – Amsterdam, 2 November 1925) was a Dutch painter, Glass artist, Draftsman and designer of book covers. Life Early Years Antoon Derkinderen was born in 's-Hertogenbosch in 1859 to Antonius Henricus Derkinderen, gold- and silversmith, and Hendrica de Rooij. At the time the town was deeply Catholic and conservative. From 1874 to 1878 Derkinderen went to the daytime school for primary school teachers in 's-Hertogenbosch. The simple reason why Derkinderen went to this school, was that the education was solid and free of charge. He also became qualified to teach drawing and mathematics. Derkinderen would lead the choir of this school with very much enthusiasm. In May 1878 Derkinderen qualified as an assistant teacher for primary education. In his hometown 's-Hertogenbosch, Derkinderen then went to the Royal School of Applied and Visual Arts from 1878 to 1880. This school was led by J.Th. Stracké. ...
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's-Hertogenbosch
s-Hertogenbosch (), colloquially known as Den Bosch (), is a city and municipality in the Netherlands with a population of 157,486. It is the capital of the province of North Brabant and its fourth largest by population. The city is south of the Maas river and near the Waal; it is to the north east of the city of Tilburg, north west of Eindhoven, south west of Nijmegen, and a longer distance south of Utrecht and south east of Dordrecht. History The city's official name is a contraction of the (archaic) Dutch ''des Hertogen bosch'' — "the forest of the duke". The duke in question was Henry I of Brabant, whose family had owned a large estate at nearby Orthen for at least four centuries. He founded a new town located on some forested dunes in the middle of a marsh. At age 26, he granted 's-Hertogenbosch city rights and the corresponding trade privileges in 1185. This is, however, the traditional date given by later chroniclers; the first mention in contemporaneous sou ...
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Begijnhof Chapel, Amsterdam
The Begijnhof Chapel, dedicated to Saint John and Saint Ursula, is a Roman Catholic chapel run by the Congregation of the Blessed Sacrament, in the St Nicholas Parish of Amsterdam. It is located in a former schuilkerk in the Begijnhof across from its original location, the English Reformed Church, Amsterdam. The Miracle of Amsterdam is commemorated yearly with a procession starting from this church. History Around 1150, a group of women came together to live in a religious community, primarily to look after the sick. These were the first ' Beguines’ although the name was not yet used. The women were not nuns and nor did they live in the seclusion of a convent. They had no founders nor did they make lifelong vows. They were unmarried women who made a vow of chastity and promised obedience to the parish priest, but since they were not expected to make a vow of poverty, they were free to dispose of their own possessions as they wished. They could renounce their vows at any ...
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Alphons Diepenbrock
Alphonsus Johannes Maria Diepenbrock (2 September 1862 in Amsterdam – 5 April 1921) was a Dutch composer, essayist and classicist. Life and work Diepenbrock was not a musician by training. Brought up in a prosperous Catholic family, although he showed musical ability as a child, the expectation was that he would enter a university rather than a conservatory. And so he studied classics at the University of Amsterdam, gaining his doctorate cum laude in 1888 with a dissertation in Latin on the life of Seneca. The same year he became a teacher, a job which he held until 1894, and decided to devote himself to music. As a composer, he had been completely self-taught from an early age. He created a musical idiom which, in a highly personal manner, combined 16th-century polyphony with Wagnerian chromaticism, to which in later years was added the impressionistic refinement that he encountered in Debussy's music. His predominantly vocal output is distinguished by the high quality ...
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Hendrik Petrus Berlage
Hendrik Petrus Berlage (21 February 1856 – 12 August 1934) was a Dutch architect. He is considered one of the fathers of the architecture of the Amsterdam School. Life and work Hendrik Petrus Berlage, son of Nicolaas Willem Berlage and Anna Catharina Bosscha, was born on 21 February 1856 in Amsterdam in the Netherlands. Anna Catharina Bosscha's uncle was Johannes Bosscha, a scientist who taught in Polytechnische School te Delft. Berlage studied architecture at the ETH Zurich, Zurich Institute of Technology between 1875 and 1878 after which he traveled extensively for 3 years through Europe. In the 1880s he formed a partnership in the Netherlands with Theodore Sanders which produced a mixture of practical and utopian projects. A published author, Berlage held memberships in various architectural societies including Congrès International d'Architecture Moderne, CIAM I. Berlage was influenced by the Neo-Romanesque brickwork architecture of Henry Hobson Richardson and of the ...
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Gijsbrecht Van Aemstel (play)
''Gijsbrecht van Aemstel'' () is a 17th-century history play by Joost van den Vondel, written to inaugurate Amsterdam's first city theatre. The first production was planned to take place on 26 December 1637, but was postponed until 3 January 1638. The piece was then performed annually (on New Year's Day) in Amsterdam until 1968. Plot Set in 1304, it tells the story of the siege of Amsterdam and its surrounding towns, united by the Kennemers and Waterlanders. The reason for the siege is Gijsbrecht's alleged involvement in the abduction and manslaughter of Floris V in 1296. The enemy soldiers appear to leave but smuggle themselves into the town, hidden in a cargo of firewood being shipped in by the citizens of Amsterdam. After a violent battle, Gijsbrecht is forced to flee to Prussia, to found a "New Holland" there. Historical accuracy In reality, the nobleman who in 1304 invaded Amsterdam (to recover his position and possessions lost in 1296) was not Gijsbrecht IV (1235†...
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Joost Van Den Vondel
Joost van den Vondel (; 17 November 1587 – 5 February 1679) was a Dutch poet, writer and playwright. He is considered the most prominent Dutch poet and playwright of the 17th century. His plays are the ones from that period that are still most frequently performed, and his epic ''Joannes de Boetgezant'' (1662), on the life of John the Baptist, has been called the greatest Dutch epic. Vondel's theatrical works were regularly performed until the 1960s. The most visible was the annual performance, on New Year's Day from 1637 to 1968, of '' Gijsbrecht van Aemstel''. Vondel remained productive until a very old age. Several of his most notable plays like ' and ' were written after 1650, when he was already 65, and his final play ', written at the age of eighty, is considered one of his finest. Early life Vondel was born on 17 November 1587 on the Große Witschgasse in Cologne, Holy Roman Empire. His parents, Joost van den Vondel the Elder and Sara (née Kranen), were Mennonites of ...
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Leadlight
Leadlights, leaded lights or leaded windows are decorative windows made of small sections of glass supported in lead cames. The technique of creating windows using glass and lead came to be known as came glasswork. The term 'leadlight' could be used to describe any window in which the glass is supported by lead, but traditionally, a distinction is made between stained glass windows and leadlights; the former is associated with the ornate coloured-glass windows of churches and similar buildings, while the latter is associated with the windows of vernacular architecture and defined by its simplicity. Since the traditional technique of setting glass into lead cames is the same in both cases, the division between 'leadlights' and 'stained glass' became less distinct during the late 20th century. The terms are now often incorrectly used interchangeably for any window employing this technique, while the term 'stained glass' is often applied to any windows, sculptures or works of art u ...
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Community Arts
Community art, also known as social art, community-engaged art, community-based art, and, rarely, dialogical art, is the practice of art based in and generated in a community setting. It is closely related to social practice and social turn. Works in this form can be of any media and are characterized by interaction or dialogue with the community. Professional artists may collaborate with communities which may not normally engage in the arts. The term was defined in the late 1960s as the practice grew in the United States, Canada, the Netherlands, the United Kingdom, Ireland, and Australia. In Scandinavia, the term "community art" more often refers to contemporary art projects. Community art is a community-oriented, grassroots approach, often useful in economically depressed areas. When local community members come together to express concerns or issues through this artistic practice, professional artists or actors may be involved. This artistic practice can act as a catalyst to ...
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Mural
A mural is any piece of graphic artwork that is painted or applied directly to a wall, ceiling or other permanent substrate. Mural techniques include fresco, mosaic, graffiti and marouflage. Word mural in art The word ''mural'' is a Spanish adjective that is used to refer to what is attached to a wall. The term ''mural'' later became a noun. In art, the word mural began to be used at the beginning of the 20th century. In 1906, Dr. Atl issued a manifesto calling for the development of a monumental public art movement in Mexico; he named it in Spanish ''pintura mural'' (English: ''wall painting''). In ancient Roman times, a mural crown was given to the fighter who was first to scale the wall of a besieged town. "Mural" comes from the Latin ''muralis'', meaning "wall painting". History Antique art Murals of sorts date to Upper Paleolithic times such as the cave paintings in the Lubang Jeriji Saléh cave in Borneo (40,000-52,000 BP), Chauvet Cave in Ardèche departmen ...
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Stedelijk Museum Amsterdam
The Stedelijk Museum Amsterdam (; Municipal Museum Amsterdam), colloquially known as the Stedelijk, is a museum for modern art, contemporary art, and design located in Amsterdam, Netherlands.Stedelijk Museum
, I Amsterdam. Retrieved on 26 September 2012.
The 19th century building was designed by Adriaan Willem Weissman and the 21st century wing with the current entrance was designed by Benthem Crouwel Architects. It is located at the Museum Square in the
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Jan Veth
Jan Pieter Veth (18 May 1864, Dordrecht – 1 July 1925, Amsterdam) was a Dutch painter, poet, art critic and university lecturer. He is especially noted as a portrait painter. Amongst his sitters were Max Liebermann, Lambertus Zijl, Frank van der Goes, Antoon Derkinderen and other contemporaries including various fellow painters. Biography Jan Veth was the son of Gerradus Huibert Veth, a Dordrecht iron merchant and liberal politician, and Anna Cornelia Giltay. On his mother's side he descended from the Dordrecht painter family of Van Strij (his mother was a granddaughter of Jacob van Strij). He married Anna Dorothea Dirks on 10 August 1888, from which marriage came five children. Veth received his art education at the ''Rijksakademie van Beeldende Kunsten'' in Amsterdam. He was living in the area, called de Pijp. With several of his fellow students he founded the St. Luke group. From 1885 he worked with the painter Anton Mauve in Laren. After his marriage he settled in Bus ...
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