Antonio Ruíz (painter)
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Antonio Ruíz (painter)
Antonio M. Ruíz (b. Texcoco, Mexico State, September 2, 1892 – d. Mexico City, October 9, 1964), was a Mexican fine art painter and scenic designer otherwise known by his childhood nickname "El Corzo" or "El Corcito" (diminutive) which came about due to his resemblance to a popular Spanish bullfighter or torero. Personal life Ruíz was born in Texcoco, Mexico to a physician (father) and concert pianist (mother). His grandfather was a painter as well. Ruíz and his family moved to Mexico City in his childhood and he spent most of his adult life there. Both his mother and father died when he was young, so he turned to education as his support. Ruíz met Mereced Pérez Correa in 1925 and proposed but her father shipped her off to New York. This is what led to Antonio's trip to the United States of America where he worked in Hollywood designing sets. When Merced returned to Mexico in 1927 Antonio returned as well. He married Merced in 1927 and lived in Villa de Guadalupe with his ...
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Texcoco, Mexico
Texcoco de Mora () is a city located in the State of Mexico, 25 km northeast of Mexico City. Texcoco de Mora is the municipal seat of the municipality of Texcoco. In the pre-Hispanic era, this was a major Aztec city on the shores of Lake Texcoco. After the Conquest, the city was initially the second most important after Mexico City, but its importance faded over time, becoming more rural in character. Over the colonial and post-independence periods, most of Lake Texcoco was drained and the city is no longer on the shore and much of the municipality is on lakebed. Numerous Aztec archeological finds have been discovered here, including the 125 tonne stone statue of Tlaloc, which was found near San Miguel Coatlinchán and now resides at the Museum of Anthropology in Mexico City. Much of Texcoco's recent history involves the clash of the populace with local, state and federal authorities. The most serious of these is the continued attempts to develop an airport here, ...
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Julio Castellanos
Julio Castellanos González (b. Mexico City, October 3, 1905 – d. Mexico City, July 16, 1947) was a Mexican painter and engraver. Biography Castellanos matriculated the Escuela Nacional de Bellas Artes in 1918, where he studied under Saturnino Herrán and Leandro Izaguirre, together with Agustín Lazo, Rufino Tamayo and Leopoldo Méndez. Afterwards he studied engraving in the United States, where he met Manuel Rodríguez Lozano, who influenced his work strongly. Back in Mexico, he participated in the open-air painting schools ( es, Escuela de Pintura al Aire Libre) there, and studied drawing under Adolfo Best Maugard. In 1925 he had his first single exhibition in Buenos Aires, and moved to Paris to deal with European art. Returned to Mexico, he joined the Teatro Ulises group, and exhibited six paintings in a Los Contemporáneos' exhibition, that were totally different from his earlier works. His first and only finished two murals he painted at Juan O'Gorman's ''Escuela Melc ...
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Manuel Ponce (composer)
Manuel María Ponce Cuéllar (8 December 1882 – 24 April 1948) was a Mexican composer active in the 20th century. His work as a composer, music educator and scholar of Mexican music connected the concert scene with a mostly forgotten tradition of popular song and Mexican folklore. Many of his compositions are strongly influenced by the harmonies and form of traditional songs. Biography Early years Born in Fresnillo, Zacatecas, Manuel Maria Ponce moved with his family to the city of Aguascalientes only a few weeks after his birth and lived there until he was 15 years old. He was famous for being a musical prodigy; according to his biographers, he was barely four years of age when, after having listened to the piano classes received by his sister, Josefina, he sat in front of the instrument and interpreted one of the pieces that he had heard. Immediately, his parents had him receive classes in piano and musical notation. Traveling years In 1901 Ponce entered the Nati ...
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José Vasconcelos
José Vasconcelos Calderón (28 February 1882 – 30 June 1959), called the "cultural " of the Mexican Revolution, was an important Mexican writer, philosopher, and politician. He is one of the most influential and controversial personalities in the development of modern Mexico. His philosophy of the " cosmic race" affected all aspects of Mexican sociocultural, political, and economic policies. Early life Vasconcelos was born in Oaxaca, Oaxaca, on February 28, 1882, the son of a customs official. José's mother, a pious Catholic, died when José was 16. The family moved to the border town of Piedras Negras, Coahuila, where he grew up attending school in Eagle Pass, Texas. He became bilingual in English and Spanish, which opened doors to the English-speaking world. The family also lived in Campeche while the northern border area was unstable. His time in living on the Texas border likely contributed to fostering his idea of the Mexican "cosmic race" and rejection of Anglo cultu ...
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Escuela Nacional De Pintura, Escultura Y Grabado "La Esmeralda"
La Esmeralda or Escuela Nacional de Pintura, Escultura y Grabado (ENPEG) (English: National School of Painting, Sculpture and Printmaking) is a Mexican art school founded in 1927 and located in Mexico City. History The history of the ENPEG started with the foundation of a sculpture and wood carving school in the former La Merced Cloister (Exconvento de la Merced) in the historic center of Mexico City by Guillermo Ruiz in 1927. In the 1930s, the school moved to the alley Callejón de la Esmeralda (now Calle San Fernando), Colonia Guerrero, which gave it the name "La Esmeralda". In 1943, Antonio M. Ruiz became head of the seemingly provisory school. He redesigned the building, separated the training in classes, and developed the first curriculum, which achieved certification by the Secretaría de Educación Pública in 1943 accompanied by the official status of an art school.
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Surrealism
Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, theatre, filmmaking, photography, and other media. Works of Surrealism feature the element of surprise, unexpected juxtapositions and '' non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatism" Breton speaks of in the first Surrealist Manifesto), with the works themselves being secondary, i.e. artifacts of surrealist experimentation. Leader Breton was explicit in his assertion that Surrealism was, above all, a ...
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Flemish Art
The asterisk ( ), from Late Latin , from Ancient Greek , ''asteriskos'', "little star", is a typographical symbol. It is so called because it resembles a conventional image of a heraldic star. Computer scientists and mathematicians often vocalize it as star (as, for example, in ''the A* search algorithm'' or '' C*-algebra''). In English, an asterisk is usually five- or six-pointed in sans-serif typefaces, six-pointed in serif typefaces, and six- or eight-pointed when handwritten. Its most common use is to call out a footnote. It is also often used to censor offensive words. In computer science, the asterisk is commonly used as a wildcard character, or to denote pointers, repetition, or multiplication. History The asterisk has already been used as a symbol in ice age cave paintings. There is also a two thousand-year-old character used by Aristarchus of Samothrace called the , , which he used when proofreading Homeric poetry to mark lines that were duplicated. Origen is kno ...
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Germán Gedovius
Germán Gedovius (1867–1937) was a Mexican painter. Biography Gedovius was born in Mexico City in 1867 before moving as an infant with his family to San Luis Potosí. When he was sixteen years old he returned to Mexico City to attend the Academy of San Carlos, where he was a pupil of Salomé Pina and Rafael Flores. At the age of twenty, and after four years of study at San Carlos, he was sent by his father to Germany to continue his studies and to receive medical treatment at clinics specializing in the treatment of deafness since birth. Gedovius recovered successfully after a year because of their medical efforts, and he began to speak, learning German. He moved to Munich, where he learned to draw with charcoal at the Royal Academy and restarted his painting classes. Under the guidance of Master Herterich, he honed his drawing skills, and Wilhelm von Diez introduced him to color techniques. He supplemented his learning by visiting several museums in Europe, especially in Ger ...
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Saturnino Herrán
Saturnino Herrán Guinchard (9 July 1887 – 8 October 1918) was a Mexican painter influential to Latin culture in the late 19th and early 20th century. Biography Born a mix of Indigenous Mexican and Swiss descent, Saturnino Herrán was raised in Aguascalientes, a city in North-Central Mexico ingrained with Spanish culture. His father owned "the only bookstore in the city" and was a professor of bookkeeping at The Academy of Science". At the age of ten, he was exceptional in drawing, painting, and draftsmanship. In 1903, when he was sixteen, his father died. Two years later, the family moved to Mexico City where he studied painting further and began to teach. At 25 years old, he met Rosario Arellano, his future wife, who occasionally acted as a figure model for pieces like ''Mujer en Tehuantepec'' (1914). At the height of his career in 1914, they were married. There is little that is known about their marriage other than it appeared to be "congruent" and "enlightened". Toget ...
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Escuela Nacional Preparatoria (Mexico)
The Escuela Nacional Preparatoria ( en, National Preparatory High School) (ENP), the oldest senior High School system in Mexico, belonging to the National Autonomous University of Mexico (UNAM), opened its doors on February 1, 1868. It was founded by Gabino Barreda, M.D., following orders of then President of Mexico Benito Juárez. It is also modern UNAM's oldest institution. This institution's location was the Antiguo Colegio de San Ildefonso ( en, San Ildefonso College), which is located in the heart of Mexico City's historic center. This college was founded in 1588 by the Jesuits and was prestigious during colonial times, but it had almost completely fallen into ruin by the time of the Reform Laws in the 1860s. These Laws secularized most of Church property, including the San Ildefonso College building In 1867, Benito Juárez began reform of the educational system, taking it out of clerical hands and making it a government function. San Ildefonso was converted into the Escuela ...
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Instituto Nacional De Bellas Artes
The Instituto Nacional de Bellas Artes y Literatura (INBAL, en, National Institute of Fine Arts and Literature), located in the Palacio de Bellas Artes in Mexico City, is the Mexican institution in charge of coordinating artistic and cultural activities (both at the political and the educational level) in the country. On November 23, 1946, president Miguel Alemán Valdés proposed the creation of the INBA, and it was formally opened on 1 January 1947, as a branch of the Secretaría de Educación Pública (SEP). The first head of the INBA was Carlos Chávez, who created a new orchestra for the Conservatory, the current Orquesta Sinfónica Nacional. The institute includes many departments, artistic ensembles, three national centers for storage of the literary stock, 29 schools and further institutions. The school of design and handicrafts was founded by José Chávez Morado in 1962. One of the important services the institute provides for the nation is to protect, along with ...
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Carlos Mérida
Carlos Mérida (December 2, 1891 – December 21, 1985) was a Guatemalan artist who was one of the first to fuse European modern painting to Latin American themes, especially those related to Guatemala and Mexico. He was part of the Mexican muralism movement in subject matter but less so in style, favoring a non-figurative and later geometric style rather than a figurative, narrative style. Mérida is best known for canvas and mural work, the latter including elements such as glass and ceramic mosaic on major constructions in the 1950s and 1960s. One of his major works 4000m2 on the Benito Juarez housing complex, was completely destroyed with the 1985 Mexico City earthquake, but a monument to it exists at another complex in the south of the city. Life Carlos Mérida was born Carlos Santiago Ortega in Guatemala City to Serapio Santiago Mérida and Guadalupe Ortega Barnoya. He later changed his name what is known by as he thought it was more sonorous. His brothers and children als ...
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